Download or read book Everyday Media Culture in Africa written by Wendy Willems and published by Routledge. This book was released on 2016-11-10 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: African audiences and users are rapidly gaining in importance and increasingly targeted by global media companies, social media platforms and mobile phone operators. This is the first edited volume that addresses the everyday lived experiences of Africans in their interaction with different kinds of media: old and new, state and private, elite and popular, global and national, material and virtual. So far, the bulk of academic research on media and communication in Africa has studied media through the lens of media-state relations, thereby adopting liberal democracy as the normative ideal and examining the potential contribution of African media to development and democratization. Focusing instead on everyday media culture in a range of African countries, this volume contributes to the broader project of provincializing and decolonizing audience and internet studies.

Download or read book African Print Cultures written by African Print Cultures Network. Meeting and published by University of Michigan Press. This book was released on 2016-09-15 with total page 461 pages. Available in PDF, EPUB and Kindle. Book excerpt: Broad-ranging essays on the social, political, and cultural significance of more than a century's worth of newspaper publishing practices across the African continent

Download or read book Youth and Popular Culture in Africa written by Paul Ugor and published by Boydell & Brewer. This book was released on 2021 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The edited collection focuses on the links between young people and African popular culture. It explores popular culture produced and consumed by young people in contemporary Africa. And by "culture," we mean all kinds of texts or representations-visual, oral, written, performative, fictional, social, and virtual-created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public, and shared locally and globally. We proceed from the premise that cultural texts not only function as "social facts" as Karin Barber argues, but that they double as "commentaries upon, and interpretations of, social facts. They are part of social reality, but they also take up an attitude to social reality" (2007, 04). So, the work focuses specifically on what African youth produce as popular culture, under what conditions or contexts they produce such work, how they produce those texts, why they produce them, the aesthetic dimensions of these texts as cultural artifacts, and why these textual practices matter as social facts, as interpretive acts, and as cultural symbols of the general cultural activism of young people in a rapidly changing world, a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems"--

Download or read book Re imagining Communication in Africa and the Caribbean written by Hopeton S. Dunn and published by Springer Nature. This book was released on 2021-01-30 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book advances alternative approaches to understanding media, culture and technology in two vibrant regions of the Global South. Bringing together scholars from Africa and the Caribbean, it traverses the domains of communication theory, digital technology strategy, media practice reforms, and corporate and cultural renewal. The first section tackles research and technology with new conceptual thinking from the South. The book then looks at emerging approaches to community digital networks, online diaspora entertainment, and video gaming strategies. The volume then explores reforms in policy and professional practice, including in broadcast television, online newspapers, media philanthropy, and business news reporting. Its final section examines the role of village-based folk media, the power of popular music in political opposition, and new approaches to overcoming neo-colonial propaganda and external corporate hegemony. This book therefore engages critically with the central issues of how we communicate, produce, entertain, and build communities in 21st-century Africa and the Caribbean.

Download or read book Popular Culture in Africa written by Stephanie Newell and published by Routledge. This book was released on 2013-11-12 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume marks the 25th anniversary of Karin Barber’s ground-breaking article, "Popular Arts in Africa", which stimulated new debates about African popular culture and its defining categories. Focusing on performances, audiences, social contexts and texts, contributors ask how African popular cultures contribute to the formation of an episteme. With chapters on theater, Nollywood films, blogging, and music and sports discourses, as well as on popular art forms, urban and youth cultures, and gender and sexuality, the book highlights the dynamism and complexity of contemporary popular cultures in sub-Saharan Africa. Focusing on the streets of Africa, especially city streets where different cultures and cultural personalities meet, the book asks how the category of "the people" is identified and interpreted by African culture-producers, politicians, religious leaders, and by "the people" themselves. The book offers a nuanced, strongly historicized perspective in which African popular cultures are regarded as vehicles through which we can document ordinary people’s vitality and responsiveness to political and social transformations.

Download or read book Online Journalism in Africa written by Hayes Mawindi Mabweazara and published by Routledge. This book was released on 2014-01-21 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Very little is known about how African journalists are forging "new" ways to practise their profession on the web. Against this backdrop, this volume provides contextually rooted discussions of trends, practices, and emerging cultures of web-based journalism(s) across the continent, offering a comprehensive research tool that can both stand the test of time as well as offer researchers (particularly those in the economically developed Global North) models for cross-cultural comparative research. The essays here deploy either a wide range of evidence or adopt a case-study approach to engage with contemporary developments in African online journalism. This book thus makes up for the gap in cross-cultural studies that seek to understand online journalism in all its complexities.

Download or read book African Film Cultures written by Añuli Agina and published by Cambridge Scholars Publishing. This book was released on 2017-08-21 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: The growing body of films in and around Africa, and the seemingly incongruent growth in African film scholarship, suggests the need for new perspectives, approaches and insights into film cultures in Africa. Although it is impossible to capture the entire diversity of existing African film cultures, this collection, which has resulted from African film conferences organized by the University of Westminster, United Kingdom, has recognized the significance and urgency of this task. The book offers a unique engagement with widened African film ‘cultures’ in the context of diverse peoples, histories, geographies, languages and changing film production cultures shaped by audiences and users at home and in the diaspora. The volume is a significant contribution to the processes of representing the self and other, as well as the emergence of alternative, non-official dialogues, circulation and consumption, including on social media. Students, researchers, film policy makers, film producers, distributors and anyone else with an interest in African screen media will find in the book useful and readable analyses of socio-political factors that affect and are shaped by African film.

Download or read book Popular Media Democracy and Development in Africa written by Herman Wasserman and published by Routledge. This book was released on 2010-10-04 with total page 617 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular Media, Democracy and Development in Africa examines the role that popular media could play to encourage political debate, provide information for development, or critique the very definitions of ‘democracy’ and ‘development’. Drawing on diverse case studies from various regions of the African continent, essays employ a range of theoretical and methodological approaches to ask critical questions about the potential of popular media to contribute to democratic culture, provide sites of resistance, or, conversely, act as agents for the spread of Americanized entertainment culture to the detriment of local traditions. A wide variety of media formats and platforms are discussed, ranging from radio and television to the Internet, mobile phones, street posters, film and music. As part of the Routledge series Internationalizing Media Studies, the book responds to the important challenge of broadening perspectives on media studies by bringing together a range of expert analyses of media in the African continent that will be of interest to students and scholars of media in Africa and further afield.

Download or read book A History of African Popular Culture written by Karin Barber and published by Cambridge University Press. This book was released on 2018-01-11 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: A journey through the history of African popular culture from the seventeenth century to the present day.

Download or read book Undercurrents of Power written by Kevin Dawson and published by University of Pennsylvania Press. This book was released on 2021-05-07 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kevin Dawson considers how enslaved Africans carried aquatic skills—swimming, diving, boat making, even surfing—to the Americas. Undercurrents of Power not only chronicles the experiences of enslaved maritime workers, but also traverses the waters of the Atlantic repeatedly to trace and untangle cultural and social traditions.

Download or read book The Decolonial Turn in Media Studies in Africa and the Global South written by Last Moyo and published by Springer Nature. This book was released on 2020-09-09 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book develops a nuanced decolonial critique that calls for the decolonization of media and communication studies in Africa and the Global South. Last Moyo argues that the academic project in African Media Studies and other non-Western regions continues to be shaped by Western modernity’s histories of imperialism, colonialism, and the ideologies of Eurocentrism and neoliberalism. While Africa and the Global South dismantled the physical empire of colonialism after independence, the metaphysical empire of epistemic and academic colonialism is still intact and entrenched in the postcolonial university’s academic programmes like media and communication studies. To address these problems, Moyo argues for the development of a Southern theory that is not only premised on the decolonization imperative, but also informed by the cultures, geographies, and histories of the Global South. The author recasts media studies within a radical cultural and epistemic turn that locates future projects of theory building within a decolonial multiculturalism that is informed by trans-cultural and trans- epistemic dialogue between Southern and Northern epistemologies.

Download or read book Africa Cultural Studies and Difference written by Keyan Tomaselli and published by Routledge. This book was released on 2013-12-16 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cultural Studies has evolved and continues to evolve primarily along regional lines. However uncomfortable this might be, the genie of British cultural studies cannot be returned to the bottle of history. Thus, national versions of cultural studies have arisen in a few African countries. This book engages two critical and seemingly contradictory tasks: i) to contribute to the development of cultural studies from the perspectives of African experiences and indigenous frames of reference; and ii) to examine these in terms of transnational trajectories of the field in ways that do not reduce them to one or other context. Much cultural studies remains concerned with Texts, often disconnected from their contexts. For the authors published here, the contexts include African philosophies, cosmologies and ontologies. It includes the writings of both residential natives and those who have re-located to the diaspora, a spread that opens conversations with international approaches that both include and exclude African experiences and work. This anthology juxtaposes many different kinds of cultural studies done in different parts of the world as a means of creating a global dialogue around the signifier of ‘Africa’. This book was published as a special issue of Cultural Studies.

Download or read book Media Culture and the Modern African American Freedom Struggle written by Brian Ward and published by . This book was released on 2001 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A dazzling array of essays that vastly expands our understanding of the role of the media and popular culture in the politics of race. From Andy Griffith to Amiri Baraka, from Leadbelly's blues to "Sweet Sweetback's Baaadassss Song," this is a brilliant and irreplaceable collection."--Timothy B. Tyson, University of Wisconsin-Madison, author of Radio Free Dixie: Robert F. Williams and the Roots of Black Power Stimulating and insightful, these essays on the relationship among the media, popular culture, and the postwar African American freedom struggle offer new perspectives on the nature of the Civil Rights Movement and its legacies. At the same time, they suggest how much the struggle itself shaped important trends in American culture and mass media in the 1950s and 1960s. Bringing together a range of voices seldom heard together, this book challenges readers to reconsider the ways in which a simplistic "master narrative" of the Movement has come to dominate popular, and even some scholarly, understandings of the meaning of the freedom struggle. CONTENTS Introduction: Forgotten Wails and Master Narratives: Media, Culture, and Memories of the Modern African American Freedom Struggle, by Brian Ward 1. The Media and the Movement: Looking Back from the Southern Front, by Julian Bond 2. A Media-Made Movement? Black Violence and Nonviolence in the Historiography of the Civil Rights Movement, by Jenny Walker 3. Black-Oriented Radio and the Civil Rights Movement, by Stephen Walsh 4. Reclaiming the South: Civil Rights Films and the New Red Menace, by Allison Graham 5. Hip Like Me: Racial Cross-Dressing in Pop Music Before Elvis, by David Chappell 6. "Climbing the Mountain Top": African American Blues and Gospel Songs from the Civil Rights Years, by Guido van Rijn 7. Free Jazz: Musical Style and Liberationist Ethic, 1956-1965, by Peter Townsend 8. Jazz and Soul, Race and Class, Cultural Nationalists and Black Panthers: A Black Power Debate Revisited, by Brian Ward 9. Villains, Demons, and Social Bandits: White Fear of the Black Cultural Revolution, by William L. Van Deburg 10. "Pimpin' Ain't Easy": Work, Play, and "Lifestylization" of the Black Pimp Figure in Early 1970s America, by Eithne Quinn 11. Mau-Mauing the Filmmakers: Should Black Power Take the Rap for Killing Nat Turner, the Movie? by Scot French 12. "The 1960s Echo On": Images of Martin Luther King Jr. as Deployed by White Writers of Contemporary Fiction, by Sharon Monteith 13. The Power of Martyrdom: The Incorporation of Martin Luther King and His Philosophy into African American Literature, by Trudier Harris Brian Ward, associate professor of American history at the University of Florida, is the author of Just My Soul Responding: Rhythm and Blues, Black Consciousness and Race Relations and coeditor of The Making of Martin Luther King and the Civil Rights Movement.

Download or read book Routledge Handbook of African Popular Culture written by Grace A Musila and published by Routledge. This book was released on 2022-05-15 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook brings together an international team of scholars from different disciplines to reflect on African popular cultural imaginaries. These imaginaries – in the sense of cultural productions, contexts, consumers, producers, platforms, and the material, affective and discursive resources they circulate – are influential in shaping African realities. Collectively, the chapters assembled in this handbook index the genres, methods, mediums, questions and encounters that preoccupy producers, consumers and scholars of African popular cultural forms across a range of geohistorical and temporal contexts. Drawing on forms such as newspaper columns, televised English Premier League football, speculative arts, romance fiction, comedy, cinema, music and digital genres, the contributors explore the possibilities and ambiguities unleashed by the production, circulation, consumption, remediation and critique of these forms. Among the questions explored across these essays are the freedoms and constraints of popular genres; the forms of self-making, pleasure and harm that these imaginaries enable; the negotiations of multiple moral regimes in everyday life; and, inevitably, the fecund terrain of contradictions definitive of many popular forms, which variously enable and undermine world-making. An authoritative scholarly resource on popular culture in Africa, this handbook is an essential read for students and scholars of African culture, society and media.

Download or read book Internationalizing Media Studies written by Daya Kishan Thussu and published by Routledge. This book was released on 2009-05-15 with total page 603 pages. Available in PDF, EPUB and Kindle. Book excerpt: The explosion of transnational information flows, made possible by new technologies and institutional changes (economic, political and legal) has profoundly affected the study of global media. At the same time, the globalization of media combined with the globalization of higher education means that the research and teaching of the subject faces immediate and profound challenges, not only as the subject of enquiry but also as the means by which researchers and students undertake their studies. Edited by a leading scholar of global communication, this collection of essays by internationally-acclaimed scholars from around the world aims to stimulate a debate about the imperatives for internationalizing media studies by broadening its remit, including innovative research methodologies, taking account of regional and national specificities and pedagogic necessities warranted by the changing profile of students and researchers and the unprecedented growth of media in the non-Western world. Transnational in its perspectives, Internationalizing Media Studies is a much-needed guide to the internationalization of media and its study in a global context.

Download or read book Distributed Blackness written by André Brock, Jr. and published by NYU Press. This book was released on 2020-02-25 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2021 Nancy Baym Annual Book Award, given by the Association of Internet Researchers An explanation of the digital practices of the black Internet From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how “blackness” gets worked out in various technological domains. As Brock demonstrates, there’s nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now.

Download or read book The SAGE Encyclopedia of African Cultural Heritage in North America written by Mwalimu J. Shujaa and published by SAGE Publications. This book was released on 2015-07-13 with total page 1830 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Encyclopedia of African Cultural Heritage in North America provides an accessible ready reference on the retention and continuity of African culture within the United States. Our conceptual framework holds, first, that culture is a form of self-knowledge and knowledge about self in the world as transmitted from one person to another. Second, that African people continuously create their own cultural history as they move through time and space. Third, that African descended people living outside of Africa are also contributors to and participate in the creation of African cultural history. Entries focus on illuminating Africanisms (cultural retentions traceable to an African origin) and cultural continuities (ongoing practices and processes through which African culture continues to be created and formed). Thus, the focus is more culturally specific and less concerned with the broader transatlantic demographic, political and geographic issues that are the focus of similar recent reference works. We also focus less on biographies of individuals and political and economic ties and more on processes and manifestations of African cultural heritage and continuity. FEATURES: A two-volume A-to-Z work, available in a choice of print or electronic formats 350 signed entries, each concluding with Cross-references and Further Readings 150 figures and photos Front matter consisting of an Introduction and a Reader’s Guide organizing entries thematically to more easily guide users to related entries Signed articles concluding with cross-references