Download or read book Voyage musical en Allemagne et en Italie written by Hector Berlioz and published by . This book was released on 1970 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Voyage Musical en Allemagne Et en Italie I written by Hector Berlioz and published by . This book was released on 2010 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Voyage Musical en Allemagne Et en Italie II written by Hector Berlioz and published by . This book was released on 2011 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Voyage Musical En Allemagne Et En Italie I written by Berlioz Hector and published by Hardpress Publishing. This book was released on 2016-06-23 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Download or read book Voyage musical en Allemagne et en Italie II written by Berlioz Hector and published by Hardpress Publishing. This book was released on 2016-06-23 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Download or read book Le Guide Musical written by and published by . This book was released on 1869 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Berlioz written by Peter Bloom and published by University Rochester Press. This book was released on 2008 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presented in six contrasting and complementary pairs, the essays treat such matters as Berlioz's aesthetics and what it means to write about the meaning of his music; the political implications of his fiction and the affinities of his projects as composer and as critic; what the Germans thought of his work before his travels in Germany and what the English made of him when he visited their capital city. We learn in explicit detail how Berlioz deployed the mezzo-soprano voice, what he seems to have written immediately after encountering Shakespeare's Romeo and Juliet (a surprise), and where he benefited from Beethoven in what later became Romeo et Juliette.
Download or read book The Musical Madhouse written by Hector Berlioz and published by University Rochester Press. This book was released on 2003 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first complete translation into English of Berlioz's second collection of musical articles, originally published in 1859. The work is a uniquely Berliozian combination of light-hearted journalism and serious musical comment and analysis.
Download or read book The Ewing Musical Library written by and published by . This book was released on 1878 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Berlioz written by David Cairns and published by Univ of California Press. This book was released on 2000 with total page 946 pages. Available in PDF, EPUB and Kindle. Book excerpt: Praise for Berlioz, Volume I "We now have a biography that not only takes in the immense documentation of Berlioz's early life but goes far beyond it in piecing together an incomparably rich portrait of the man and his milieu. . . . The picture is so vivid and the prose so magnetic that not a word seems wasted. . . . Cairns's biography of Berlioz must take its place with the handful of great lives of composers, such as Thayer's Beethoven, Newman's Wagner, and Walker's Wolf."--Hugh MacDonald, The Listener "Even at this halfway stage, [Cairns's] Berlioz stands as one of the great biographies of our day, and also one of the great feats of literary sympathy with an artistic genius, filled with a love, knowledge, and understanding of his subject that flame up on every page."--Max Loppert, Financial Times "This biography is kindled by sympathy and enthusiasm for its subject, and is written with a lifelong professional experience of Berlioz behind it. It is also beautifully and interestingly written. The chapters flow together like Berlioz's own harmonic changes, and with equal resonance."--Roger Norrington, Independent
Download or read book The Euing musical Library Catalogue written by Glasgow Anderson's coll and published by . This book was released on 1878 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Berlioz and His World written by Francesca Brittan and published by University of Chicago Press. This book was released on 2024-08-05 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays and short object lessons on the composer Hector Berlioz, published in collaboration with the Bard Music Festival. Hector Berlioz (1803–1869) has long been a difficult figure to place and interpret. Famously, in Richard Wagner’s estimation, he hovered as a “transient, marvelous exception,” a composer woefully and willfully isolated. In the assessment of German composer Ferdinand Hiller, he was a fleeting comet who “does not belong in our musical solar system,” the likes of whom would never be seen again. For his contemporaries, as for later critics, Berlioz was simply too strange—and too noisy, too loud, too German, too literary, too cavalier with genre and form, and too difficult to analyze. He was, in many ways, a composer without a world. Berlioz and His World takes a deep dive into the composer’s complex legacy, tracing lines between his musical and literary output and the scientific, sociological, technological, and political influences that shaped him. Comprising nine essays covering key facets of Berlioz’s contribution and six short “object lessons” meant as conversation starters, the book reveals Berlioz as a richly intersectional figure. His very difficulty, his tendency to straddle the worlds of composer, conductor, and critic, is revealed as a strength, inviting new lines of cross-disciplinary inquiry and a fresh look at his European and American reception.
Download or read book A History of Orchestral Conducting written by Elliott W. Galkin and published by Pendragon Press. This book was released on 1988 with total page 944 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although the bibliography of literature about personalities in the conducting world is extensive, a comprehensive, scholarly study of the history of conducting has been sorely lacking. Georg Schünemann's respected study, published in 1913, was brief and restricted to the procedures of time-beating. No work has attempted to examine the role of the orchestral conductor and to document the evolution of his art from historical, technical, and aesthetic perspectives. Dr. Elliott W. Galkin, musicologist, conductor, and critic-twice winner of the Deems Taylor award for distinguished writing about music-has produced such a work in A History of Orchestral Conducting. The central historical section of the book, which examines chronologically the theories and functions of time-beating and interpretative concepts of performance, is preceded by discussions of rhythm, development of the orchestral medium, and the evolving characteristics of orchestration. Conductors of unusual pivotal influence are examined in depth, as is the increasingly complex psychology of the podium. Critical writings since the time of Monteverdi and the birth of the orchestra are surveyed and compared. Analyses of conducting as an art and craft by musicians from Berlioz to Bernstein and commentators from Mattheson, Bernard Shaw, and Thomas Mann to Jacques Barzun, are described and discussed. A fascinating collection of engravings, wood cuts, photographs and caricatures contributes to the richness of this work.
Download or read book Opera and Vivaldi written by Michael Collins and published by University of Texas Press. This book was released on 1984-07-01 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the New York Times review of the Dallas Opera's performance of Orlando furioso and the international symposium on Baroque opera: ". . . it was a serious, thoughtful, consistent and imaginative realization of a beautiful, long-neglected work, one that fully deserved all the loving attention it received. As such, the production and its attendant symposium made a positive contribution to the cause of Baroque opera . . . . " Baroque opera experienced a revival in the late twentieth century. Its popularity, however, has given rise to a number of perplexing and exciting questions regarding literary sources, librettos, theater design, set design, stage movement, and costumes—even the editing of the operas. In 1980, the Dallas Opera produced the American premier of Vivaldi's Orlando furioso, which met with much acclaim. Concurrently an international symposium on the subject of Baroque opera was held at Southern Methodist University. Authorities from around the world met to discuss the operatic works of Vivaldi, Handel, and other Baroque composers as well as the characteristics of the genre. Michael Collins and Elise Kirk, deputy chair and chair of the symposium, edited the papers to produce this groundbreaking study, which will be of great interest to music scholars and opera lovers throughout the world. Contributors to Opera and Vivaldi include Shirley Wynne, John Walter Hill, Andrew Porter, Eleanor Selfridge-Field, Howard Mayer Brown, William Holmes, Ellen Rosand, and the editors.
Download or read book The Bassoon written by James B. Kopp and published by Yale University Press. This book was released on 2012-01-01 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon's social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume [Publisher description].
Download or read book Balzac and Music written by Jean-Pierre Barricelli and published by Routledge. This book was released on 2017-07-20 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1990, this book was the first comprehensive study of Balzac’s relationship to music, blending past scholarship with new perspectives to formulate an inclusive account. It begins by examining the contacts and experiences that shaped the musical side of Balzac’s life. These left valuable and lasting impressions which often found their way into his writings, where he recorded a myriad of critical and musicological opinions — assessed primarily in relation to Gambara and Massimilla Doni. These discussions prepare the way for an analysis of Balzac two major musical persuasions: religious music and Beethoven. This book will be of interest to students of literature and music.
Download or read book Listening Well written by Ora Frishberg Saloman and published by Peter Lang. This book was released on 2009 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twelve essays in Listening Well illuminate aesthetic, educative, and evaluative strategies utilized by writers in Paris, Boston, and New York to guide listeners in confronting the challenges of musical modernity between 1764 and 1890. They interpret criticism from treatises, journals, and newspapers for its importance in cultural history and consider the reception of major works by Beethoven and by Berlioz. The essays explore contrasting responses to new operas and symphonies by composers, librettists, authors, critics, and conductors as well as by writers including Chabanon, Lacépède, Berlioz, Urhan, D'Ortigue, Dwight, Fuller, Watson, and Hassard. Readers interested in perceptions of Classicism and Romanticism in music as they relate to French, German, and American literature and criticism will discover how audiences on both sides of the Atlantic were encouraged to listen attentively to the new and controversial in music of the eighteenth and nineteenth centuries.
