Download or read book War Revolution and Remembrance in World Cinema written by Nancy J. Membrez and published by McFarland. This book was released on 2021-04-30 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two World Wars engulfed Europe, Asia and the United States, leaving indelible scars on the landscape and survivors. The trauma of civil wars in Spain (declared) and Latin America (tacit) spanned decades yet, contradictorily, bind parties together even today. Civil wars still haunt Africa where, in more recent years, ethnic cleansing has led to wholesale genocide. Drawing on the emerging field of Memory Studies, this book examines narrative and documentary films, made far from Hollywood, that address memory--both traumatic and nostalgic--surrounding these conflicts, despite attempts by special interests to erase or manipulate history.

Download or read book War Revolution and Remembrance in World Cinema written by Nancy J. Membrez and published by McFarland. This book was released on 2021-05-15 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two World Wars engulfed Europe, Asia and the United States, leaving indelible scars on the landscape and survivors. The trauma of civil wars in Spain (declared) and Latin America (tacit) spanned decades yet, contradictorily, bind parties together even today. Civil wars still haunt Africa where, in more recent years, ethnic cleansing has led to wholesale genocide. Drawing on the emerging field of Memory Studies, this book examines narrative and documentary films, made far from Hollywood, that address memory--both traumatic and nostalgic--surrounding these conflicts, despite attempts by special interests to erase or manipulate history.

Download or read book The Legacy of World War II in European Arthouse Cinema written by Samm Deighan and published by McFarland. This book was released on 2021-06-08 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: World War II irrevocably shaped culture--and much of cinema--in the 20th century, thanks to its devastating, global impact that changed the way we think about and portray war. This book focuses on European war films made about the war between 1945 and 1985 in countries that were occupied or invaded by the Nazis, such as Poland, France, Italy, the Soviet Union, and Germany itself. Many of these films were banned, censored, or sharply criticized at the time of their release for the radical ways they reframed the war and rejected the mythologizing of war experience as a heroic battle between the forces of good and evil. The particular films examined, made by arthouse directors like Pier Paolo Pasolini, Rainer Werner Fassbinder, and Larisa Shepitko, among many more, deviate from mainstream cinematic depictions of the war and instead present viewpoints and experiences of WWII which are often controversial or transgressive. They explore the often-complicated ways that participation in war and genocide shapes national identity and the ways that we think about bodies and sexuality, trauma, violence, power, justice, and personal responsibility--themes that continue to resonate throughout culture and global politics.

Download or read book Hollywood Remembrance and American War written by Andrew Rayment and published by Routledge. This book was released on 2020-08-31 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood Remembrance and American War addresses the synergy between Hollywood war films and American forms of war remembrance. Subjecting the notion that war films ought to be considered ʻthe war memorials of today’ to critical scrutiny, the book develops a theoretical understanding of how Hollywood war films, as rhetorical sites of remembering and memory, reflect, replicate and resist American modes of remembrance. The authors first develop the framework for, and elaborate on, the co-evolution of Hollywood war cinema and American war memorialization in the historical, political and ideological terms of remembrance, and the parallel synergic relationship between the aesthetic and industrial status of Hollywood war cinema and the remembering of American war on film. The chapters then move to analysis of Hollywood war films – covering The Great War, World War II, The Korean War, The Vietnam War, The Cold War, and the wars in Afghanistan and Iraq – and critically scrutinize the terms upon which a film could be considered a memorial to the war it represents. Bringing together the fields of film studies and memory studies, this book will be of interest to scholars and students in not just these areas but those in the fields of history, media and cultural studies more broadly, too.

Download or read book The Fantastic in Holocaust Literature and Film written by Judith B. Kerman and published by McFarland. This book was released on 2014-11-18 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy. Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's Pan's Labyrinth (2006) and Martin Scorsese's dark thriller Shutter Island (2010).

Download or read book Francoist Repression and Incarceration in Contemporary Spanish Culture written by Maureen Tobin Stanley and published by Springer Nature. This book was released on 2022-10-10 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the cultural articulation of Spanish History (and histories (remembered, meaningful experiences). It analyzes how real people and fictional characters experience the rupture of post-war repression, as their vindicating collective memory counters the authoritarian narrative and laws that demonized and criminalized them. The book, that breaks the persistent cycle of denial of Francoist malfeasance, is a resource for scholars and students who research the representation of Spain’s dictatorship, its aftermath and the recovery of postdictatorial memory.

Download or read book World War II Film and History written by John Whiteclay Chambers II and published by Oxford University Press. This book was released on 1996-10-10 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the "reality" of that much disputed conflict. But to what degree does history written "with lightning," as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality."

Download or read book War and Film written by James Chapman and published by Reaktion Books. This book was released on 2008-06 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: About depictions of war in cinema.

Download or read book Eliseo Subiela in Life and Cinema written by Nancy J. Membrez and published by McFarland. This book was released on 2022-02-25 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Audiences never have a lukewarm opinion of a Subiela film. They either love it passionately or hate it profoundly. That Eliseo Subiela (Buenos Aires, 1944-2016), an original and sensitive thinker, survived, and indeed throve in economically challenged Argentina while garnering more accolades abroad than in his own country, is a tribute to his grit, intelligence, imagination and persistence of vision. With an astounding list of prizes and honors, he was a world-class auteur. Even when he was making a TV commercial, his surreal style and poetic sensibility were unmistakable. This book represents the culmination of 20 years of research and personal correspondence with Eliseo Subiela. Through ten scholarly studies and five interviews, it sheds light on his life, esthetics, obsessions, struggles with madness, and, of course, his films. It addresses his earlier career in advertising, lifelong artistic influences, screenwriting techniques, critical reactions to his films, and what Subiela's example has to offer aspiring filmmakers, especially those in Latin America.

Download or read book Martial Culture Silver Screen written by Matthew Christopher Hulbert and published by LSU Press. This book was released on 2020-11-04 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Martial Culture, Silver Screen analyzes war movies, one of the most popular genres in American cinema, for what they reveal about the narratives and ideologies that shape U.S. national identity. Edited by Matthew Christopher Hulbert and Matthew E. Stanley, this volume explores the extent to which the motion picture industry, particularly Hollywood, has played an outsized role in the construction and evolution of American self-definition. Moving chronologically, eleven essays highlight cinematic versions of military and cultural conflicts spanning from the American Revolution to the War on Terror. Each focuses on a selection of films about a specific war or historical period, often foregrounding recent productions that remain understudied in the critical literature on cinema, history, and cultural memory. Scrutinizing cinema through the lens of nationalism and its “invention of tradition,” Martial Culture, Silver Screen considers how movies possess the power to frame ideologies, provide social coherence, betray collective neuroses and fears, construct narratives of victimhood or heroism, forge communities of remembrance, and cement tradition and convention. Hollywood war films routinely present broad, identifiable narratives—such as that of the rugged pioneer or the “good war”—through which filmmakers invent representations of the past, establishing narratives that advance discrete social and political functions in the present. As a result, cinematic versions of wartime conflicts condition and reinforce popular understandings of American national character as it relates to violence, individualism, democracy, militarism, capitalism, masculinity, race, class, and empire. Approaching war movies as identity-forging apparatuses and tools of social power, Martial Culture, Silver Screen lays bare how cinematic versions of warfare have helped define for audiences what it means to be American.

Download or read book The War Film written by Robert T. Eberwein and published by Rutgers University Press. This book was released on 2005 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: War has had a powerful impact on the film industry, while at the same time motion pictures can influence wartime behaviour & shape our perception of the historical record. This book collects essays that use a variety of critical approaches to explore this film genre.

Download or read book Divided Lenses written by Michael Berry and published by University of Hawaii Press. This book was released on 2016-01-31 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divided Lenses: Screen Memories of War in East Asia is the first attempt to explore how the tumultuous years between 1931 and 1953 have been recreated and renegotiated in cinema. This period saw traumatic conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War, and pivotal events such as the Rape of Nanjing, Pearl Harbor, the Battle of Iwo Jima, and the bombings of Hiroshima and Nagasaki, all of which left a lasting imprint on East Asia and the world. By bringing together a variety of specialists in the cinemas of East Asia and offering divergent yet complementary perspectives, the book explores how the legacies of war have been reimagined through the lens of film. This turbulent era opened with the Mukden Incident of 1931, which signaled a new page in Japanese militaristic aggression in East Asia, and culminated with the Korean War (1950–1953), a protracted conflict that broke out in the wake of Japan's post–World War II withdrawal from Korea. Divided Lenses explores the ways in which events of the intervening decades have continued to shape politics and popular culture throughout East Asia and the world. The essays in part I examine historical trends at work in various "national" cinemas, including China, Taiwan, Japan, Korea, and the United States. Those in part 2 focus on specific themes present in the cinema portraying this period—such as comfort women in Chinese film, the Nanjing Massacre, or nationalism—and how they have been depicted or renegotiated in contemporary films. Of particular interest are contributions drawing from other forms of screen culture, such as television and video games. Divided Lenses builds on the growing interest in East Asian cinema by examining how these historic conflicts have been imagined, framed, and revisited through the lens of cinema and screen culture. It will interest later generations living in the shadow of these events, as well as students and scholars in the fields of cinema studies, cultural studies, cold war studies, and World War II history.

Download or read book The Great War in Post Memory Literature and Film written by Martin Löschnigg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2014-10-14 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960s until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) ‘national’ memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its ‘remembrance’ in historical, socio-political, gender-oriented, and post-colonial contexts.

Download or read book War and Remembrance written by Herman Wouk and published by Back Bay Books. This book was released on 2010-01-30 with total page 1056 pages. Available in PDF, EPUB and Kindle. Book excerpt: A masterpiece of historical fiction and "a journey of extraordinary riches" (New York Times Book Review), War and Remembrance stands as perhaps the great novel of America's "Greatest Generation." These two classic works capture the tide of world events even as they unfold the compelling tale of a single American family drawn into the very center of the war's maelstrom. The multimillion-copy bestsellers that capture all the drama, romance, heroism, and tragedy of the Second World War -- and that constitute Wouk's crowning achievement -- are available for the first time in trade paperback.

Download or read book Hollywood Goes to War written by Clayton R. Koppes and published by Univ of California Press. This book was released on 1990-08-16 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.

Download or read book America s Good War Modern World War II Remembrance Through Hollywood s Lens written by Alexander Unger and published by . This book was released on 2021-03-19 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2012 in the subject American Studies - Culture and Applied Geography, grade: 1,3, Free University of Berlin (John-F.-Kennedy-Institut für Nordamerikastudien (JFKI)), language: English, abstract: In the paper I will deconstruct the myth of the "Good War" with regard to its formation and the accuracy of its crucial points. Focus will be laid on both the predominant narrative of the war per se and the Americans who fought in it respectively remained at home. Subsequently, I will turn to the images of the Second World War, Hollywood - via constant repetition - has ingrained into the American cultural mind. At this, the genre of the "combat film" deserves special attention. Not only did the combat film convey powerful ideas about war and those who fight in it, but it also served as foundation for later filmmakers interested in the topic. In a final step, I will juxtapose two recent cinematic projects relating to the Second World War by two of Hollywood's greatest current filmmakers - Steven Spielberg's "Saving Private Ryan" (1998) and Clint Eastwood's companion films "Flags of Our Fathers" and "Letters from Iwo Jima" (2006) - and, in search for elements of the "Good War" narrative, discuss their respective treatment of the subject. To most Americans, World War II is the "Good War". Unlike the nations of Europe and Asia, the United States suffered no invasions of its homeland, no area bombings of its cities, and no mass killing of its civilians. It was a war of high technology, fought by an extraordinary generation of heroic and courageous men who, when the task arose, stepped up to defend their country and to bring human rights, freedom, and democracy to those in need. The enemy was well-defined and the cause a worthy one. World War II lifted the nation out of the Great Depression and created a new world order that left the United States at the pinnacle of its power. An American society in transition gave rise to the middle class while open

Download or read book The Good War in American Memory written by John Bodnar and published by JHU Press. This book was released on 2010-10-01 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: The “Good War” in American Memory dispels the long-held myth that Americans forged an agreement on why they had to fight in World War II. John Bodnar's sociocultural examination of the vast public debate that took place in the United States over the war's meaning reveals that the idea of the "good war" was highly contested. Bodnar's comprehensive study of the disagreements that marked the American remembrance of World War II in the six decades following its end draws on an array of sources: fiction and nonfiction, movies, theater, and public monuments. He identifies alternative strands of memory—tragic and brutal versus heroic and virtuous—and reconstructs controversies involving veterans, minorities, and memorials. In building this narrative, Bodnar shows how the idealism of President Franklin Roosevelt's Four Freedoms was lost in the public commemoration of World War II, how the war's memory became intertwined in the larger discussion over American national identity, and how it only came to be known as the "good war" many years after its conclusion.