Download or read book Aby Warburg Bilderatlas Mnemosyne written by Aby Warburg and published by Hatje Cantz. This book was released on 2020-03-23 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1925 until his death in 1929 the Hamburg-based art and cultural scholar Aby Warburg worked on his Mnemosyne Atlas, a volume of plates that has, in the meanwhile, taken on mythical status in the study of modern art and visual studies. With this project, Warburg created a visual reference system that was far ahead of its time. Roberto Ohrt and Axel Heil have now undertaken the task of finding all of the individual pictures from the atlas and displaying these reproductions of artworks from the Middle East, European antiquity, and the Renaissance in the same way that Warburg himself showed them, on panels hung with black fabric. This folio volume and the exhibition in Haus der Kulturen der Welt, Berlin succeed in restoring Warburg's vanished legacy-something that researchers have long considered impossible.
Download or read book Aby Warburg and the Image in Motion written by Philippe-Alain Michaud and published by Princeton University Press. This book was released on 2024-09-10 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compelling analysis of the work of art historian Aby Warburg and its radical implications for the study of visual images Aby Warburg (1866–1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included some of the celebrated art historians of the twentieth century, such as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the decipherment and interpretation of symbolic material. As Philippe-Alain Michaud demonstrates in this important book, Warburg’s project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Friedrich Nietzsche and Jacob Burckhardt, Warburg fashioned a “critical iconology” to reveal the irrationality of the image in Western culture. Opposing the grand teleological narratives of art inaugurated by Giorgio Vasari, Warburg’s method operated through historical anachronisms and discontinuities. Using procedures of “montage-collision” he brought together pagan artifacts with masterpieces of Florentine Renaissance art, the astrology of the ancient Near East with the Lutheran Reformation, Mannerist festivals with the sacred dances of Native Americans. Michaud insists that for Warburg, the practice of art history was not only the recognition of the radical heterogeneity of objects but the discovery within the art work itself of lines of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism. Michaud provides us with a book that not only is about Warburg but also extends his intuitions and discoveries into analyses of other categories of imagery like the daguerreotype, the chronophotography of Étienne-Jules Marey, early cinema, and the dances of Loïe Fuller. This edition also includes a foreword by Georges Didi-Huberman and texts by Warburg not previously translated into English. Chosen as one of the best art books of 2004 by the Washington Post and Bookforum.
Download or read book Images from the Region of the Pueblo Indians of North America written by Aby Warburg and published by Cornell University Press. This book was released on 1995 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aby M. Warburg (1866-1929) is recognized not only as one of the century's preeminent art and renaissance historians but also as a founder of twentieth-century methods in iconology and cultural studies in general. Warburg's 1923 lecture, first published in German in 1988 and now available in the first complete English translation, offers at once a window on his career, a formative statement of his cultural history of modernity, and a document in the ethnography of the American Southwest. This edition includes thirty-nine photographs, many of them originally presented as slides with the speech, and a rich interpretive essay by the translator. The presentation grew out of Warburg's 1895 encounter with the Hopi Indians, an experience he claimed generated his theory of the Renaissance. In this powerfully written piece, Warburg investigates the relationships among ethnography, iconography, and cultural studies to develop a multicultural history of modernity. As an independent scholar in Hamburg, Warburg led the intellectual circle that included Erwin Panofsky and Ernst Cassirer, pioneers in the investigation of cultural history through the analysis of visual art and the interpretation of symbols. When Warburg wrote this exposition, however, he was a mental patient in a Kreuzlingen sanatorium. Warburg's vulnerable state of mind lends urgency and passion to his discussion of human rationality and cultural demons.
Download or read book Between Tradition and Modernity written by Mark A. Russell and published by Berghahn Books. This book was released on 2007 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aby Warburg (1866-1929), founder of the Warburg Institute, was one of the most influential cultural historians of the twentieth century. Focusing on the period 1896-1918, this is the first in-depth, book-length study of his response to German political, social and cultural modernism. It analyses Warburg's response to the effects of these phenomena through a study of his involvement with the creation of some of the most important public artworks in Germany. Using a wide array of archival sources, including many of his unpublished working papers and much of his correspondence, the author demonstrates that Warburg's thinking on contemporary art was the product of two important influences: his engagement with Hamburg's civic affairs and his affinity with influential reform movements seeking a greater role for the middle classes in the political, social and cultural leadership of the nation. Thus a lively picture of Hamburg's cultural life emerges as it responded to artistic modernism, animated by private initiative and public discourse, and charged with debate.
Download or read book Aby Warburg and Anti semitism written by Charlotte Schoell-Glass and published by Wayne State University Press. This book was released on 2008 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: A landmark study on Aby Warburg's life and work, translated into English. In Aby Warburg and Anti-Semitism, Charlotte Schoell-Glass provides an unprecedented look at the life and writings of cultural critic Aby Warburg through the prism of Warburg's little-known political views. Schoell-Glass argues provocatively based on archival research that Warburg's work and teachings developed as a reaction to the growing anti-Semitism in Germany, which he saw as a threat to classical education and university scholarship. Translated into English for the first time, Aby Warburg and Anti-Semitism sheds much needed light on Warburg's views on Judaism and the politics of his time. Aby Warburg, scion of a well-known Jewish banking family in Hamburg, sacrificed his birthright to pursue a career as a private scholar. As an independent art historian, he devoted himself almost exclusively to reinterpreting the revival of antiquity within the Renaissance, urging other art historians to approach their work as a brand of the larger study of image making and philosophy. In this study, Schoell-Glass examines Warburg's most influential essays on Dürer, Rembrandt, and the Sassetti Chapel and his most innovative concepts--the accessories of motion, the pathos formula, and the afterlife of antiquity--to illustrate how Warburg persistently showed a deep concern over a disappointing and unstable outside world within his own work. Schoell-Glass shows how Warburg attempts to make a response to anti-Semitism the only way he knew how, despite his awareness of the diminishing societal relevance of that response. From this study of Warburg, Schoell-Glass produces a multilayered case study of the encounter between twentieth-century politics and scholarship. Art historians, German historians, and scholars of Jewish studies and cultural studies will be grateful for this volume.
Download or read book Memory Metaphor and Aby Warburg s Atlas of Images written by Christopher D. Johnson and published by Cornell University Press. This book was released on 2012-09-15 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The work of German cultural theorist and art historian Aby Warburg (1866–1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg’s death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity’s afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg’s published and unpublished writings and by attending to Warburg’s cardinal idea that "pathos formulas" structure the West’s cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg’s lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.
Download or read book The Renewal of Pagan Antiquity written by Aby Warburg and published by Getty Publications. This book was released on 1999 with total page 872 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
Download or read book Aby Warburg 150 written by David Freedberg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2024-04-01 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aby Warburg is regarded as one of the great pioneers of modern cultural studies. This book brings together texts by many of the most renowned researchers in the field who have been influenced by his work. They address his extraordinary impact on the understanding of cultural transmission and the influence of images and texts across time and space. What emerges is the continuing significance of Warburg for our own times. No one concerned with the many forms of the survival of the past in the present and the infinitely complex relationships between images and society will want to miss this book. Published in cooperation with the Warburg Institute, London and with the assistance of a grant from the Italian Academy for Advanced Studies in America at Columbia University, New York. Look inside
Download or read book The Surviving Image written by Georges Didi-Huberman and published by Penn State University Press. This book was released on 2018-01-09 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
Download or read book Lightning Symbol and Snake Dance Aby Warburg and Pueblo Art written by Aby Warburg and published by Hatje Cantz. This book was released on 2022-03-21 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first presentation of Aby Warburg's rarely seen Pueblo art collection, from his famous 1895-96 visit to the US In 1895, the great German art historian and theorist Aby Warburg (1866-1929) came to the US, where he spent the bulk of his time meeting with Indigenous Americans. The encounter produced two famous works: his 1923 lecture on the Hopi snake ritual, and a body of photographs--both of them much discussed by art historians. Almost unknown until now, however, was the collection of objects he acquired from Pueblo tribes throughout the American Southwest, which he later donated to the Museum fur Völkerkunde (today the Museum am Rothenbaum) in Hamburg. Following Warburg's transdisciplinary approach, this substantial publication examines his guiding principles in assembling his collection, as well as his reading of Pueblo art and culture. The fascination of the Hopi snake ritual among Warburg's contemporaries is highlighted, as is the reception history of the text. Also represented here are the views and strategies of Hopi officials, which have previously been neglected in this context, to regain cultural sovereignty.
Download or read book Aby Warburg Bilderatlas MNEMOSYNE The Original written by Aby Warburg and published by Hatje Cantz. This book was released on 2020-09 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1925 until his death in 1929 the Hamburg-based art and cultural scholar Aby Warburg worked on his Mnemosyne Atlas, a volume of plates that has, in the meanwhile, taken on mythical status in the study of modern art and visual studies. With this project, Warburg created a visual reference system that was far ahead of its time. Roberto Ohrt and Axel Heil have now undertaken the task of finding all of the individual pictures from the atlas and displaying these reproductions of artworks from the Middle East, European antiquity, and the Renaissance in the same way that Warburg himself showed them, on panels hung with black fabric. This folio volume and the exhibition in Haus der Kulturen der Welt, Berlin succeed in restoring Warburg's vanished legacy--something that researchers have long considered impossible.
Download or read book Photographs at the Frontier written by Nicholas Mann and published by Merrell. This book was released on 1998 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: These largely unpublished photographs, some only recently discovered, were taken by Aby Warburg on his trip to the American frontier in 1895. Neither a photographer nor a native tourist, Warburg was a scholar with a camera. As seen though his own cultural and psychological perspective on art, these insightful photographs are significant not only to the study of Native American and frontier life, but also to an understanding of Warburg's unique vision of cultural history. 80 duotone photos.
Download or read book The Remembrance of Things Past written by Matthew Rampley and published by Otto Harrassowitz Verlag. This book was released on 2000 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: The art historian Aby M. Warburg and the philosopher Walter Benjamin are widely respected as two of the most significant cultural theorists of the twentieth century. Their common interests in historiography, the function of collective memory, and the relation of modern society to earlier stages of human social existence, were important examples of the attempt to articulate, analyse and represent the experience of modernity. Drawing on a variety of discourses from aesthetics, art history, anthropology and psychology, they presented an account of modernity and human development that represented an important counter to the optimistic belief in progress prevalent amongst their contemporaries. Rarely, however, have the connections between these two thinkers been explored in depth. This volume consists of an exploration of the intellectual relation between them, considering their varying responses to the question of the meaning of modernity, and above all their common legacy for the present.
Download or read book Botticelli Past and Present written by Ana Debenedetti and published by UCL Press. This book was released on 2019-01-08 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.
Download or read book The Theatre of Death The Uncanny in Mimesis written by Mischa Twitchin and published by Springer. This book was released on 2016-10-20 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is concerned with such questions as the following: What is the life of the past in the present? How might “the theatre of death” and “the uncanny in mimesis” allow us to conceive of the afterlife of a supposedly ephemeral art practice? How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead? Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists – from Craig to Castellucci – have conceived of the actor in the image of the dead? Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice? This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny. Walter Benjamin once observed that: “The point at issue in the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living...” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?
Download or read book Art History as Cultural History written by Richard Woodfield and published by Routledge. This book was released on 2014-04-08 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on Aby Warburg (1866-1929), one of the legendary figures of twentieth century cultural history. His collection, which is now housed in the Warburg Institute of the University of London bears witness to his idiosyncratic approach to a psychology of symbolism, and explores the Nachleben of classical antiquity in its manifold cultural legacy. This collection of essays offers the first translation of one of Warburg's key essays, the Gombrich lecture, described by Carlo Ginzburg as 'the richest and most penetrating interpretation of Warburg' and original essays on Warburg's astrology, his Mnemosyne project and his favourite topic of festivals. Richard Woodfield is Research Professor in the Faculty of Art and Design at the Nottingham Trent University, England. He has edited E.H Gombrich's Reflections on the History of Art (1987), Gombrich on Art and Psychology (1996), The Essential Gombrich (1996), and a volume on Riegl in the Critical Voices in Art, Theory and Culture series. He is also the General Editor of a new series of books for G+B Arts International, Aesthetics and the Arts. Edited by Richard Woodfield, Research Professor in the Faculty of Art and Design at Nottingham Trent University, UK.
Download or read book The Warburgs written by Ron Chernow and published by Vintage. This book was released on 2012-01-18 with total page 881 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Pulitzer Prize–winning bestselling author of Alexander Hamilton, the inspiration for the hit Broadway musical, comes this definitive biography of the Warburgs, one of the great German-Jewish banking families of the twentieth century. Bankers, philanthropists, scholars, socialites, artists, and politicians, the Warburgs stood at the pinnacle of German (and, later, of German-American) Jewry. They forged economic dynasties, built mansions and estates, assembled libraries, endowed charities, and advised a German kaiser and two American presidents. But their very success made the Warburgs lightning rods for anti-Semitism, and their sense of patriotism became increasingly dangerous in a Germany that had declared Jews the enemy. Ron Chernow's hugely fascinating history is a group portrait of a clan whose members were renowned for their brilliance, culture, and personal energy yet tragically vulnerable to the dark and irrational currents of the twentieth century.
