Download or read book Women in Japanese Cinema written by Tamae K. Prindle and published by Merwinasia. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: By studying Japanese films and their associated literature, Tamae K. Prindle reveals the covert stories of Japanese women versus orthodox history. Fifteen films bring this theme into focus. Imamura Shohei's The Ballad of Narayama , Naruse Mikio's Mother, Idemitsu Mako's Great Mother , Kinugasa Teinousuke's Gate of Hell , Kurosawa Akira's No Regrets for Our Youth , Kuwabata Kagenobu's Love and Lie , Toyoda Shiro's The Mistress , Kumai Kei's Sandakan Brothel 8, Takahashi Banmei's Le Nouveau Monde Amoureux, Nishikawa Katsumi's A Dancing Girl in Izu , Obayashi Nobuhiko's Chizuko's Younger Sister , Ichikawa Jun's Tsugumi , Mizoguchi Kenji's Life of Oharu, Itami Juzo's Tampopo , and Ishikawa Jun's Grass Fish on a Tree. "Mother," "Wife," "Whore," "Girl" and "Woman," represent categories the public used to code Japanese women in the pre-feminist age. Each chapter features three films depicting women in the premodern age, in the World War II period, and in late twentieth century Japan, and each embraces the three films within the perspective of ecological feminism, sexuality, alienation, illusion, and power-over/power-to. Shedding light on cultural, historical, and/or ideological backgrounds of the films under study in important new ways, this book breaks new ground in the study of women in Japanese culture. Book jacket.
Download or read book Women in Japanese Cinema written by Tamae K. Prindle and published by Merwinasia. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: By studying Japanese films and their associated literature, Tamae K. Prindle reveals the covert stories of Japanese women versus orthodox history. Fifteen films bring this theme into focus. "Mother," "Wife," "Prostitute," "Girl," and "Woman," represent categories the public used to code Japanese women in the pre-feminist age. Each chapter features three films depicting women in the premodern age, in the World War II period, and in late twentieth-century Japan, and each embraces the three films within the perspective of ecological feminism, sexuality, alienation, illusion, and power-over/power-to. Shedding light on cultural, historical and/or ideological backgrounds of the films under study in important new ways, this book breaks new ground in the study of women in Japanese culture.--Adapted from page 4 of cover.
Download or read book The Cinema of Naruse Mikio written by Catherine Russell and published by Duke University Press. This book was released on 2008-09-08 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905–69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse’s contributions to Japanese and world cinema, Russell’s in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s. Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were “women’s films.” They had female protagonists, and they depicted women’s passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as “feminist,” his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse’s cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse’s movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.
Download or read book Japanese Cinema written by Alastair Phillips and published by Routledge. This book was released on 2007-12-18 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries.
Download or read book Audition written by Ryu Murakami and published by A&C Black. This book was released on 2010-01-18 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the death of his wife seven years ago, documentary maker Aoyama has not dated anyone else. Now even his teenage son, Shige, thinks that he should remarry and his best friend Yoshikawa comes up with a plan: to hold fake film auditions from which, he can choose a new bride. Of the thousands who apply, it is a beautiful ballerina, Yamasaki Asami, who captivates Aoyama. Infatuated by her fragile nature and nervous smile, he ignores his increasing sense of unease, putting aside his doubts about his new love, until it may be too late... In Audition, Ryu Murakami delivers his most subtly disturbing novel yet, confirming him as Japan's master of the psycho-thriller.
Download or read book The Japanese Cinema Book written by Hideaki Fujiki and published by Bloomsbury Publishing. This book was released on 2020-04-02 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions
Download or read book Tanaka Kinuyo written by Irene Gonzalez-Lopez and published by Edinburgh University Press. This book was released on 2018-03-07 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the experiences spectators have when they watch a film collectively in a cinema.
Download or read book Historical Dictionary of Japanese Cinema written by Jasper Sharp and published by Scarecrow Press. This book was released on 2011-10-13 with total page 565 pages. Available in PDF, EPUB and Kindle. Book excerpt: The cinema of Japan predates that of Russia, China, and India, and it has been able to sustain itself without outside assistance for over a century. Japanese cinema's long history of production and considerable output has seen films made in a variety of genres, including melodramas, romances, gangster movies, samurai movies, musicals, horror films, and monster films. It has also produced some of the most famous names in the history of cinema: Akira Kurosawa, Hayao Miyazaki, Beat Takeshi, Toshirô Mifune, Godzilla, The Ring, Akira, Rashomon, and Seven Samurai. The Historical Dictionary of Japanese Cinema is an introduction to and overview of the long history of Japanese cinema. It aims to provide an entry point for those with little or no familiarity with the subject, while it is organized so that scholars in the field will also be able to use it to find specific information. This is done through a detailed chronology, an introductory essay, and appendixes of films, film studios, directors, and performers. The cross-referenced dictionary entries cover key films, genres, studios, directors, performers, and other individuals. This book is an excellent access point for students, researchers, and anyone wanting to know more about Japanese cinema.
Download or read book Eros Plus Massacre written by David Desser and published by Indiana University Press. This book was released on 1988-05-22 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The decade of the 1960s encompassed a "New Wave" of films whose makers were rebels, challenging cinematic traditions and the culture at large. The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film. Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.
Download or read book Nippon Modern written by Mitsuyo Wada-Marciano and published by University of Hawaii Press. This book was released on 2008-01-22 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Devastated by the 1923 earthquake, Tokyo re-built itself in symbiosis with an image of modernity concocted by its own film studios. Nippon Modern renders that image, aspect after fascinating aspect, in sharp detail. Scores of films make up that image, a few resurrected in this volume for intense and delightful analysis. A sensitive viewer and an honest resourceful historian, Wada-Marciano lays out what she’s found in relation to other studies of this precious period, and she does so without hyperbole and without a glaring agenda. She makes you understand how, after Tokyo would again be devastated in 1945, these ‘modern’ films could become objects of nostalgia. Such is the care she gives her subject and such the fragility of that subject." —Dudley Andrew, Yale University "Nippon Modern will be recognized as one of the core books of Japanese film studies, a must-read for anyone interested in Japanese cinema. Because it brings Japanese cinema study into dialogue with important debates in history, area studies, and post colonial studies, it should have a wide and heterogeneous readership that will be attracted to its compelling analysis of important films and straightforward narration of biographies and studio history." —Abé Mark Nornes, University of Michigan Nippon Modern is the first intensive study of Japanese cinema in the 1920s and 1930s, a period in which the country’s film industry was at its most prolific and a time when cinema played a singular role in shaping Japanese modernity. During the interwar period, the signs of modernity were ubiquitous in Japan’s urban architecture, literature, fashion, advertising, popular music, and cinema. The reconstruction of Tokyo following the disastrous earthquake of 1923 high lighted the extent of this cultural transformation, and the film industry embraced the reconfigured space as an expression of the modern. Shochiku Kamata Film Studios (1920–1936), the focus of this study, was the only studio that continued filmmaking in Tokyo following the city’s complete destruction. Mitsuyo Wada-Marciano points to the influence of the new urban culture in Shochiku’s interwar films, acclaimed as modan na eiga, or modern films, by and for Japanese. Wada-Marciano’s thought-provoking examinations illustrate the reciprocal relationship between cinema and Japan’s vernacular modernity—what Japanese modernity actually meant to Japanese. Her thorough and thoughtful analyses of dozens of films within the cultural contexts of Japan con tribute to the current inquiry into non-Western vernacular modernities.
Download or read book Outlaw Masters of Japanese Film written by Chris D. and published by Bloomsbury Publishing. This book was released on 2005-05-27 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Outlaw Masters of Japanese Film" offers an extraordinary close-up of the hitherto overlooked golden age of Japanese cult, action and exploitation cinema from the early 1950s through to the late 1970s, and up to the present day. Having unique access to the top maverick filmmakers and Japanese genre film icons, Chris D. brings together interviews with, and original writings on, the lives and films of such transgressive directors as Kinji Fukasaku ("Battles Without Honour and Humanity"), Seijun Suzuki ("Branded to Kill") and Koji Wakamatsu ("Ecstasy of the Angels") as well as performers like Shinichi 'Sonny' Chiba ("The Streetfighter", "Kill Bill Vol. 1") and glamorous actress Meiko Kaji ("Lady Snowblood"). Bringing the story up-to-date with an overview of such Japanese 'enfants terrible' as Takashi Miike ("Audition") and Kiyoshi Kurasawa ("Cure"), this book also provides a compendium of facts and extras including filmographies, related bibliographies on genre fiction including Manga, and a section on female yakuzas. Illustrated with fantastic stills and posters from some of Japan's finest cult and action films, this is a veritable bible for fans and newcomers alike.
Download or read book Reading a Japanese Film written by Keiko I. McDonald and published by University of Hawaii Press. This book was released on 2005-11-30 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading a Japanese Film, written by a pioneer of Japanese film studies in the United States, provides viewers new to Japanese cinema with the necessary tools to construct a deeper understanding of some of the most critically acclaimed and thoroughly entertaining films ever made. In her introduction, Keiko McDonald presents a historical overview and outlines a unified approach to film analysis. Sixteen "readings" of films currently available on DVD with English subtitles put theory into practice as she considers a wide range of work, from familiar classics by Ozu and Kurosawa to the films of a younger generation of directors.
Download or read book Japanese Cinema written by Alastair Phillips and published by Routledge. This book was released on 2007-12-18 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Seven Samaruai and Godzilla to the Ring. this is an outstanding collection of twenty-four articles on key films of Japanese cinema, from the silent era to the present day, that presents a full introduction to Japanese cinema history, culture and society.
Download or read book Making Icons written by Jennifer Coates and published by Hong Kong University Press. This book was released on 2016-10-01 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: One distinctive feature of post-war Japanese cinema is the frequent recurrence of imagistic and narrative tropes and formulaic characterizations in female representations. These repetitions are important, Jennifer Coates asserts, because sentiments and behaviours forbidden during the war and post-war social and political changes were often articulated by or through the female image. Moving across major character types, from mothers to daughters, and schoolteachers to streetwalkers, Making Icons studies the role of the media in shaping the attitudes of the general public. Japanese cinema after the defeat is shown to be an important ground where social experiences were explored, reworked, and eventually accepted or rejected by the audience emotionally invested in these repetitive materials. An examination of 600 films produced and distributed between 1945 and 1964, as well as numerous Japanese-language sources, forms the basis of this rigorous study. Making Icons draws on an art-historical iconographic analysis to explain how viewers derive meanings from images during this peak period of film production and attendance in Japan. ‘It is very difficult not to heap superlatives upon Making Icons. This splendid work sheds a shining light on the situation of women in post-war Japan, and on post-war Japan itself. Not only is this a deft reading of text and context, it expands the very notion of context, seeing stardom through the lens of filmic and extra-filmic texts. A must-read for anyone interested in Japanese cinema.’ —David Desser, Professor Emeritus, University of Illinois at Urbana-Champaign ‘This is a compelling book. I am excited by Jennifer Coates’s art-historically informed iconographic approach towards female representation in post-war Japanese cinema. Making Icons will certainly make a splash in the field of Japanese film studies.’ —Daisuke Miyao, Professor and the Hajime Mori Chair in Japanese Language and Literature, University of California, San Diego
Download or read book Japanese Mythology in Film written by Yoshiko Okuyama and published by Lexington Books. This book was released on 2015-04-09 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: A cyborg detective hunts for a malfunctioning sex doll that turns itself into a killing machine. A Heian-era Taoist slays evil spirits with magic spells from yin-yang philosophy. A young mortician carefully prepares bodies for their journey to the afterlife. A teenage girl drinks a cup of life-giving sake, not knowing its irreversible transformative power. These are scenes from the visually enticing, spiritually eclectic media of Japanese movies and anime. The narratives of courageous heroes and heroines and the myths and legends of deities and their abodes are not just recurring motifs of the cinematic fantasy world. They are pop culture’s representations of sacred subtexts in Japan. Japanese Mythology in Film takes a semiotic approach to uncovering such religious and folkloric tropes and subtexts embedded in popular Japanese movies and anime. Part I introduces film semiotics with plain definitions of terminology. Through familiar cinematic examples, it emphasizes the myth-making nature of modern-day film and argues that semiotics can be used as a theoretical tool for reading film. Part II presents case studies of eight popular Japanese films as models of semiotic analysis. While discussing each film’s use of common mythological motifs such as death and rebirth, its case study also unveils more covert cultural signifiers and folktale motifs, including jizo (a savior of sentient beings) and kori (bewitching foxes and raccoon dogs), hidden in the Japanese filmic text.
Download or read book Japanese Cinema written by Donald Richie and published by Harvill Secker. This book was released on 1971 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Oxford Handbook of Japanese Cinema written by Daisuke Miyao and published by Oxford University Press. This book was released on 2014 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
