Download or read book Western Plainchant written by David Hiley and published by Oxford University Press. This book was released on 1995 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Download or read book The Intonation Formulas of Western Chant written by Terence Bailey and published by PIMS. This book was released on 1974 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Temple the Church Fathers and Early Western Chant written by James McKinnon and published by Taylor & Francis. This book was released on 2024-10-28 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: The articles here deal with liturgical music. Two topics receive special attention: the curiously negative role that musical instruments play in ancient cult music and the development of ecclesiastical song in early Christianity. The first series of articles treats classical Greek ethical notions of instruments, the status of instruments in Temple and Synagogue, and the absence of instruments from early Christian and medieval church music. The next parts trace the psalmody and hymnody of the Christian tradition, from its roots in Judaism to the origins of Gregorian chant in 7th-century Rome. Throughout, the writings of the Christian Church fathers such as Augustine, Ambrose, Basil and John Chrysostom underpin the author’s analysis and presentation.
Download or read book Western Chant written by Barbara Ismail and published by Monsoon Books. This book was released on 2022-09-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: When a dikir barat singer is invited to perform at a circumcision ceremony in a remote coastal village in Kelantan, Malaysia, things take an unexpected turn in the normally quiet fish market. Mak Cik Maryam is called to investigate a baffling double murder, and the motives must be untangled and the guilty identified. Maryam‘s own life is in grave danger when she and Mak Cik Rubiah delve deeper into this world of secrets. Join Mak Cik Maryam in her sixth adventure assisting the Kota Bharu Police Department, or vice versa, in Western Chant, the latest in the award-winning Kain Songket Mysteries series. Western Chant is the sixth in Barbara Ismail’s series of Kain Songket Mysteries based in Kelantan.
Download or read book Musica Practica written by Michael Chanan and published by Verso. This book was released on 1994-10-17 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.
Download or read book The Study of Medieval Chant written by Peter Jeffery and published by Boydell & Brewer Ltd. This book was released on 2001 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comparative studies of medieval chant traditions in western Europe, Byzantium and the Slavic nations illuminate music, literacy and culture. Gregorian chant was the dominant liturgical music of the medieval period, from the time it was adopted by Charlemagne's court in the eighth century; but for centuries afterwards it competed with other musical traditions, local repertories from the great centres of Rome, Milan, Ravenna, Benevento, Toledo, Constantinople, Jerusalem, and Kievan Rus, and comparative study of these chant traditions can tell us much about music, liturgy, literacy and culture a thousand years ago. This is the first book-length work to look at the issues in a global, comprehensive way, in the manner of the work of Kenneth Levy, the leading exponent of comparative chant studies. It covers the four most fruitful approaches for investigators: the creation and transmission of chant texts, based on the psalms and other sources, and their assemblage into liturgical books; the analysis and comparison of musical modes and scales; the usesof neumatic notation for writing down melodies, and the differences wrought by developmental changes and notational reforms over the centuries; and the use of case studies, in which the many variations in a specific text or melodyare traced over time and geographical distance. The book is therefore of profound importance for historians of medieval music or religion - Western, Byzantine, or Slavonic - and for anyone interested in issues of orality and writing in the transmission of culture. PETER JEFFERY is Professor of Music History, Princeton University. Contributors: JAMES W. McKINNON, MARGOT FASSLER, MICHEL HUGLO, NICOLAS SCHIDLOVSKY, KEITH FALCONER, PETER JEFFERY, DAVID G.HUGHES, SYSSE GUDRUN ENGBERG, CHARLES M. ATKINSON, MILOS VELIMIROVIC, JORGEN RAASTED+, RUTH STEINER, DIMITRIJE STEFANOVIC, ALEJANDRO PLANCHART.
Download or read book Chant and its Origins written by ThomasForrest Kelly and published by Routledge. This book was released on 2017-07-05 with total page 543 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Latin liturgical music of the medieval church is the earliest body of Western music to survive in a more or less complete form. It is a body of thousands of individual pieces, of striking beauty and aesthetic appeal, which has the special quality of embodying, of giving voice to, the words of the liturgy itself. Plainchant is the music that underpins essentially all other music of the middle ages (and far beyond), and is the music that is most abundantly preserved. It is a subject that has engaged a great deal of research and debate in the last fifty years and the nature of the complex issues that have recently arisen in research on chant are explored here in an overview of current issues and problems.
Download or read book Gregorian Chant written by David Hiley and published by Cambridge University Press. This book was released on 2009-12-17 with total page 455 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant.
Download or read book The Gregorian Modes written by Daniel Saulnier and published by . This book was released on 2002 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Temple the Church Fathers and Early Western Chant written by James McKinnon and published by Variorum Publishing. This book was released on 1998-01 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a collection of articles examining liturgical music from classical Greece and ancient Israel to late 15th-century Flanders and Spain. The focus is on two main topics: the negative role of instruments in ancient cult music; and the development of ecclesiastical song in early Christianity. Presented in this book are 16 articles written by the author over a period of 30 years. They span two millenia in their coverage, ranging from classical Greece and ancient Israel to the late 15th-century Flanders and Spain. Liturgical music in some form or another is the theme that binds them together, and two topics in particular are focused on: the negative role that instruments play in ancient cult music; and the development of ecclesiastical song in early Christianity. For the negative role of instruments, a series of articles treats classical Greek ethical notions of instruments, the status of instruments in temple and synagogue and the absence of instruments from early Christian and medieval Church music. The second focus - that of the development of ecclesiastical song - is dealt with in several studies that trace the psalmody and hymnody of the Christian tradition from its roots in Judaism to the origins of Gregorian chant in 7th-century Rome. The articles rely strongly on the writings of the Christian Church Fathers, such as Augustine, Basil and John Crystostom.
Download or read book Chant and Notation in South Italy and Rome before 1300 written by John Boe and published by Routledge. This book was released on 2017-09-29 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifteen studies assembled here grew out of research on south-Italian ordinary chants and tropes for the multi-volume series Beneventanum Troporum Corpus II, edited by John Boe in collaboration with Alejandro Planchart. In the present essays, clerical and ordinary chants and tropes of the Mass (especially when derived from paraliturgical hymns and poems), certain aspects of chant notation and particular facets of the old Beneventan and the old Roman chant repertories are examined in relation to the three main cultic centres of the Italian south - Benevento, Montecassino and Rome - and as they relate to their European context, namely Frankish and Norman chant and the varieties of chant sung in Italy north of Rome. The volume includes one previously unpublished study, on the Roman introit Salus Populi.
Download or read book Studies on Eastern Orthodox Church Chant written by Svetlana Kujumdzieva and published by Taylor & Francis. This book was released on 2023-09-05 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the compilation of the different practices of Eastern Orthodox Chant, looking at the subject through various languages, practices, and liturgical books and letters. The subject of this book is also analysed through newly found, unique material, to provide the entire history of Eastern Orthodox Chant, from the ninth to the nineteenth centuries and approached through a number of different disciplines. The book consists of sixteen topics, grouped in four parts: Studies on Genre, Studies on Liturgical Books, Studies on Distinguished Men of Letters, and Studies on Bulgarian Orthodox Church Chant. The aim of the book is to present the Eastern chant as a phase in the evolution of Mediterranean art, which is the cradle of Graeco-Roman heritage. This complex study brings in a variety of sources to show the purpose of Eastern Orthodox Chant as strengthening the Christian faith during the Middle Ages and the revival of Balkan nationalism in the nineteenth century. This book will appeal to students and scholars alike, interested in liturgical musical books, liturgy, and chant repertory. Likewise, it will be of interest to those engaged in medieval and early modern history, music, and culture.
Download or read book The Beneventan Chant written by Thomas Forrest Kelly and published by CUP Archive. This book was released on 1989 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Kelly's major study of the Beneventan chant reinstates one of the oldest surviving bodies of Western music: the Latin church music of southern Italy as it existed before the spread of Gregorian chant.
Download or read book Les anciens r pertoires de plain chant written by Michel Huglo and published by Taylor & Francis. This book was released on 2023-07-14 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: The differences between Old-Roman, Ambrosian, Aquileian, Gallican, and Hispanic chant, and their interconnections with each other and the Gregorian chant occupied Michel Huglo in his early career, although he returned to these questions in the 1980s and 1990s. The present volume, the second in the set of four to be published in the Variorum series, brings all this work together. Huglo's 1954 article, the first to describe the sources for Old Roman chant, recognized as distinct from Gregorian chant, is of primary significance for the historiography of Western plainchant, because it opened the debate on the relationship between Old Roman and Gregorian chant. The final section presents articles on the Latin version of the Akathistos hymn and on Byzantine chants translated into Latin that became part of the Western plainchant repertory. Les différences entre les répertoires Vieux-romain, Ambrosien, Aquiléien, Gallican et Hispanique, leurs influences réciproques et leurs relations avec le chant grégorien ont occupé Michel Huglo au début de sa carrière: il revint sur ces questions dans les années 1980 et 1990. Ce volume, le deuxième d'une série de quatre dans la collection Variorum, réunit toutes ces études. L'article de 1954 de Michel Huglo sur les sources du chant Vieux-romain, considéré comme distinct du grégorien, est de première importance pour l'historiographie du plain-chant occidental, car il a ouvert les débats sur le rapport entre Vieux-romain et grégorien. Les articles sur la version latine de l'Hymne Acathiste et sur les pièces de chant byzantin traduites en latin dans les répertoires occidentaux du plain-chant achèvent ce volume.
Download or read book Chants Hypertext and Prosulas written by Luisa Nardini and published by Oxford University Press. This book was released on 2021 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The liturgical chant that was sung in the churches of Southern Italy between the ninth and the thirteenth centuries reflects the multiculturalism of a territory in which Roman, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were present at various titles and with different political roles. This book examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants of the liturgy of mass. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics the city of Benevento. They shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond' and because of their interconnectedness with the parent chant, they can be likened to modern hypertexts. The emphasis on universal saints of ancient lineage stressed the perceived links with the cradles of Christianity, Africa and the Levant, and the centre of the Papal power, Rome, while the high number of Christological prosulas in manuscripts used in nunneries might be tied to the devotion to Jesus as 'spiritual spouse' that was typical of female religiosity. Full edition of texts, melodies, and manuscript facsimiles in the companion website enrich the study of the stylistic features and the cultural components of this fascinating genre"--
Download or read book Ancient Chant Hymns for Guitar written by Gerard Garno and published by Mel Bay Publications. This book was released on 2018-03-27 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: ÊThis is the first book to publish an extensive collection of pre-Renaissance music transcribed for guitar! Gregorian Chant melodies -- enormously popular in recent years -- form the basis for this volume. Inside, Garno argues that this music of the first 1500 years of Western history should no longer be ignored by guitarists. In support, he presents copious notes along with a myriad of single and multi-movement works, and concludes that such music is appropriately played on the guitar. A pioneering work that should be in every serious guitarist's library. Notation and tablature. Intermediate to advanced level. Includes access to online audio.
Download or read book A History of Emotion in Western Music written by Michael Spitzer and published by Oxford University Press, USA. This book was released on 2020 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book is the first history of musical emotion in any language. Combining intellectual history, music studies, philosophy and cognitive psychology, it unfolds a history of musical emotion across a thousand years of Western art music, from chant to pop. It affords a new way of analysing music, revealing the relationship between emotion and musical structure. The book also provides an introduction to the latest approaches to emotion research, as well as an original theory of how musical emotion works. The book is disposed in two parts. Part 1 (chapters 1-4) comprises the theoretical foundation of the book. Part 2 (chapters 5-9) provides an historical narrative from medieval to contemporary music. Chapter 1 summarizes contemporary theories of emotion in general, and of musical emotion in particular, bringing together seminal philosophers and psychologists. Chapter 2 contains the core of the book's original thesis: that five basic emotions (happiness, sadness, anger, tenderness, and fear) constitute five categories of musical emotion throughout the common-practice period. Chapter 3 outlines a variety of complex musical emotions, such as wonder, nostalgia, envy, and disgust. Chapter 4 explores the historiography of emotion, including the seminal writings of Elias, Rosenwein, and Reddy. Part 2 of the book (chapters 5-9) explores a millennium of Western music in terms of shifting categories of emotion: from affections and passions through sentiments, emotions proper, to modern affect"--
