Download or read book Russian and Soviet Views of Modern Western Art 1890s to Mid 1930s written by Ilia Dorontchenkov and published by Univ of California Press. This book was released on 2009-06-10 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
Download or read book Western European Art Russian Art and Culture written by Vitaly Suslov and published by . This book was released on 1994 with total page 879 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Russian Art and the West written by Rosalind Polly Blakesley and published by . This book was released on 2007 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book addresses the lively artistic dialogue that took place between Russia and the West - in particular with the United States, Britain, and France - from the 1860s to the Khrushchev Thaw. Offering new readings of cross-cultural exchange, it illuminates Russia's compelling, and sometimes combative, relation with western art in this period of profound cultural transformation." "This illustrated volume will appeal to students, scholars, and general readers seeking to understand the fuller context of Russian artistic culture during a remarkable century of social and political change."--BOOK JACKET.
Download or read book New Narratives of Russian and East European Art written by Galina Mardilovich and published by Routledge. This book was released on 2019-12-20 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together thirteen scholars to introduce the newest and most cutting-edge research in the field of Russian and East European art history. Reconsidering canonical figures, re-examining prevalent debates, and revisiting aesthetic developments, the book challenges accepted histories and entrenched dichotomies in art and architecture from the nineteenth century to the present. In doing so, it resituates the artistic production of this region within broader socio-cultural currents and analyzes its interconnections with international discourse, competing political and aesthetic ideologies, and continuous discussions over identity.
Download or read book The State Hermitage Western European art Russian art and culture written by and published by . This book was released on 2001 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Critical Exchange written by Carol Adlam and published by Peter Lang. This book was released on 2009 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection examines the development of art criticism across Russia and Western Europe in the eighteenth and nineteenth centuries. Art criticism articulated local ideas about functions of art but, more importantly, it also became one of the most responsive fields in which a larger, transnational European exchange of ideas about the role of critical discourse could take place. Art criticism of this period was also rich in rhetorical strategies and textual diversity. International contributors to this volume, who include art historians, cultural historians, and specialists in critical and philosophical discourse, examine the emergence of art critical discourse in a variety of cultural and geo-political contexts.
Download or read book The State Hermitage written by Gosudarstvennyj Ėrmitaž and published by . This book was released on 2014 with total page 910 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The State Hermitage written by Mikhail B. Piotrovsky and published by Booth-Clibborn. This book was released on 2001-10-01 with total page 1572 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art and Commerce in Late Imperial Russia written by Andrey Shabanov and published by Bloomsbury Publishing USA. This book was released on 2019-01-10 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andrey Shabanov's seminal reinterpretation of the Peredvizhniki is a comprehensive study that examines in-depth for the first time the organizational structure, self-representation, exhibitions, and critical reception of this 19th-century artistic partnership. Shabanov advances a more pragmatic reading of the Peredvizhniki, artists seeking professional and creative freedom in authoritarian Tsarist Russia. He likewise demonstrates and challenges how and why the group eventually came to be defined as a critically-minded Realist art movement. Unprecedentedly rich in new primary visual and textual sources, the book also connects afresh the Russian and Western art worlds of the period. A must-read for anyone interested in Russian art and culture, 19th-century European art, and also the history of art exhibitions, art movements, and the art market.
Download or read book Between Tradition and Modernity written by Jonas Gerwing and published by BoD – Books on Demand. This book was released on 2014-10-14 with total page 157 pages. Available in PDF, EPUB and Kindle. Book excerpt: The main concern of this culture-historical study consists in the critical analysis of the evolution and development of Modern art in China following the demise of the Qing-dynasty (1911) up to the ideological dissociation of the People’s Republic from the Soviet Union during “the Great Leap Forward” (1958-62). Hereby, the focus will be put on illustrating different analytical approaches in order to understand the mechanisms of producing national culture and arts in China of the first half of the 20th century. Relating to the given topic of this analysis, the process of remodeling or modernizing Chinese national identity uttered the essential question of how artistic and cultural traditions should be perceived by the people in the future. The question remains if a specific (national) cultural identity can be created without the preservation of or self-reference to cultural heritages of the nation’s past. Following Communist ideological reasoning, the collective national identity of the Chinese society should be remodeled in the manners of Socialism. Cultural spheres created by arts and literature should, therefore, accelerate the people’s transition towards a ‘classless’ society. In its historical appearance, Mao's interpretation and perception of 'Socialism' had a lasting effect on defining or limiting the society’s collective (national) identity.
Download or read book Picturing Russia s Men written by Allison Leigh and published by Bloomsbury Publishing USA. This book was released on 2020-09-17 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Heldt Prize for Best Book in Slavic, East European, and Eurasian Women's and Gender Studies 2021 There was a discontent among Russian men in the nineteenth century that sometimes did not stem from poverty, loss, or the threat of war, but instead arose from trying to negotiate the paradoxical prescriptions for masculinity which characterized the era. Picturing Russia's Men takes a vital new approach to this topic within masculinity and art historical studies by investigating the dissatisfaction that developed from the breakdown in prevailing conceptions of manhood outside of the usual Western European and American contexts. By exploring how Russian painters depicted gender norms as they were evolving over the course of the century, each chapter shows how artworks provide unique insight into not only those qualities that were supposed to predominate, but actually did in lived practice. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, the book explores the deep structures of masculinity to reveal the conflicting desires and aspirations of men in the period. In so doing, readers are introduced to Russian artists such as Karl Briullov, Pavel Fedotov, Alexander Ivanov, Ivan Kramskoi, and Ilia Repin, all of whom produced masterpieces of realist art in dialogue with paintings made in Western European artistic centers. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art.
Download or read book Fast Forward written by Tim Harte and published by Univ of Wisconsin Press. This book was released on 2009-11-24 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence. Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects. Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.
Download or read book Art and Culture in Nineteenth century Russia written by University of Minnesota. University Gallery and published by Bloomington : Indiana University Press. This book was released on 1983 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From Realism to the Silver Age written by Margaret Samu and published by Cornell University Press. This book was released on 2014-06-01 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.
Download or read book Framing Russian Art written by Oleg Tarasov and published by Reaktion Books. This book was released on 2012-01-01 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: The notion of the frame in art can refer not only to a material frame bordering an image, but also to a conceptual frame. Both meanings are essential to how the work is perceived. In Framing Russian Art, art historian Oleg Tarasov investigates the role of the frame in its literal function of demarcating a work of art and in its conceptual function affectingthe understanding of what is seen. The first part of the book is dedicated to the framework of the Russian icon. Here, Tarasov explores the historical and cultural meanings of the icon’s,setting, and of the iconostasis. Tarasov’s study then moves through Russian and European art from ancient times to the twentieth century, including abstract art and Suprematism. Along the way, Tarasov pays special attention to the Russian baroque period and the famous nineteenth century Russian battle painter Vasily Vereshchagin. This enlightening account of the cultural phenomenon of the frame and its ever-changing functions will appeal to students and scholars of Russian art history.
Download or read book Russia Imagined written by Robert Chadwell Williams and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1997 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of 18 essays, most reprinted, covering 30 years of research and writing. Williams' main focus has been the relationship between the Russians and the west, both Europe and the US. Some of his topics are western thought and non-western nationalism in the Russian soul, Bolshevism in the west from Leninist totalitarians to cultural revolutionaries, changing directions in Russian Berlin 1922-24, America's lost Russian paintings and the 1904 St. Louis Exposition, and the Russian Revolution and the end of time. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Art beyond Borders written by Jerome Bazin and published by Central European University Press. This book was released on 2016-03-01 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ
