Download or read book When Hollywood Loved Britain written by Mark Glancy and published by Manchester University Press. This book was released on 1999-08-20 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Hollywood Loved Britain examines the Hollywood "British" film--American feature films that were set in Britain, based on British history or literature and included the work of British producers, directors, writers and actors. "British" films include many of the most popular and memorable films of the 1930s and 1940s, yet they have received little individual attention from film historians and even less attention as a body of films. While the book is centered on wartime "British" films, it also investigates wider issues: the influence of censorship and propaganda agencies during Hollywood’s studio era, studio finances, the isolationist campaign in the United States between 1939 and 1941, and American perceptions of Britain at war.
Download or read book Hollywood and the Americanization of Britain written by H. Mark Glancy and published by . This book was released on 2019 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: For nearly 100 years, Hollywood has provided not only the majority, but also the most popular of films shown on British Screens. For many Britons, Hollywood films are not considered to be foreign films. Whether seen in the cinema or on television, they are regarded as normal screen fare and a part of everyday life. Hollywood and the Americanization of Britain is the first book to take a wide ranging view of this phenomenon and to explore the impact of American films on their audiences and the reception of them by these audiences from early days to the present. Mark Glancy investigates Hollywoo.
Download or read book Popular Filmgoing in 1930s Britain written by John Sedgwick and published by University of Exeter Press. This book was released on 2000 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1930s there were close to a billion annual admissions to the cinema in Britain and it was by far the most popular paid-for leisure activity. This book is an exploration of that popularity. John Sedgwick has developed the POPSTAT index, a methodology based on exhibition records which allows identification of the most popular films and the leading stars of the period, and provides a series of tables which will serve as standard points of reference for all scholars and specialists working in the field of 1930s cinema. The book establishes similarities and differences between national and regional tastes through detailed case study analysis of cinemagoing in Bolton and Brighton, and offers an analysis of genre development. It also reveals that although Hollywood continued to dominate the British market, films emanating from British studios proved markedly popular with domestic audiences.
Download or read book Hollywood and the Invention of England written by Jonathan Stubbs and published by Bloomsbury Publishing USA. This book was released on 2019-02-21 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on new archival research into Hollywood production history and detailed analysis of individual films, Hollywood and the Invention of England examines the surprising affinity for the English past in Hollywood cinema. Stubbs asks why Hollywood filmmakers have so frequently drawn on images and narratives depicting English history, and why films of this type have resonated with audiences in America. Beginning with an overview of the cultural interaction between American film and English historical culture, the book proceeds to chart the major filmmaking cycles which characterise Hollywood's engagement with the English past from the 1930s to the present, assessing the value of English-themed films in the American film industry while also placing them in a broader historical context.
Download or read book The History of British Literature on Film 1895 2015 written by Greg M. Colón Semenza and published by Bloomsbury Publishing USA. This book was released on 2017-01-26 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and beyond, cinematic adaptations of British literature participate in a complex and fascinating history. The History of British Literature on Film, 1895-2015 is the only comprehensive narration of cinema's 100-year-old love affair with British literature. Unlike previous studies of literature and film, which tend to privilege particular authors such as Shakespeare and Jane Austen, or particular texts such as Frankenstein, or particular literary periods such as Medieval, this volume considers the multiple functions of filmed British literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In what ways has the British literary canon authorized and influenced the history and aesthetics of film, and in what ways has filmed British literature both affirmed and challenged the very idea of literary canonicity? Seeking to answer these and other key questions, this indispensable study shows how these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.
Download or read book Hollywood and the Americanization of Britain written by Mark Glancy and published by Bloomsbury Publishing. This book was released on 2013-10-17 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: For 100 years, Hollywood has provided both the majority and the most popular of films shown on British screens. For many Britons, Hollywood films are not foreign films. Whether seen in the cinema, on television or the internet, they are regarded as normal screen fare and a part of everyday life. Hollywood and the Americanization of Britain is the first book to take a wide ranging view of this phenomenon, exploring the tastes and preferences of British audiences from the silent era to the present. Mark Glancy investigates the British reception of Hollywood films, ranging from The Public Enemy through film history to The Patriot and Grease. Drawing on rich original sources, his carefully researched and lively book explores Hollywood's capacity to appeal to British audiences, as well as its ability to alienate, enrage and amuse them.
Download or read book Hollywood England written by Alexander Walker and published by Orion Publishing Company. This book was released on 2005 with total page 493 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Hollywood England' is a book of an era as much as of the cinema. The focus of Walker's commentary is American power operating on British talent as, in the sixties, for the first time British cinema achieved a truly national character.It was an era of Billy Liar and Kes, of the Beatles, musicals, the whole swinging London cycle; of directors such as Richardson, Loach and Russell and stars such as Albert Finney, Michael Caine and Julie Christie. And yet there was the irony that by the end of the decade Hollywood sustained 95% of British film making. Alexander Walker traces the change from the sober reality of post-Suez Britain to the consumer boom, and gives sharp judgements and critical appraisals on the vast variety of American and British film people who made up this extraordinary new wave.
Download or read book British Novelists in Hollywood 1935 1965 written by L. Colletta and published by Springer. This book was released on 2013-12-10 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Novelists in Hollywood, 1935-1965 calls attention to the shifting grounds of cultural expression by highlighting Hollywood as a site that unsettled definitions and narratives of colonialism and national identity for prominent British novelists such as Christopher Isherwood, P.G. Wodehouse, Evelyn Waugh, and J.B. Priestley.
Download or read book The British School Film written by Stephen Glynn and published by Springer. This book was released on 2016-09-20 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through close textual and contextual analysis of British films spanning a century, this book explores how pupils, teachers and secondary education in general have been represented on the British screen. The author addresses a number of topics including the nature of public (fee-paying) and state schooling; the values of special, single-sex and co-education; the role of male and female teachers; and the nature of childhood and adolescence itself. From the silents of Hitchcock to the sorcery of Harry Potter, British cinema’s continued explorations of school life highlights its importance in the nation’s everyday experience and imaginary landscape. Beyond this, the school film, varying in scope from low-budget exploitation to Hollywood-financed blockbusters, serves both as a prism through which one can trace major shifts in the British film industry and as a barometer of the social and cultural concerns of the cinema-going public. This applies especially for gender, race and, in all senses, class.
Download or read book The British Horseracing Film written by Stephen Glynn and published by Springer. This book was released on 2019-01-05 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book constitutes the first full volume dedicated to an academic analysis of horseracing in British cinema. Through comprehensive contextual histories of film production and reception, together with detailed textual analysis, this book explores the aesthetic and emotive power of the enduringly popular horseracing genre, its ideologically-inflected landscape and the ways in which horse owners and riders, bookmakers and punters have been represented on British screen. The films discussed span from the 1890s to the present day and include silent shorts, quota quickies and big-budget biopics. A work of social and film history, The British Horseracing Film demonstrates how the so-called “sport of kings” functions as an accessible institutional structure through which to explore cinematic discussions about the British nation—but also, and equally, national approaches to British cinema.
Download or read book Business in Britain in the Twentieth Century written by Richard Coopey and published by OUP Oxford. This book was released on 2009-08-13 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of fresh, incisive scholarship, by some of the leading business historians, critically examines the nature of economic recovery in Britain in recent years. Covering the key issues for business history in this period, the book confronts the traditional literature on conclusions of relative decline, and monocausal, simplistic explanations. It provides an impressive range of studies forming a platform for a new debate on the nature of British business in the 20th century. Themes include productivity, management, research and development, marketing, regional clusters and networks, industrial policy, the use of technology, and gender. Sector studies include newer, post-war hopefuls and successes including: * aerospace, * IT, * retail, * banking, * overseas investment, * the creative industries. The book demonstrates that our understanding of the historic strengths and weaknesses of business in Britain, and the shifting balance between sectors of the economy, has until now been poorly understood, and that British business history needs a fundamental reappraisal.
Download or read book The British Aristocracy in Popular Culture written by Stefania Michelucci and published by McFarland. This book was released on 2020-05-18 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: As traditional social hierarchies fall away, ever steeper levels of economic inequality and the entrenchment of new class distinctions lend a new glamor to the idea of aristocracy: witness the worldwide popularity of Downton Abbey, or the seemingly insatiable public fascination with the private lives of the British royal family. This collection of new essays investigates the enduring attraction to the icon of the aristocrat and the spectacle of aristocratic society. It traces the ambivalent reactions the aristocracy provokes and the needs (political, ideological, psychological, and otherwise) it caters to in modern times when the economic power of the landed classes have been eroded and their political role curtailed. In this interdisciplinary collection, aristocracy is considered from multiple viewpoints, including British and American literature, European history and politics, cultural studies, linguistics, visual arts, music, and media studies.
Download or read book The British Film Industry in the 1970s written by S. Barber and published by Springer. This book was released on 2013-01-22 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is there more to 1970s British cinema than sex, horror and James Bond? This lively account argues that this is definitely the case and explores the cultural landscape of this much maligned decade to uncover hidden gems and to explode many of the well-established myths about 1970s British film and cinema.
Download or read book British War Films 1939 1945 written by S. P. MacKenzie and published by Bloomsbury Publishing. This book was released on 2001-02-01 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-1945 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.
Download or read book The British Cinema Book written by Robert Murphy and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.
Download or read book Battle of Britain on Screen written by S.P. Mackenzie and published by Edinburgh University Press. This book was released on 2007-05-30 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines in depth for the first time the origins, development, and reception of the major dramatic screen representations of 'The Few' in the Battle of Britain produced over the past seventy years. It explores both continuity and change of presentation in relation to a wartime event that acquired near-mythical dimensions in popular consciousness even before it happened and has been represented multiple times over the course of the past seven decades. Alongside technical developments, considerable social, cultural, and political fluctuation (as well as an expansion of factual knowledge concerning the battle itself) occurred in this period, all of which helped to shape how the battle came to be framed at particular junctures. The ways in which the Battle of Britain was being represented in other fictional forms as well histories and commemorations form part of the context in which screen representations are explored. Films discussed in detail include The Lion Has Wings, First of the Few, Ang
Download or read book The Story of British Propaganda Film written by Scott Anthony and published by Bloomsbury Publishing. This book was released on 2024-09-05 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'All art is propaganda,' wrote George Orwell, 'but not all propaganda is art.' Moving from World War I to the 'War on Terror' and beyond, The Story of British Propaganda Film shows how the emergence of film as a global media phenomenon reshaped practices of propaganda, while new practices of propaganda in turn reshaped the use of the moving image. It explores classic examples of cinematic propaganda such as The Battle of the Somme (1916), Listen to Britain (1942) and Animal Farm (1954) alongside little-known newsreels, 'telemagazines' and digital media initiatives, in the process challenging our understanding of propaganda itself, and its many diverse manifestations. Richly illustrated with unique material from the BFI National Archive, the book shows how central propaganda is to the development of British film, and how it has filtered our understanding of modern British history, from narratives of decolonisation to the celebration of pop culture and the meanings of the postwar consensus. In a contemporary moment so preoccupied with misinformation, malinformation and disinformation, Scott Anthony explains why the response to the ubiquity of the propaganda film has often turned out to be the production of ever more propaganda.
