Download or read book Anglo Saxon Animal Art and Its Germanic Background written by George Speake and published by Oxford University Press, USA. This book was released on 1980 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Anglo Saxon Styles written by Catherine E. Karkov and published by SUNY Press. This book was released on 2003-09-25 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considers the definitions and implications of style in Anglo-Saxon art and literature. Art historian Meyer Schapiro defined style as "the constant form--and sometimes the constant elements, qualities, and expression--in the art of an individual or group. "Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines--including literature, art history, manuscript studies, philology, and more--consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.
Download or read book The Lost Art of the Anglo Saxon World written by Alexandra Lester-Makin and published by Oxbow Books. This book was released on 2019-11-01 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organized workshops in urban settings employing standardized skill levels and as evidence of changing material use: from small amounts of fibers produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.
Download or read book The Iconography of Early Anglo Saxon Coinage written by Anna Gannon and published by OUP Oxford. This book was released on 2003-04-24 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first scholarly art-historical appraisal of Anglo-Saxon coinage, from its inception in the late sixth century to Offa's second reform of the penny c.792. Outside numismatic circles, this material has largely been ignored because of its complexity, yet artistically this is the most vibrant period of English coinage, with die-cutters showing flair and innovation and employing hundreds of different designs in their work. By analysing the iconography of the early coinage, this book intends to introduce its rich legacy to a wide audience. Anna Gannon divides the designs of the coins into four main categories: busts (including attributes and drapery), human figures, animals and geometrical patterns, presenting prototypes, sources of the repertoire and parallels with contemporary visual arts for each motif. The comparisons demonstrate the central role of coins in the eclectic visual culture of the time, with the advantages of official sanctioning and wide circulation to support and diffuse new ideas and images. The sources of the motifs clarify the relationship between the many designs of the complex Secondary phase (c.710-50). Contemporary literature and theological writings often offer the key to the interpretation of motifs, hinting at a universal preoccupation with religious themes. The richness of designs and display of learning point to a sophisticated patronage with access to exotic prototypes, excellent craftsmanship and wealth; it is likely that minsters, as rich, learned, and well-organized institutions, were behind some of the coinage. After the economic crises of the mid-eighth century this flamboyant iconography was swept away: with the notable exeption of the coins of Offa, still displaying exciting designs of high quality and inventiveness, reformed issues bore royal names and titles, and strove towards uniformity.
Download or read book Representing Beasts in Early Medieval England and Scandinavia written by Michael D. J. Bintley and published by Boydell & Brewer Ltd. This book was released on 2015 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself. For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge. This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self. Michael D.J. Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University; Thomas J.T. Williams is a doctoral researcher at UCL's Institute of Archaeology. Contributors: Noël Adams, John Baker, Michael D. J. Bintley, Sue Brunning, László Sándor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams
Download or read book The Art of Anglo Saxon England written by Catherine E. Karkov and published by Boydell Press. This book was released on 2011 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing a fresh appraisal of the art of Anglo-Saxon England, this text looks at its influence upon the creation of an identity as a nation.
Download or read book The Archaeology of Anglo Saxon England written by Catherine E. Karkov and published by Routledge. This book was released on 2013-10-28 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers comprehensive coverage of the archaeology of Anglo-Saxon England, bringing together essays on specifi fields, sites and objects, and offering the reader a representative range of both traditional and new methodologies and interdisciplinary approaches to the subject.
Download or read book Image and Ornament in the Early Medieval West written by Matthias Friedrich and published by Cambridge University Press. This book was released on 2022-12-31 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholarship often treats the post-Roman art produced in central and north-western Europe as representative of the pagan identities of the new 'Germanic' rulers of the early medieval world. In this book, Matthias Friedrich offers a critical reevaluation of the ethnic and religious categories of art that still inform our understanding of early medieval art and archaeology. He scrutinises early medieval visual culture by combining archaeological approaches with art historical methods based on contemporary theory. Friedrich examines the transformation of Roman imperial images, together with the contemporary, highly ornamented material culture that is epitomized by 'animal art.' Through a rigorous analysis of a range of objects, he demonstrates how these pathways produced an aesthetic that promoted variety (varietas), a cross-cultural concept that bridged the various ethnic and religious identities of post-Roman Europe and the Mediterranean worlds.
Download or read book Old English Runes written by Gaby Waxenberger and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-04-03 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents contributions to the conference Old English Runes Workshop, organised by the Eichstätt-München Research Unit of the Academy project Runic Writing in the Germanic Languages (RuneS) and held at the Catholic University of Eichstätt-Ingolstadt in March 2012. The conference brought together experts working in an area broadly referred to as Runology. Scholars working with runic objects come from several different fields of specialisation, and the aim was to provide more mutual insight into the various methodologies and theoretical paradigms used in these different approaches to the study of runes or, in the present instance more specifically, runic inscriptions generally assigned to the English and/or the Frisian runic corpora. Success in that aim should automatically bring with it the reciprocal benefit of improving access to and understanding of the runic evidence, expanding and enhancing insights gained within such closely connected areas of study of the Early-Mediaeval past.
Download or read book Sensory Reflections written by Fiona Griffiths and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-10-22 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume draws on emerging scholarship at the intersection of two already vibrant fields: medieval material culture and medieval sensory experience. The rich potential of medieval matter (most obviously manuscripts and visual imagery, but also liturgical objects, coins, textiles, architecture, graves, etc.) to complement and even transcend purely textual sources is by now well established in medieval scholarship across the disciplines. So, too, attention to medieval sensory experiences—most prominently emotion—has transformed our understanding of medieval religious life and spirituality, violence, power, and authority, friendship, and constructions of both the self and the other. Our purpose in this volume is to draw the two approaches together, plumbing medieval material sources for traces of sensory experience - above all ephemeral and physical experiences that, unlike emotion, are rarely fully described or articulated in texts.
Download or read book The Oxford Handbook of Anglo Saxon Archaeology written by Helena Hamerow and published by OUP Oxford. This book was released on 2011-03-31 with total page 1110 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by a team of experts and presenting the results of the most up-to-date research, The Handbook of Anglo-Saxon Archaeology will both stimulate and support further investigation into a society poised at the interface between prehistory and history.
Download or read book Lost Gold of the Dark Ages written by Caroline Alexander and published by National Geographic Books. This book was released on 2011 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a history of England from the departure of Roman forces in 450 A.D. to the Norman invasion of 1066, focusing on the gold and silver artifacts of the Staffordshire Hoard found in 2009 to highlight the events and art of the period.
Download or read book Cemeteries and Society in Merovingian Gaul written by Guy Halsall and published by BRILL. This book was released on 2010 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bundeling van de zeven belangrijkste essays over de sociale interpretatie van de Merovingische begraafplaatsen-archeologie.
Download or read book Barbaric Splendour The Use of Image Before and After Rome written by Toby F. Martin and published by Archaeopress Publishing Ltd. This book was released on 2020-06-11 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book comprises a collection of essays comparing late Iron Age and Early Medieval art. Fundamentally, the book asks what making images meant on the fringe of the expanding or contracting Roman empire, particularly as the art from both periods drew heavily from – but radically transformed – imperial imagery.
Download or read book The Conversion of Britain written by Barbara Yorke and published by Routledge. This book was released on 2014-05-22 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Britain of 600-800 AD was populated by four distinct peoples; the British, Picts, Irish and Anglo-Saxons. They spoke 3 different languages, Gaelic, Brittonic and Old English, and lived in a diverse cultural environment. In 600 the British and the Irish were already Christians. In contrast the conversion of the Anglo-Saxons and Picts occurred somewhat later, at the end of the 6th and during the 7th century. Religion was one of the ways through which cultural difference was expressed, and the rulers of different areas of Britain dictated the nature of the dominant religion in areas under their control. This book uses the Conversion and the Christianisation of the different peoples of Britainas a framework through which to explore the workings of their political systems and the structures of their society. Because Christianity adapted to and affected the existing religious beliefs and social norms wherever it was introduced, it’s the perfect medium through which to study various aspects of society that are difficult to study by any other means.
Download or read book Early Anglo Saxon Christian Reliquaries written by Anthony Gibson and published by Archaeopress Publishing Ltd. This book was released on 2022-03-10 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a corpus and discussion of seventy-one Anglo-Saxon copper-alloy containers from forty-nine sites across England dating to the seventh and possibly eighth centuries, and variously described as work boxes, needle cases, amulet containers or Christian reliquaries.
Download or read book The Quoit Brooch Style and Anglo Saxon Settlement written by Seiichi Suzuki and published by Boydell & Brewer. This book was released on 2000 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: The quoit brooch style, a decorative style of animal and geometric motifs, is unique to southern England in the 5th century AD, with the greatest concentration of such items occurring in Kent. The author defines the style through an analysis of its design organization, and, by comparing it with near-contemporary styles in England and on the continent, he identifies those features which make it unique.
