Download or read book Gesualdo written by Glenn Watkins and published by Oxford University Press on Demand. This book was released on 1991 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carlo Gesualdo, Prince of Venosa, is equally celebrated as the composer of madrigals of great power and tortured complexity and as the murderer of his wife and her lover in flagrante delicto. His life and compositions are not unconnected. His neurotic sensibility found an ideal outlet in the mannerist tendencies of late Renaissance music, and his works are the most extreme examples of those tendencies. Watkins's extended study of Gesualdo's life and works was originally published in 1973. Alongside detailed analysis of Gesualdo's remarkable madrigals and of the few works in other genres, it contained much new biographical material, particularly on the latter part of the composer's life. This new edition has been extensively updated, and contains a new chapter covering the research of recent years. The preface to the first edition, by Igor Stravinsky is reprinted.
Download or read book Caravaggio and Pictorial Narrative written by Lorenzo Pericolo and published by Harvey Miller. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: HMSBA is Harvey Miller Studies in Baroque Art.
Download or read book The Cambridge History of Seventeenth Century Music written by Tim Carter and published by Cambridge University Press. This book was released on 2005-12-22 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2005, this title provides extensive knowledge on seventeenth-century music.
Download or read book The Music of Henry Ainsworth s Psalter written by Lorraine Inserra and published by New York : Institute for Studies in American Music. This book was released on 1981 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Prodigious Muse written by Virginia Cox and published by JHU Press. This book was released on 2011-09-01 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner, 2012 Book Award, Society for the Study of Early Modern WomenHonorable Mention, Literature, 2012 PROSE Awards, Professional and Scholarly Publishing Division of the Association of American Publishers In her award-winning, critically acclaimed Women’s Writing in Italy, 1400–1650, Virginia Cox chronicles the history of women writers in early modern Italy—who they were, what they wrote, where they fit in society, and how their status changed during this period. In this book, Cox examines more closely one particular moment in this history, in many ways the most remarkable for the richness and range of women’s literary output. A widespread critical notion sees Italian women’s writing as a phenomenon specific to the peculiar literary environment of the mid-sixteenth century, and most scholars assume that a reactionary movement such as the Counter-Reformation was unlikely to spur its development. Cox argues otherwise, showing that women’s writing flourished in the period following 1560, reaching beyond the customary "feminine" genres of lyric, poetry, and letters to experiment with pastoral drama, chivalric romance, tragedy, and epic. There were few widely practiced genres in this eclectic phase of Italian literature to which women did not turn their hand. Organized by genre, and including translations of all excerpts from primary texts, this comprehensive and engaging volume provides students and scholars with an invaluable resource as interest in these exceptional writers grows. In addition to familiar, secular works by authors such as Isabella Andreini, Moderata Fonte, and Lucrezia Marinella, Cox also discusses important writings that have largely escaped critical interest, including Fonte’s and Marinella’s vivid religious narratives, an unfinished Amazonian epic by Maddalena Salvetti, and the startlingly fresh autobiographical lyrics of Francesca Turina Bufalini. Juxtaposing religious and secular writings by women and tracing their relationship to the male-authored literature of the period, often surprisingly affirmative in its attitudes toward women, Cox reveals a new and provocative vision of the Italian Counter-Reformation as a period far less uniformly repressive of women than is commonly assumed.
Download or read book Reappraising the Seicento written by Andrew Cheetham and published by Cambridge Scholars Publishing. This book was released on 2014-03-26 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reappraising the Seicento presents new perspectives on some relatively well-researched areas of music history and adumbrates some more arcane aspects of the period, offered by fledgling scholars and early career researchers in the field of musicology. The scope of the title has the potential to warrant a tome on the subject, but it is not the intention to provide a comprehensive survey of music in the seventeenth century. Instead, five essays are presented, divided into two sections, which represent the research activities of young scholars with an interest in the seicento. In the first part of this book, compositional procedure in seicento Italy is examined through two different analytical procedures. Musical styles and fashions changed considerably throughout Europe in the seventeenth century; at the forefront of these changes were Italian composers and performers, who found fame and influence in their native countries as well as abroad. In the second part of this book, the dissemination of Italian music in seventeenth-century England and the appropriation and assimilation of contemporary Italian compositional techniques by English composers are considered. The phenomenal interest shown in Italian music by English patrons and musicians of the seventeenth century is placed into context, and is revealed to be part of a larger historical trend.
Download or read book Beethoven His Spiritual Development written by J. W. N. Sullivan and published by Read Books Ltd. This book was released on 2011-03-23 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1927, J. W. N. Sullivan's “Beethoven - His Spiritual Development” explores the subject of Beethoven's spirituality, which the author believes he expressed through his greatest musical compositions. Contents include: “Art and Reality”, “Music as Isolated”, “Music as Expression”, “Beethoven’s Characteristics”, “The Morality of Power”, “The Mind of Beethoven”, “The Hero”, “The End of a Period”, “Love and Money”, “The Hammerclavier Sonata”, “God the Companion”, etc. A fascinating study of Beethoven's work not to be missed by fans of classical music. John William Navin Sullivan (1886–1937) was a popular literary journalist and science writer who wrote some of the first accounts of Albert Einstein’s General Theory of Relativity for the laymen. Sullivan was acquainted with a number of important writers in 1920s London including T. S. Eliot, Aldous Huxley, and Aleister Crowley. Read & Co. Books is republishing this classic work now in a new edition complete with a specially-commissioned new biography of the author.
Download or read book Monteverdi and the End of the Renaissance written by Gary Tomlinson and published by Univ of California Press. This book was released on 1987 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining a close study of Monteverdi's secular works with recent research on late Renaissance history, Gary Tomlinson places the composer's creative career in its broad cultural context and illuminates the state of Italian music, poetry, and ideology in the sixteenth and seventeenth centuries.
Download or read book The Gesualdo Hex Music Myth and Memory written by Glenn Watkins and published by W. W. Norton & Company. This book was released on 2010 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: A riveting investigation of one of the most provocative musicians of the Renaissance, who continues to captivate composers, artists, and audiences today. In this vivid tale of adultery and intrigue, witchcraft and murder, Glenn Watkins explores the fascinating life of the Renaissance composer Carlo Gesualdo—a life suffused with scandal and bordering on the fantastical. An isolated prince, Gesualdo had a personal life that was no less eccentric and bewildering than the music he composed; his biography has often clouded our perception of his oeuvre, which music scholars have periodically dismissed as a late Renaissance deformation of little consequence. Today, however, Gesualdo’s music, once deemed so strange as to be unperformable, stands as one of the most vibrant legacies of the late Italian Renaissance with an undeniable impact on a host of twentieth-century musicians and artists. The incendiary details of Gesualdo’s life recede, and his grip on our musical imagination comes to the fore. Watkins challenges our preconceptions of what has become a nearly mythic persona, weaving together the cumulative experience of some of the most vibrant artists of the past century from Stravinsky and Schoenberg to Abbado and Herzog. Beyond questions of mere influence, however, The Gesualdo Hex offers a profound meditation on cultural memory and historical awareness: how composers attempt to shape the legacy they will bequeath to the world, and how music and history inevitably take on a new guise as they are revisited by subsequent generations and reinterpreted in light of contemporary experience. In examining Gesualdo’s life, music, myth, and memory intertwine with one another to reveal an uncanny affinity with our own time. With his elegant and engaging prose, Watkins asks us to grapple with our understanding not only of art and the artists who create it but also of history itself.
Download or read book The Treatment of Nature in Dante s Divina Commedia written by Oscar Kuhns and published by . This book was released on 1897 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Vertical Readings in Dante s Comedy written by George Corbett and published by Open Book Publishers. This book was released on 2016-12-12 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
Download or read book Love and its Critics written by Michael Bryson and published by Open Book Publishers. This book was released on 2017-07-10 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.
Download or read book Tonality and Atonality in Sixteenth Century Music written by Edward Elias Lowinsky and published by Univ of California Press. This book was released on with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mannerism in Italian Music and Culture 1530 1630 written by Maria Rika Maniates and published by Manchester University Press. This book was released on 1979 with total page 714 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Critical Music Historiography Probing Canons Ideologies and Institutions written by Dr Markus Mantere and published by Ashgate Publishing, Ltd.. This book was released on 2015-04-28 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the past two decades, there has emerged a growing need to reconsider the objects, axioms and perspectives of writing music history. A certain suspicion towards Francois Lyotard’s grand narratives, as a sign of what he diagnosed as our ‘postmodern condition’, has become more or less an established and unquestioned point of departure among historians. This suspicion, at its most extreme, has led to a radical conclusion of the ‘end of history’ in the work of postmodern scholars such as Jean Baudrillard and Francis Fukuyama. The contributors to Critical Music Historiography take a step back and argue that the radical view of the ‘impossibility of history’, as well as the unavoidable ideology of any history, are counter-productive points of departure for historical scholarship. It is argued that metanarratives in history are still possible and welcome, even if their limitations are acknowledged. Foucault, Lyotard and others should be taken into account but systematized viewpoints and methods for a more critical and multi-faceted re-evaluation of the past through research are needed. As to the metanarratives of music history, they must avoid the pitfalls of evolutionism, hagiography, and teleology, all hallmarks of traditional historiography. In this volume the contributors put these methods and principles into practice. The chapters tackle under-researched and non-conventional domains of music history as well as rethinking older historiographical concepts such as orientalism and nationalism, and consequently introduce new concepts such as occidentalism and transnationalism. The volume is a challenging collection of work that stakes out a unique territory for itself among the growing body of work on critical music history.
Download or read book The Structure of Atonal Music written by Allen Forte and published by Yale University Press. This book was released on 1973-01-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Describes and cites examples of pitch-class sets and relations in atonal music
Download or read book The Ladies of Dante s Lyrics written by Charles Hall Grandgent and published by . This book was released on 1917 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt:
