Download or read book A General History Of The Stage From Its Origin in Greece Down to the Present Time written by William Rufus Chetwood and published by . This book was released on 1749 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A General History of the Stage written by William Rufus Chetwood and published by . This book was released on 1749 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Bibliographical Account of English Theatrical Literature from the Earliest Times to the Present Day written by Robert William Lowe and published by London : J.C. Nimmo. This book was released on 1888 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Greek Tragic Women on Shakespearean Stages written by Tanya Pollard and published by Oxford University Press. This book was released on 2017-09-15 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
Download or read book A Catalogue of the Allen A Brown Collection of Books Relating to the Stage in the Public Library of the City of Boston written by Allen A. Brown Collection (Boston Public Library) and published by Boston : The Trustees. This book was released on 1919 with total page 976 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Elizabethan Stage written by Edmund Kerchever Chambers and published by . This book was released on 1923 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Owning Performance Performing Ownership written by Jane Wessel and published by University of Michigan Press. This book was released on 2022-07-14 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18th century’s most influential playwrights, actors, and theater managers as they vied for control over the period’s most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama—quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period’s most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.
Download or read book Library of J H V Arnold written by John Harvey Vincent Arnold and published by . This book was released on 1879 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Struggle for a Free Stage in London written by Watson Nicholson and published by . This book was released on 1906 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Enlightenment Theatre written by Bridget Orr and published by Cambridge University Press. This book was released on 2020-01-02 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals how England's eighteenth-century theatre dramatized anti-imperial protest, and gave voice to oppressed groups.
Download or read book Colley Cibber written by Helene Koon and published by University Press of Kentucky. This book was released on 2021-10-21 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Colley Cibber changed the course of the English-speaking theater. One of the most complete theater men in the history of the stage, he fostered the change from drama as the handmaiden of literature to theater as an independent and lively art. In the process, Cibber became one of London's brightest stars, one of its most popular playwrights and, for thirty years, manager of the most important theater in England, Drury Lane. Yet above all, Cibber was an actor, and this fact governed his life and career. In his plays, he demonstrated a remarkable awareness of the audience in the playhouse, while the character of a fool, which he created for the stage, gradually became the mask he wore in private life. The man himself achieved fame and wealth and gained powerful friends who gave him the post of Poet Laureate. But the mask and his success brought equally powerful enemies who made him the target of their ridicule and succeeded in destroying his reputation. Since then the distorted image created by Pope and Fielding has amused generations of readers, but it does not explain how such a supposed fool remained a favorite with the public throughout his career, had more plays in the repertory than any other contemporary author, successfully managed a major theatrical company, or wrote the best theatrical history of his age. This biography looks at the man behind that distorting mask, his position in his own time, and his contribution to the theater.
Download or read book Catalogue of the library With written by Sacred harmonic society and published by . This book was released on 1855 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Rival Sirens written by Suzanne Aspden and published by Cambridge University Press. This book was released on 2013-04-18 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: The tale of the onstage fight between prima donnas Francesca Cuzzoni and Faustina Bordoni is notorious, appearing in music histories to this day, but it is a fiction. Starting from this misunderstanding, The Rival Sirens suggests that the rivalry fostered between the singers in 1720s London was in large part a social construction, one conditioned by local theatrical context and audience expectations, and heightened by manipulations of plot and music. This book offers readings of operas by Handel and Bononcini as performance events, inflected by the audience's perceptions of singer persona and contemporary theatrical and cultural contexts. Through examining the case of these two women, Suzanne Aspden demonstrates that the personae of star performers, as well as their voices, were of crucial importance in determining the shape of an opera during the early part of the eighteenth century.
Download or read book Catalogue of the library of The Sacerd Harmonic Sooiety A new edition revised and augmented written by and published by . This book was released on 1872 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Library of the Sacred Harmonic Society written by Anonymous and published by BoD – Books on Demand. This book was released on 2023-04-27 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reprint of the original, first published in 1872.
Download or read book Stage Mothers written by Laura Engel and published by Bucknell University Press. This book was released on 2014-11-06 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stage Mothers explores the connections between motherhood and the theater both on and off stage throughout the long eighteenth century. Although the realities of eighteenth-century motherhood and representations of maternity have recently been investigated in relation to the novel, social history, and political economy, the idea of motherhood and its connection to the theatre as a professional, material, literary, and cultural site has received little critical attention. The essays in this volume, spanning the period from the Restoration to Regency, address these forgotten maternal narratives, focusing on: the representation of motherhood as the defining female role; the interplay between an actress’s celebrity persona and her chosen roles; the performative balance between the cults of maternity and that of the “passionate” actress; and tensions between sex and maternity and/or maternity and public authority. In examining the overlaps and disconnections between representations and realities of maternity in the long eighteenth century, and by looking at written, received, visual, and performed records of motherhood, Stage Mothers makes an important contribution to debates central to eighteenth-century cultural history.
Download or read book The Rhetoric of Sensibility in Eighteenth Century Culture written by Paul Goring and published by Cambridge University Press. This book was released on 2004-12-23 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Rhetoric of Sensibility in Eighteenth-Century Culture explores the burgeoning eighteenth-century fascination with the human body as an eloquent, expressive object. This wide-ranging study examines the role of the body within a number of cultural arenas - particularly oratory, the theatre and the novel - and charts the efforts of projectors and reformers who sought to exploit the textual potential of the body for the public assertion of modern politeness. Paul Goring shows how diverse writers and performers including David Garrick, James Fordyce, Samuel Richardson, Sarah Fielding and Laurence Sterne were involved in the construction of new ideals of physical eloquence - bourgeois, sentimental ideals which stood in contrast to more patrician, classical bodily modes. Through innovative readings of fiction and contemporary manuals on acting and public speaking, Goring reveals the ways in which the human body was treated as an instrument for the display of sensibility and polite values.
