Download or read book Afro Cuban Lyrics in Clave written by Dave Crowder and published by Dave Crowder. This book was released on 2023-10-23 with total page 123 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is what every Afro-Cuban musician needs, an easy-to-read script developed using the Time Unit Box System for notation where syllables are lined up and anchored around the beat and strikes of clave and bell. This book allows the person first learning the song to learn the correct percussive placement of syllables, the key missing ingredient in most books of lyrics. Now you can learn the song while simultaneously playing clave or bell.
Download or read book Conversations in clave written by Horacio Hernandez and published by Alfred Music Publishing. This book was released on 2000 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ultimate technical study of four-way independence based on Afro-Cuban rhythms. This detailed and methodical approach will develop four-limb coordination and expand rhythmic vocabulary. Understanding the clave and the relationship between eighth-note and triplet rhythms will aid in mastering the multiple and complex rhythms of Afro-Cuban styles.
Download or read book Afro Cuban keyboard grooves written by Manny Patiño and published by Alfred Music Publishing. This book was released on 1997 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book will help any musician unlock the secrets of the Afro-Cuban rhythmic feel. By clearly demonstrating the underlying pattern called the Clave and the comping patterns called Tumbaos that are played over the Clave, this book will help every keyboard player learn these fundamental Latin rhythms. [Matching bass book (EL9707CD) also available.]
Download or read book From Afro Cuban Rhythms to Latin Jazz written by Raul A. Fernandez and published by Univ of California Press. This book was released on 2006-05-23 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research
Download or read book Africana written by Anthony Appiah and published by . This book was released on 2005 with total page 3951 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ninety years after W.E.B. Du Bois first articulated the need for "the equivalent of a black Encyclopedia Britannica," Kwame Anthony Appiah and Henry Louis Gates Jr., realized his vision by publishing Africana: The Encyclopedia of the African and African American Experience in 1999. This new, greatly expanded edition of the original work broadens the foundation provided by Africana. Including more than one million new words, Africana has been completely updated and revised. New entries on African kingdoms have been added, bibliographies now accompany most articles, and the encyclopedia's coverage of the African diaspora in Latin America and the Caribbean has been expanded, transforming the set into the most authoritative research and scholarly reference set on the African experience ever created. More than 4,000 articles cover prominent individuals, events, trends, places, political movements, art forms, business and trade, religion, ethnic groups, organizations and countries on both sides of the Atlantic. African American history and culture in the present-day United States receive a strong emphasis, but African American history and culture throughout the rest of the Americas and their origins in African itself have an equally strong presence. The articles that make up Africana cover subjects ranging from affirmative action to zydeco and span over four million years from the earlies-known hominids, to Sean "Diddy" Combs. With entries ranging from the African ethnic groups to members of the Congressional Black Caucus, Africana, Second Edition, conveys the history and scope of cultural expression of people of African descent with unprecedented depth.
Download or read book The Clave Matrix written by David Peñalosa and published by . This book was released on 2012-08-01 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: CLAVE MATRIX: The entire interwoven structure of clave-based music as it relates to its generative source.CLAVE: A Spanish word meaning 'code,' or 'key,' as in the key to a mystery or puzzle. Also 'keystone,' the wedge-shaped stone in the center of an arch that ties all the stones together. Clave is the key pattern that both binds and decodes the rhythmic structure of Afro-Cuban music.MATRIX: The point of origin from which something takes form and develops; a grid-like array of elements, an interwoven pattern.
Download or read book Conversations in Clave written by Horacio Hernandez and published by Warner Bros. Publications. This book was released on 2005-06 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The ultimate technical study of four-way independence in Afro-Cuban music features Horacio giving you "private lessons" taken directly from his book Conversations in Clave. Horacio breaks down every aspect of his amazing approach to coordination and performance concepts with clave and Afro-Cuban rhythms on the drum set. Horacio also plays several amazing unaccompanied solo improvisations and a special performance with the Santana band. Includes a preview and drum solo from "Traveling Through Time," a photo gallery, behind-the-scenes footage, a bonus performance and more! Approx. running time: 145 min.
Download or read book Traditional Afro Cuban Concepts in Contemporary Music written by ARTURO RODRIGUEZ and published by Mel Bay Publications. This book was released on 2011-03-11 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: This course examines the infusion of traditional Afro-Latin and especially Afro-Cuban concepts into contemporary Western music. Upon completion of this book you will have mastered many new skills that will help you become a more accomplished percussionist and, more importantly, a more complete musician. By exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition. While this book focuses primarily on hand percussion, its basic principals are also applied to the drum kit. There is no standard notation in this book; rather, the rhythms are illustrated with easily understood charts based on counting out subdivided beats. Two companion CDs offer audio examples of all major points.
Download or read book Geographies of Cubanidad written by Rebecca M. Bodenheimer and published by Univ. Press of Mississippi. This book was released on 2015-07-10 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book—including rumba, timba, eastern Cuban folklore, and son—are examples of the intersections between regional identity formation, racialized notions of place, and music-making.
Download or read book Funkifying the Cl ve written by Lincoln Goines and published by Alfred Music Publishing. This book was released on 1990 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mestizo Nations written by Juan E. De Castro and published by University of Arizona Press. This book was released on 2002-05 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nationality in Latin America has long been entwined with questions of racial identity. Just as American-born colonial elites grounded their struggle for independence from Spain and Portugal in the history of Amerindian resistance, constructions of nationality were based on the notion of the fusion of populations heterogeneous in culture, race, and language. But this rhetorical celebration of difference was framed by a real-life pressure to assimilate into cultures always defined by Iberian American elites. In Mestizo Nations, Juan De Castro explores the construction of nationality in Latin American and Chicano literature and thought during the nineteenth and twentieth centuries. Focusing on the discourse of mestizajeÑwhich proposes the creation of a homogenous culture out of American Indian, black, and Iberian elementsÑhe examines a selection of texts that represent the entire history and regional landscape of Latin American culture in its Western, indigenous, and neo-African traditions from Independence to the present. Through them, he delineates some of the ambiguities and contradictions that have beset this discourse. Among texts considered are the Indianist novel Iracema by the nineteenth-century Brazilian author JosŽ de Alencar; the Tradiciones peruanas, Peruvian Ricardo Palma's fictionalizations of national difference; and historical and sociological essays by the Peruvian Marxist JosŽ Carlos Mari‡tegui and the Brazilian intellectual Gilberto Freyre. And because questions raised by this discourse are equally relevant to postmodern concerns with national and transnational heterogeneity, De Castro also analyzes such recent examples as the Cuban dance band Los Van Van's use of Afrocentric lyrics; Richard Rodriguez's interpretations of North American reality; and points of contact and divergence between JosŽ Mar’a Arguedas's novel The Fox from Up Above and the Fox from Down Below and writings of Gloria Anzaldœa and Julia Kristeva. By updating the concept of mestizaje as a critical tool for analyzing literary text and cultural trendsÑincorporating not only race, culture, and nationality but also gender, language, and politicsÑDe Castro shows the implications of this Latin American discursive tradition for current critical debates in cultural and area studies. Mestizo Nations contains important insights for all Latin Americanists as a tool for understanding racial relations and cultural hybridization, creating not only an important commentary on Latin America but also a critique of American life in the age of multiculturalism.
Download or read book Nationalizing Blackness written by Robin Dale Moore and published by University of Pittsburgh Pre. This book was released on 1998-01-15 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1920s saw the birth of the tango, the "jazz craze," bohemian Paris, the Harlem Renaissance, and the primitivists. It was a time of fundamental change in the music of nearly all Western countries, including Cuba. Significant concessions to blue-collar and non-Western aesthetics began on a massive scale, making artistic expression more democratic.In Cuba, from about 1927 through the late thirties, an Afrocubanophile frenzy seized the public. Strong nationalist sentiments arose at this time, and the country embraced afrocubanismo as a means of expressing such feelings. Black street culture became associated with cubanidad (Cubanness) and a movement to merge once distinct systems of language, religion, and artistic expression into a collective of national identity.Nationalizing Blackness uses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture. Moore examines the public debate over "degenerate Africanisms" associated with comparas or carnival bands; similar controversies associated with son music; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes to afrocubanismo. He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book.Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba. It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.
Download or read book Cuban Flute Style written by Sue Miller and published by Scarecrow Press. This book was released on 2013-10-30 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Egües and José Fajardo are universally regarded as the leading exponents of charanga flute playing, an improvisatory style that crystallized in 1950s Cuba with the rise of the mambo and the chachachá. Despite the commercial success of their recordings with Orquesta Aragón and Fajardo y sus Estrellas and their influence not only on Cuban flute players but also on other Latin dance musicians, no in-depth analytical study of their flute solos exists. In Cuban Flute Style: Interpretation and Improvisation, Sue Miller—music historian, charanga flute player, and former student of Richard Egües—examines the early-twentieth-century decorative style of flute playing in the Cuban danzón and its links with the later soloistic style of the 1950s as exemplified by Fajardo and Egües. Transcriptions and analyses of recorded performances demonstrate the characteristic elements of the style as well as the styles of individual players. A combination of musicological analysis and ethnomusicological fieldwork reveals the polyrhythmic and melodic aspects of the Cuban flute style, with commentary from flutists Richard Egües, Joaquín Oliveros, Polo Tamayo, Eddy Zervigón, and other renowned players. Miller also covers techniques for flutists seeking to learn the style—including altissimo fingerings for the Boehm flute and fingerings for the five-key charanga flute—as well as guidance on articulation, phrasing, repertoire, practicing improvisation, and working with recordings. Cuban Flute Style will appeal to those working in the fields of Cuban music, improvisation, music analysis, ethnomusicology, performance and performance practice, popular music, and cultural theory.
Download or read book Cuba written by Richard A. Crooker and published by Infobase Publishing. This book was released on 2010 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since Fidel Castro staged a coup half a century ago and assumed power of Cuba in 1959, the United States has been obsessed with this small island nation, only 90 miles south of the Florida Keys. America's fixation on Cuba has only grown due to the large waves of Cuban immigrants and Castro's larger-than-life persona. Today, the Cuban exile community within the United States has grown so powerful that they have played a major role in American politics for decades. But because of the country's isolation, the island and its people have remained a mystery. Cuba is among the most literate countries in Latin America, with a literacy rate of 99.8 percent. Its healthcare system compares favorably with those in developed nations, and life expectancy ranks third in the Americas, behind only Canada and Chile, and ahead of the United States. In 2006, Castro transferred powers over to his brother, Raul, who has promised to remove some of the restrictions that have limited the average Cuban's daily life. This revised edition of Cuba takes readers through the country's storied history, its people, and what the future holds for this island nation.
Download or read book Afro Cuban Rhythms for Drumset written by Frank Malabe and published by Alfred Music Publishing. This book was released on 1994 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: An introduction to Afro-Cuban rhythms, including the history, traditional instruments, and basic styles of Afro-Cuban music. The book explores the complexities of these various styles in a simple, understandable way. The companion audio is invaluable to anyone interested in adapting these rhythms to the drumset.
Download or read book Tomas Cruz Conga Method Volume 2 Intermediate written by Tomas Cruz and published by Mel Bay Publications. This book was released on 2017-05-16 with total page 89 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume II is aimed at two distinct categories of readers: 1) Intermediate players who are ready for a wider range of rhythms to study and use in live playing situations; and 2) Experienced congueros who have digested Volume I and now seek to understand the roots of the modern Cuban conga style. Having assimilated the material in Volume I, the student should be able to play basic Son Montuno, Salsa, Chachacha, and Bolero. Volume II moves on to Guaguanco, Iyesa, 6/8, Changui, Afro, Mozambique, Pilon, Songo, Merengue, Bomba, Cumbia and other rhythms that a professional conguero will be expected to know. Each rhythm is accompanied by an article reflecting on its history and role in the "big picture" of Latin music and offering listening recommendations. Like Volume I, it uses the Step by Step online video Method. A special 8-page appendix explains the often infuriatingly complex subject of "clave" with an unprecedented level of clarity and insight. Includes access to online video.
Download or read book Fiesta de diez pesos Music and Gay Identity in Special Period Cuba written by Moshe Morad and published by Routledge. This book was released on 2016-04-15 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ‘Special Period’ in Cuba was an extended era of economic depression starting in the early 1990s, characterized by the collapse of revolutionary values and social norms, and a way of life conducted by improvised solutions for survival, including hustling and sex-work. During this time there developed a thriving, though constantly harassed and destabilized, clandestine gay scene (known as the ‘ambiente’). In the course of eight visits between 1995 and 2007, the last dozen years of Fidel Castro’s reign, Moshe Morad became absorbed in Havana’s gay scene, where he created a wide social network, attended numerous secret gatherings-from clandestine parties to religious rituals-and observed patterns of behavior and communication. He discovered the role of music in this scene as a marker of identity, a source of queer codifications and identifications, a medium of interaction, an outlet for emotion and a way to escape from a reality of scarcity, oppression and despair. Morad identified and conducted his research in different types of ‘musical space,’ from illegal clandestine parties held in changing locations, to ballet halls, drag-show bars, private living-rooms and kitchens and santería religious ceremonies. In this important study, the first on the subject, he argues that music plays a central role in providing the physical, emotional, and conceptual spaces which constitute this scene and in the formation of a new hybrid ‘gay identity’ in Special-Period Cuba.
