Download or read book Writers and Performers in Italian Drama from the Time of Dante to Pirandello written by Julie R. Dashwood and published by Edwin Mellen Press. This book was released on 1991 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays from the Harvard Symposium in honour of G.H. McWilliam covers Italian drama from its origins, via the Renaissance and the 19th-century, to Pirandello and Svevo. Contributors question the nature of drama and how and where it can be identified.
Download or read book The Tradition of the Actor author in Italian Theatre written by Donatella Fischer and published by Routledge. This book was released on 2017-12-02 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The central importance of the actor-author is a distinctive feature of Italian theatrical life, in all its eclectic range of regional cultures and artistic traditions. The fascination of the figure is that he or she stands on both sides of one of theatre's most important power relationships: between the exhilarating freedom of performance and the austere restriction of authorship and the written text. This broad-ranging volume brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. Starting with Castiglione, Ruzante and the commedia dell'arte, and surveying the works of Dario Fo, De Filippo and Bene, among others, the contributors cast light on a tradition which continues into Neapolitan and Sicilian theatre today, and in Italy's currently fashionable 'narrative theatre', where the actor-author is centre stage in a solo performance."
Download or read book Twentieth century Italian Drama The first fifty years written by Jane House and published by Columbia University Press. This book was released on 1995 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of Twentieth-Century Italian Drama covers the period spanning from the end of the nineteenth century to that immediately following World War II, displaying the rich breadth of Italian theater in the modern age, from the comedic legacy carried on by such writers as Eduardo De Filippo to the delicate tragedy of playwrights like Federigo Tozzi.Included are seven full-length plays, five one-act plays, one variety sketch, and three futurist sintesi (sketches). Brief introductions preceding each play contextualize the piece within the various movements in Italian theater, and biographies of the editors and translators appear at the end of the volume. An extensive bibliography offers many suggestions for further reading in English.The playwrights included are Gabriele D'Annunzio, Filippo Tommaso Marinetti, Ettore Petrolini, Raffaele Viviani, Pier Maria Rosso di San Secondo, Federigo Tozzi, Massimo Bontempelli, Achille Campanile, Italo Svevo, Luigi Pirandello, Eduardo De Filippo, and Ugo Betti.
Download or read book Dante s Performance written by Francesco Ciabattoni and published by Walter de Gruyter GmbH & Co KG. This book was released on 2024-08-05 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an historical and philological lens, this book explores passages from Dante's Commedia which reveal elements inspired byprocessions, pageants, liturgical drama, psalm singing, or dance performance. The sacred poem finds influence in medieval theories of the performing arts as well as actual performances which Dante would have seen in churches or town squares. Dante's Performance opens a new perspective from which to consider the Commedia: Dante expected his contemporary readers to recognize references to and echoes of psalms, sacred plays, and performative practices. Twenty-first-century readers are tasked with reconstructing a cultural framework which allows us to grasp those same textual references. From the dramatization of the harrowing of hell in Inferno IX, to Beatrice's celebratory return on top of Mount Purgatory, to the songs of the blessed, this study connects Dante's language to coeval theoretical and practical texts about performance. If hell is "the Middle Age's theatrum diaboli," purgatory stages a performed purification through songs and acting, while paradise offers the spectacle of blessed spirits within the heavenly spheres as an aid to human understanding (Par. IV 28-39).
Download or read book Italian Culture in the Drama of Shakespeare and His Contemporaries written by Michele Marrapodi and published by Routledge. This book was released on 2016-12-05 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: Applying recent developments in new historicism and cultural materialism - along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text - the essays collected here reconsider the pervasive influence of Italian culture, literature, and traditions on early modern English drama. The volume focuses strongly on Shakespeare but also includes contributions on Marston, Middleton, Ford, Brome, Aretino, and other early modern dramatists. The pervasive influence of Italian culture, literature, and traditions on the European Renaissance, it is argued here, offers a valuable opportunity to study the intertextual dynamics that contributed to the construction of the Elizabethan and Jacobean theatrical canon. In the specific area of theatrical discourse, the drama of the early modern period is characterized by the systematic appropriation of a complex Italian iconology, exploited both as the origin of poetry and art and as the site of intrigue, vice, and political corruption. Focusing on the construction and the political implications of the dramatic text, this collection analyses early modern English drama within the context of three categories of cultural and ideological appropriation: the rewriting, remaking, and refashioning of the English theatrical tradition in its iconic, thematic, historical, and literary aspects.
Download or read book Printing Writers and Readers in Renaissance Italy written by Brian Richardson and published by Cambridge University Press. This book was released on 1999-08-05 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: The spread of printing to Renaissance Italy had a dramatic impact on all users of books. As works came to be diffused more widely and cheaply, so authors had to adapt their writing and their methods of publishing to the demands and opportunities of the new medium, and reading became a more frequent and user-friendly activity. Printing, Writers and Readers in Renaissance Italy focuses on this interaction between the book industry and written culture. After describing the new technology and the contexts of publishing and bookselling, it examines the continuities and changes faced by writers in the shift from manuscript to print, the extent to which they benefited from print in their careers, and the greater accessibility of books to a broader spectrum of readers, including women and the less well educated. This is the first integrated study of a topic of central importance in Italian and European culture.
Download or read book The Italian World of English Renaissance Drama written by A. J. Hoenselaars and published by University of Delaware Press. This book was released on 1998 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is widely accepted that English Renaissance drama owes its extraordinary richness and variety to the blending of elements originating from the medieval heritage and classical and Italian dramatic traditions. This grafting of the "Italian world" onto the English Renaissance goes far beyond the conventional research of the literary sources. The articles in this collection explore English Renaissance drama through new and challenging aspects of influence and through investigations into classical and Italian theater. The volume moves from early Elizabethan to late Jacobean drama. The area of research ranges from New Classical Comedy to commedia erudita, from the Renaissance theory of tragedy and tragicomedy to the birth of pastoral drama and beyond.
Download or read book A History of Italian Theatre written by Joseph Farrell and published by Cambridge University Press. This book was released on 2006-11-16 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of Italian theatre from its origins to the the time of this book's publication in 2006. The text discusses the impact of all the elements and figures integral to the collaborative process of theatre-making. The distinctive nature of Italian theatre is expressed in the individual chapters by highly regarded international scholars.
Download or read book Performing Medieval Narrative written by Evelyn Birge Vitz and published by DS Brewer. This book was released on 2005 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: A survey of an investigation into whether medieval narrative was designed for performance.
Download or read book Dante s Reforming Mission and Women in the Comedy written by Diana Glenn and published by Troubador Publishing Ltd. This book was released on 2008 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers an analysis of the presence and significance of female characters in Dante's 'Comedy'. Commencing with the tabulations of women listed in "Inferno IV" and "Purgatorio XXII", to which may be added the grouping in "Paradiso XXXII", this work traces the symmetry and symbolic import of these clusters.
Download or read book Dante on View written by Antonella Braida and published by Routledge. This book was released on 2017-05-15 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.
Download or read book Dante and Renaissance Florence written by Simon A. Gilson and published by Cambridge University Press. This book was released on 2005-01-13 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Simon Gilson explores Dante's reception in his native Florence between 1350 and 1481. He traces the development of Florentine civic culture and the interconnections between Dante's principal 'Florentine' readers, from Giovanni Boccaccio to Cristoforo Landino, and explains how and why both supporters and opponents of Dante exploited his legacy for a variety of ideological, linguistic, cultural and political purposes. The book focuses on a variety of texts, both Latin and vernacular, in which reference was made to Dante, from commentaries to poetry, from literary lives to letters, from histories to dialogues. Gilson pays particular attention to Dante's influence on major authors such as Boccaccio and Petrarch, on Italian humanism, and on civic identity and popular culture in Florence. Ranging across literature, philosophy and art, across languages and across social groups, this study fully illuminates for the first time Dante's central place in Italian Renaissance culture and thought.
Download or read book Theatre of the Book 1480 1880 written by Julie Stone Peters and published by Oxford University Press, USA. This book was released on 2003 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.
Download or read book Understanding Luigi Pirandello written by Fiora A. Bassanese and published by Univ of South Carolina Press. This book was released on 1997 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an introduction to the life and literary contributions of a Nobel Prize winner and one of Italy's most distinguished writers, Luigi Pirandello. It evaluates the significance of his influence on 20th century literature.
Download or read book Dante Encyclopedia written by Richard Lansing and published by Routledge. This book was released on 2010-09-13 with total page 2067 pages. Available in PDF, EPUB and Kindle. Book excerpt: Available for the first time in paperback, this essential resource presents a systematic introduction to Dante's life and works, his cultural context and intellectual legacy. The only such work available in English, this Encyclopedia: brings together contemporary theories on Dante, summarizing them in clear and vivid prose provides in-depth discussions of the Divine Comedy, looking at title and form, moral structure, allegory and realism, manuscript tradition, and also taking account of the various editions of the work over the centuries contains numerous entries on Dante's other important writings and on the major subjects covered within them addresses connections between Dante and philosophy, theology, poetics, art, psychology, science, and music as well as critical perspective across the ages, from Dante's first critics to the present.
Download or read book Dante s British Public written by N. R. Havely and published by . This book was released on 2014 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.
Download or read book Theatre Opera and Performance in Italy from the Fifteenth Century to the Present written by Brian Richardson and published by Routledge. This book was released on 2004 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nineteen essays in this volume cover a wide chronological span from the 1470s to the 1990s. Their breadth of subject matter appropriately reflects the diversity of Dick Andrews's own research interests, including as they do considerations of the interactions between author/performer and public, between text and performance, and, more broadly still, between the written and the oral. Common to the essays, too, is an interest in crossing traditional disciplinary boundaries such as music and literature, architecture and theatre.
