Download or read book Unpackaging Art of the 1980s written by Alison Pearlman and published by University of Chicago Press. This book was released on 2003-06-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: American art of the 1980s is as misunderstood as it is notorious. Critics of the time feared that market hype and self-promotion threatened the integrity of art. They lashed out at contemporary art, questioning the validity of particular media and methods and dividing the art into opposing camps. While controversies have since subsided, critics still view art of the 1980s as a stylistic battlefield. Alison Pearlman rejects this picture, which is truer of the period's criticism than of its art. Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian Schnabel and David Salle in association with Neo-Expressionism; Jean-Michel Basquiat and Keith Haring vis-à-vis Graffiti Art; and Peter Halley and Jeff Koons in relation to Simulationism. Pearlman shows how all these artists shared important but unrecognized influences and approaches: a crucial and overwhelming inheritance of 1960s and 1970s Conceptualism, a Warholian understanding of public identity, and a deliberate and nuanced use of past styles and media. Through in-depth discussions of works, from Haring's body-paintings of Grace Jones to Schnabel's movie Basquiat, Pearlman demonstrates how these artists' interests exemplified a broader, generational shift unrecognized by critics. She sees this shift as starting not in the 1980s but in the mid-1970s, when key developments in artistic style, art-world structures, and consumer culture converged to radically alter the course of American art. Unpackaging Art of the 1980s offers an innovative approach to one of the most significant yet least understood episodes in twentieth-century art.
Download or read book The Rise and Fall of American Art 1940s 1980s written by Catherine Dossin and published by Routledge. This book was released on 2016-03-03 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Download or read book AMERICAN ART OF THE 1980 S written by and published by . This book was released on 1986 with total page 8 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Rise and Fall of American Art 1940s 1980s written by Catherine Dossin and published by Routledge. This book was released on 2016-03-03 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Download or read book The Rise and Fall of American Art 1940s 1980s written by Assoc Prof Catherine Dossin and published by Ashgate Publishing, Ltd.. This book was released on 2015-03-28 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors.
Download or read book Pacific Standard Time written by Martin-Gropius-Bau (Berlin, Germany) and published by Getty Publications. This book was released on 2011 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This volume is published for the occasion of the Getty's citywide grant initiative Pacific Standard Time: Art in Los Angeles 1945-1980 and accompanies the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950- 1970, held at the J. Paul Getty Museum, Los Angeles."
Download or read book Tom Warren written by Anthony Haden-Guest and published by Hatje Cantz Verlag. This book was released on 2022-01-01 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Die 1980er-Jahre in New York waren eine ambivalente Zeit: einerseits war die Stadt geprägt von hoher Kriminalität und der AIDS-Krise, andererseits boomte die Wirtschaft und verhalf ihren Profiteuren zu einem dekadenten Leben. Kunst- und Kulturschaffende wurden von der Stadt der Gegensätze angezogen. Sie beschäftigten sich kritisch mit Themen wie Politik und Gentrifizierung – aber genossen auch das hedonistische Leben. Der Fotograf Tom Warren wurde zu einem der wichtigsten Dokumentaristen dieser Zeit. Er war ein bedeutender Teil der New Yorker Kunstszene und erlangte mit der künstlerischen Umnutzung vakanter Räume im East Village Bekanntheit. Mit seinen Porträts der Menschen und des Lebens von New York schuf er Erinnerungen und Zeitdokumente. Die Monografie zeigt seine Fotografien aus dieser Zeit und erweckt eine vergangene Dekade zum Leben.
Download or read book American Art of the 1980s written by and published by . This book was released on 1986 with total page 6 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Brand New written by and published by Rizzoli Publications. This book was released on 2018-02-13 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists’ focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in “brand-new” types of painting, sculpture, photography, installation, and performance. In a book full of visual surprises, newly commissioned essays shed new light on this pivotal period: curator Gianni Jetzer provides a comprehensive overview, while Leah Pires illuminates lesser-known conceptual collaborations, and Bob Nickas offers an eyewitness account of the East Village gallery scene. These texts, together with an illustrated chronology, provide a fresh account of the moment at which contemporary artists such as Felix González-Torres, Peter Halley, Jeff Koons, Barbara Kruger, Sherrie Levine, Richard Prince, and Cindy Sherman grabbed the ball from Andy Warhol and ran with it, changing the rules of the game forever.
Download or read book Twentieth Century American Art written by Erika Doss and published by OUP Oxford. This book was released on 2002-04-26 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.
Download or read book American Art of the 1980s written by Sabine M. Eckmann and published by . This book was released on 2004 with total page 8 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Art of the Late 80s written by Trevor J. Fairbrother and published by . This book was released on 1988 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Art Now written by Edward Lucie-Smith and published by William Morrow. This book was released on 1985 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the trends and development of art in the 1980s and focuses on new regional centers and their artists.
Download or read book American Art of the 1980s written by and published by . This book was released on 1986 with total page 7 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Art of the Late 80s written by Museum of Fine Arts, Boston and published by . This book was released on 1988 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book With Pleasure written by Anna Katz and published by Yale University Press. This book was released on 2019-01-01 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement's defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement's feminist methods and values, including Miriam Schapiro's "femmage" practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.
Download or read book Radical Conventions written by Elizabeth Cerejido and published by . This book was released on 2022-09-15 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Radical Conventions: Cuban American Art from the 1980s" was published as the companion catalogue for an eponymous museum exhibition (University of Miami/Lowe Art Museum, Coral Gables, FL, March 17 - June 12, 2022); the first such show to focus solely on the artistic production of artists of Cuban descent active in the US in the 1980s. Featuring scholarly essays by Elizabeth Cerejido, PhD (Chair, Cuban Heritage Collection of the University of Miami Libraries); Chon Noriega (Distinguished Professor of Film, Television, and Digital Media, UCLA); and Gean Moreno (Director of the Knight Foundation Art + Research Center, ICA Miami), "Radical Conventions" examines a pivotal moment in contemporary American art history. Unlike other texts examining diasporic Cuban and Cuban American Art in the 1980s, this book moves beyond the reductive lenses of exile, displacement, and bi-culturalism to frame the practices of artists such as Tony Labat, Ana Mendieta, and María Martínez-Cañas within the avant-garde's broader aesthetic and discursive tenets. Working in various cities throughout the U.S., the artists featured in this publication did not intentionally seek to be radical; in fact, they largely worked within the conventions of contemporary artistic production. Their radicality instead resided in the contextual factors and historical circumstances that defined their lives and informed their work: HIV/AIDS, identity politics, postmodernism, and Reagan-era conservatism. Many of the issues addressed in their works are both steeped in the past and intensely relevant today. In addition to substantive essays, "Radical Conventions" features full-color reproductions of all works featured in the related exhibition.
