Download or read book A Treatise of the Natural Grounds and Principles of Harmony written by William Holder and published by . This book was released on 1694 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A treatise of the natural grounds and principles of harmony written by William HOLDER (D.D.) and published by . This book was released on 1731 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A treatise of the natural grounds and principles of harmony written by William Holder and published by . This book was released on 1962 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Treatise of the Natural Grounds and Principles of Harmony written by William Holder and published by . This book was released on 1731 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Treatise of the Natural Grounds and Principles of Harmony written by William Holder and published by Palala Press. This book was released on 2015-12-15 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book A treatise of the natural grounds and principles of harmony written by William HOLDER (D.D.) and published by . This book was released on 1694 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A treatise of the natural grounds and principles of harmony written by William HOLDER (D.D.) and published by . This book was released on 1694 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Treatise of the Natural Grounds and Principles of Harmony written by William Holder and published by . This book was released on 1967 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Treatise of the Natural Grounds and Principles of Harmony Classic Reprint written by William Holder and published by Forgotten Books. This book was released on 2017-07-27 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from A Treatise of the Natural Grounds, and Principles of Harmony Harmony, then, refaits from prac'i'ich hiat fich, and is made hy the Natural and Artie ficial Agreement of difierent Sounds, (viz. Grave and Acute) hy which the Senfe of Hearing is delighted. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book William Holder and His Position in Seventeenth century Philosophy and Music Theory written by Jerome Stanley and published by . This book was released on 2002 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Holder's ¿7FA treatise of the natural grounds and principles of harmony" (1694) explores the mathematics and physics of music during a period which led to the birth of acoustics as a new scientific discipline. This work presents a biography of Holder.
Download or read book The Ewing Musical Library written by and published by . This book was released on 1878 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue written by Maggs Bros and published by . This book was released on 1928 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Cosmography of Man written by Theresa Schön and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-01-20 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: Designed to reform contemporary British society, Joseph Addison and Richard Steele’s The Tatler (1709-1711) and The Spectator (1711-1712, 1714) rely heavily on the representation of contemporary manners. In shaping such behavioural images, the authors made use of the satirical character sketch. Their character sketches (re)create social interactions between fictionalised representatives of moral types of men and women located in contemporary London. This study examines how Addison and Steele employed the character sketch to create a ‘cosmography’ of (wo)man by actively engaging with the observational approaches of contemporary naturalists. Addison and Steele adapted distinctly empirical methods (e.g. induction and deduction, note taking, repeated and collective observation) and appropriated the (medico-legal) case study to communicate and disseminate socio-moral knowledge. At the same time, the character sketch served them as a means to establish a taxonomic order of the socio-moral knowledge conveyed in the texts. The study sheds new light on the literary techniques and the methodological frameworks of two journals essentially associated with the British - and the European - Enlightenment.
Download or read book Musical Theory in the Renaissance written by CristleCollins Judd and published by Routledge. This book was released on 2017-07-05 with total page 960 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.
Download or read book Music Experiment and Mathematics in England 1653 1705 written by Benjamin Wardhaugh and published by Routledge. This book was released on 2017-07-05 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: How, in 1705, was Thomas Salmon, a parson from Bedfordshire, able to persuade the Royal Society that a musical performance could constitute a scientific experiment? Or that the judgement of a musical audience could provide evidence for a mathematically precise theory of musical tuning? This book presents answers to these questions. It constitutes a general history of quantitative music theory in the late seventeenth century as well as a detailed study of one part of that history: namely the applications of mathematical and mechanical methods of understanding to music that were produced in England between 1653 and 1705, beginning with the responses to Descartes's 1650 Compendium musicand ending with the Philosophical Transactions' account of the appearance of Thomas Salmon at the Royal Society in 1705. The book is organized around four key questions. Do musical pitches form a small set or a continuous spectrum? Is there a single faculty of hearing which can account for musical sensation, or is more than one faculty at work? What is the role of harmony in the mechanical world, and where can its effects be found? And what is the relationship between musical theory and musical practice? These are questions which are raised and discussed in the sources themselves, and they have wide significance for early modern theories of knowledge and sensation more generally, as well as providing a fascinating side light onto the world of the scientific revolution.
Download or read book Music Theory and Natural Order from the Renaissance to the Early Twentieth Century written by Suzannah Clark and published by Cambridge University Press. This book was released on 2001 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.
