Download or read book A Dictionary of Music Translated by William Waring written by Jean-Jacques Rousseau and published by . This book was released on 1779 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The complete dictionary of music Consisting of a copious explanation of all words necessary to a true knowledge and understanding of music Translated from the original French By William Waring written by Jean-Jacques Rousseau and published by . This book was released on 1780* with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Dictionary of Music Translated from the French of Mons J J Rousseau By William Waring written by and published by . This book was released on 1775 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dictionary of Music Dictionnaire de Musique Translated from the French by William Waring written by Jean-Jacques Rousseau and published by . This book was released on with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Complete Dictionary of Music Translated by W Waring Second Edition written by Jean-Jacques Rousseau and published by . This book was released on 1779 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Complete Dictionary of Music Consisting of a Copious Explanation of All Words Necessary to a True Knowledge and Understanding of Music Translated From the Original French of Mons J J Rousseau By William Waring Second Edition written by Jean-Jacques Rousseau and published by Gale Ecco, Print Editions. This book was released on 2018-04-23 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Cambridge University Library T163022 With a half-title. First published in same year as 'A dictionary of music'. The plates are numbered 469-470 to follow pagination. London: printed for J. French; and Fielding and Walker, [1779]. [4],468p., plates: music; 8°
Download or read book A Complete Dictionary of Music Consisting of a Copious Explanation of All Words Necessary to a True Knowledge and Understanding of Music Translated from the Original French of J J Rousseau by William Waring Second Edition written by JEAN-JACQUES. ROUSSEAU and published by Gale Ecco, Print Editions. This book was released on 2018-04-23 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Cambridge University Library N005070 With a half-title. First edition has title 'A dictionary of music'. The plates are numbered 469-470 to follow pagination. London: printed for J. Murray; and Luke White, Dublin, 1779. [4],468p., [2]plates: music; 8°
Download or read book The Complete Dictionary of Music Consisting of a Copious Explanation of All Words Necessary to a True Knowledge and Understanding of Music Translated from the Original French of Mons J J Rousseau By William Waring written by and published by . This book was released on 1779 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Complete Dictionary of Music Consisting of a Copious Explanation of All Words Necessary to a True Knowledge and Understanding of Music Translated from the Original French of J J Rousseau By William Waring written by Jean-Jacques Rousseau and published by . This book was released on 1789 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Dictionary of Music and Musicians T Z and appendix written by George Grove and published by . This book was released on 1910 with total page 746 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Grove s Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1910 with total page 742 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Language Music and the Sign written by Kevin Barry and published by Cambridge University Press. This book was released on 1987-11-19 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book forms a conceptual account of the relationship between music and poetry in the late eighteenth and early nineteenth centuries.
Download or read book Beyond the Soundtrack written by Daniel Ira Goldmark and published by Univ of California Press. This book was released on 2007-06-08 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role—and many do much more—music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness. The authors cover a broad range of narrative films, from the "silent" era (not so silent) to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema.
Download or read book Music for the Melodramatic Theatre in Nineteenth Century London and New York written by Michael V. Pisani and published by University of Iowa Press. This book was released on 2014-07-01 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Download or read book The Solfeggio Tradition written by Nicholas Baragwanath and published by Oxford University Press. This book was released on 2020-10-02 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did castrati manage to amaze their eighteenth-century audiences by singing the same aria several times in completely different ways? And how could composers of the time write operas in a matter of days? The secret lies in the solfeggio tradition, a music education method that was fundamental to the training of European musicians between 1680 and 1830 a time during which professional musicians belonged to the working class. As disadvantaged children in orphanages learned the musical craft through solfeggio lessons, many were lifted from poverty, and the most successful were propelled to extraordinary heights of fame and fortune. In this first book on the solfeggio tradition, author Nicholas Baragwanath draws on over a thousand manuscript sources to reconstruct how professionals became skilled performers and composers who could invent and modify melodies at will. By introducing some of the simplest exercises in scales, leaps, and cadences that apprentices would have encountered, this book allows readers to retrace the steps of solfeggio training and learn to generate melody by 'speaking' it like an eighteenth-century musician. As it takes readers on a fascinating journey through the fundamentals of music education in the eighteenth century, this book uncovers a forgotten art of melody that revolutionizes our understanding of the history of music pedagogy.
Download or read book Measure written by Marc D. Moskovitz and published by Boydell & Brewer. This book was released on 2022-09-27 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: While our modern concepts of musical time and tempo have been largely shaped by the metronome, musicians have long depended on a variety of methods, including the use of hands and feet, the incorporation of markings and pendulums. Measure: In Pursuit of Musical Time tells the fascinating story of musical timekeeping, beginning in an age before the existence of external measuring devices and continuing to the present-day use of the smartphone app. The book opens with a consideration of Renaissance images that inform our early understanding of the physical gestures associated with musical timekeeping. Early music treatises provide a first-hand glimpse into a musical world when timekeeping was bound up with motions of the body and the pulsing of the human heart. The adoption of the simple pendulum and the incorporation of tempo-related language profoundly altered the musical landscape. Such approaches allowed composers to communicate ideas about speed and slowness with increasing precision. Yet neither language nor the pendulum's natural swing proved sufficient to meet the needs of a changing musical world. Enter the metronome, a device that ultimately allowed musicians to consider musical time in real time. A triumph of innovation, the metronome was celebrated by many as the fulfillment of a centuries-long search. Yet not everyone was convinced of its benefits. From Beethoven to Ligeti, the book looks to a number of influential composers who have used or refused this revolutionary machine. Measure: In Pursuit of Musical Time follows a host of brilliant polymaths, trailblazing musicians and intrepid inventors in search of ever more accurate and practical ways to measure and master one of music's most critical and challenging aspects.
Download or read book The The Theoretical Practical Elements of Music Parts III and IV written by Francesco Galeazzi and published by University of Illinois Press. This book was released on 2012-05-30 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.
