Download or read book A Performer s Guide to Transcribing Editing and Arranging Early Music written by Alon Schab and published by Oxford University Press. This book was released on 2022-06-10 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences. First, the book provides instruction on using early sources - manuscripts, prints, and treatises - in score, parts, or tablature. It then illuminates priorities behind basic editorial decisions - determining what constitutes a 'version' of a musical piece, how to choose a version, and how to choose the source for that version. Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment.
Download or read book Early Music in the 21st Century written by Mimi Mitchell and published by Oxford University Press. This book was released on 2024-09-18 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection about the early music movement will appeal to performers, teachers, academics, instrument makers, amateur musicians, and music lovers. With chapters about new ways to study, teach, perform, and listen to early music, there is something to appeal to everyone. The diverse group of authors--from young to established voices who live across the globe--offer positive, diverse, exciting, and challenging points of view about how the early music movement can go forward into the future.
Download or read book Historical Performance and New Music written by Rebecca Cypess and published by Taylor & Francis. This book was released on 2023-11-30 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos of flexibility, improvisation, curiosity, and collaboration—collaboration with composers past and present, with other performers, and with audiences. Bringing together expert scholars and performers considering a wide range of issues and case studies, Historical Performance and New Music—the first book of its kind—addresses the synergies in aesthetics and practices in historical performance and new music. The essays treat matters including technologies and media such as laptops, printing presses, and graphic notation; new music written for period instruments from natural horns to the clavichord; personalities such as the pioneering singer Cathy Berberian; the musically “omnivorous” ensembles A Far Cry and Roomful of Teeth; and composers Luciano Berio, David Lang, Molly Herron, Caroline Shaw, and many others. Historical Performance and New Music presents pathbreaking ideas in an accessible style that speaks to performers, composers, scholars, and music lovers alike. Richly documented and diverse in its methods and subject matter, this book will open new conversations about contemporary musical life.
Download or read book Editing Early Music written by John Caldwell and published by Oxford [England] ; Toronto : Clarendon Press. This book was released on 1985 with total page 125 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a guide to the editorial procedures suitable for music written from the Middle Ages to about 1830 and replaces the 1963 pamphlet by Thurston Dart, Walter Emery, and Christopher Morris. An introductory chapter on the principles of editing and transcribing is followed by three chronologically-arranged chapters: the Middle Ages and early Renaissance, the Renaissance, and Baroque and Classical periods. The final chapter deals with the preparation of copy and other practical matters. The book does not aim to describe early notations in detail; rather it is intended for the guidance of those who have already acquired a good knowledge of palaeography, notation, and source studies, and who may wish to give practical thought to the problems of presentation in the form of an edition. John Caldwell is University Lecturer in Music and a Fellow of Keble College. He has been the general editor of the Series Musica da Camera (OUP) and is general editor of Corpus of Early Keyboard Music (American Institute of Musicology.
Download or read book How To Transcribe Music written by Ezra Carias and published by Ezra Carias. This book was released on 2024-02-26 with total page 107 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transcribing is not some unattainable gift reserved for a select few. This book will take you by the hand and guide you from the very beginning—learning basic music theory—all the way to creating sheet music for any musical ensemble you can ever imagine or encounter. It doesn't matter what instrument you play, the concepts in this book will teach you to create sheet music using standard music notation. This will allow you to communicate your musical ideas with any musician as well as save you time during rehearsals. How To Transcribe Music is a practical guide designed to teach you to communicate your musical ideas in written form.
Download or read book A Cappella Arranging 2 0 written by Deke Sharon and published by Rowman & Littlefield. This book was released on 2024-06-03 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this highly anticipated sequel to A Cappella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians master the craft of a cappella arranging—including new creative principles and theoretical techniques to expand the palate, as well as arranging in various musical genres spanning several decades of music. Since the publication of the original book in 2012, a cappella as a genre has grown enormously. Using conversational yet instructive tone, A Cappella Arranging 2.0: The Next Level picks up where the previous book left off, helping people deepen their a cappella arranging skills. In four parts, the book addresses a variety of topics including: The creative process An advanced understanding of vocal ranges Counterpoint and polyphony Harmonic concepts and techniques Arranging for the studio Live looping arrangements Instrumental idioms Arranging in different styles, including world styles Medleys and mashups This is the perfect resource for taking your a cappella arrangements to the next level.
Download or read book The End of Early Music written by Bruce Haynes and published by Oxford University Press. This book was released on 2007-07-20 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Download or read book Technology for Unleashing Creativity written by Steve Giddings and published by Oxford University Press. This book was released on 2022 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction. Modern Music Education -- Creativity in Music Education -- Technology in Music Education -- The Informal Learning Approach -- Digital Audio Workstations -- Notation Software -- Other Online Tools for Fostering Creativity -- Makey Makey and Coding for Creativity -- Electronic, Digital, and Virtual Instruments -- Tech for Facilitating Creativity with Small Ensembles -- Other Considerations.
Download or read book Where Sight Meets Sound written by Emily Zazulia and published by Oxford University Press. This book was released on 2021-10-15 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. In the early fifteenth century, a musician might be asked to sing a line slower, faster, or starting on a different pitch than what is written. By the end of the century composers had begun tasking singers with solving elaborate puzzles to produce sounds whose relationship to the written notes is anything but obvious. These instructions, which appear by turns unnecessary and confounding, challenge traditional conceptions of music writing that understand notation as an incidental consequence of the desire to record sound. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informedsometimes erroneouslyideas about the premodern era. Drawing on both musical and music-theoretical evidence, this book reframes our understanding of late-medieval musical notation as a system that was innovative, cutting-edge, and dynamicone that could be used to generate music, not just preserve it.
Download or read book Harmony and Voice Leading written by Edward Aldwell and published by . This book was released on 1978 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.
Download or read book Hi Fi stereo Review written by and published by . This book was released on 1979 with total page 886 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American String Teacher written by and published by . This book was released on 1973 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Musical Times written by and published by . This book was released on 1967 with total page 1340 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Coding Manual for Qualitative Researchers written by Johnny Saldana and published by SAGE. This book was released on 2009-02-19 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Coding Manual for Qualitative Researchers is unique in providing, in one volume, an in-depth guide to each of the multiple approaches available for coding qualitative data. In total, 29 different approaches to coding are covered, ranging in complexity from beginner to advanced level and covering the full range of types of qualitative data from interview transcripts to field notes. For each approach profiled, Johnny Saldaña discusses the method’s origins in the professional literature, a description of the method, recommendations for practical applications, and a clearly illustrated example.
Download or read book A Performer s Guide to Renaissance Music Second Edition written by Jeffery Kite-Powell and published by Indiana University Press. This book was released on 2007-08-02 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vocal/choral issues. The solo voice in the Renaissance / Ellen Hargis ; On singing and the vocal ensemble I / Alexander Blachly ; On singing and the vocal ensemble II / Alejandro Planchart ; Practical matters of vocal performance / Anthony Rooley -- Wind, string, and percussion instruments. Recorder ; Renaissance flute / Herbert Myers ; Capped double reeds : crumhorn--Kortholt--Schreierpfeif / Jeffery Kite-Powell ; Shawm and curtal / Ross Duffin ; Racket : rackett, Rankett (Ger.), cervelas (Fr.), cervello (It.) / Jeffery Kite-Powell ; Bagpipe / Adam Knight Gilbert ; Cornett / Douglas Kirk ; Sackbut / Stewart Carter -- Bowed instruments / Wendy Gillespie -- The violin / David Douglass -- Plucked instruments / Paul O'Dette -- The harp / Herbert Myers -- Early percussion / Benjamin Harms -- Keyboard instruments / Jack Ashworth -- Practical considerations/instrumentation. Proto-continuo / Jack Ashworth and Paul O'Dette ; Mixed ensembles / James Tyler ; Large ensembles / Jeffery Kite-Powell ; Rehearsal tips for directors / Adam Knight Gilbert ; Performance editions / Frederick Gable -- Performance practice. Tuning and temperament / Ross Duffin ; Pitch and transposition / Herbert Myers ; Ornamentation in sixteenth-century music / Bruce Dickey ; Pronunciation guides / Ross Duffin -- Aspects of theory. Eight brief rules for composing a si placet altus, ca. 1470-1510 / Adam Knight Gilbert ; Renaissance theory / Sarah Mead -- Introduction to Renaissance dance. Early Renaissance dance, 1450-1520 / Yvonne Kendall -- For the early music director. Starting from scratch / Jeffery Kite-Powell.
Download or read book Composing for the Cinema written by Ennio Morricone and published by Scarecrow Press. This book was released on 2013-10-10 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Download or read book The Nitpicker s Guide for Next Generation Trekkers Volume 1 written by Phil Farrand and published by Dell. This book was released on 1993-10-02 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: Six seasons of bloopers, flubs, technical screw-ups, and picayune plot discrepancies for discriminating fans of Star Trek: The Next Generation Stardate 41153.7-46999.9 Starship Enterprise, Registry NCC-1701D We’re watching you. . . Is there a control panel inside the turbo lift? (No . . . except in the episode “Brothers”) Do or don’t personnel have to tap their badge to access their communicator? (Only when the writers feel like it) Yes, we’re fans. But we’re not unobservant. Some of us even have Vulcanlike logic. Author Phil Farrand figures that even if you love somebody, you can tell them about that dab of mustard on their upper lip. So here’s a compendium for Trekkers who are unafraid of pointing the finger at oversights, and who know it’s great fun to find the sloppy mistakes (or cost-cutting cheating) in a show that takes itself very seriously. So get your VCR ready and your mind set for hours of enjoyment and mental stimulation with: • Plot oversights • Production problems • Changed premises • Equipment oddities • Trivia questions • Fun facts • Covers every show for the first six seasons of Star Trek: The Next Generation • And more!
