Download or read book Voicing the Ineffable written by Siglind Bruhn and published by Pendragon Press. This book was released on 2002 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: The relationship between music and religion has long been a clearly delineated one. Up to the late Middle Ages, music employed for ritual expressions of faith in sacred contexts was contrasted with secular music, then mostly played in open spaces. The former was believed to aid in the communication of divine truths, while the latter was suspected of arousing sensuality and thus potentially leading away from the spiritual perspective of life. In subsequent centuries, music entered first the courtly salons, then the concert hall and the home. Such music, created for virtuoso performance or for the enjoyment in private chambers, occasionally made room for an expression of religious experiences outside the dedicated spaces of worship. This aspect is particularly intriguing in instrumental music, where allusions to extra-musical messages are at best hinted at in titles or explanatory notes, and in those cases of vocal music where it can be shown that the musical language adds significant nuances to the verbal text. On the basis of various case studies that transcend a music-analytical approach in the direction of the hermeneutic perspective, this volume explores in which ways the musical language in itself, independently of an explicitly sacred context, communicates the ineffable. The discussion focuses on the musical means and devices employed to this effect and on the question what the presence of religious messages in certain works of secular music tells us about the spirituality of an era.
Download or read book James Merrill written by Langdon Hammer and published by Knopf. This book was released on 2015 with total page 978 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A biography of the acclaimed poet James Merrill"--
Download or read book A Commentary on the Holy Scriptures written by Johann Peter Lange and published by . This book was released on 1869 with total page 686 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Genesis Or The First Book of Moses written by Johann Peter Lange and published by . This book was released on 1873 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Commentary on the Holy Scriptures Critical Doctrinal and Homiletical written by Johann Peter Lange and published by . This book was released on 1868 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Thought of Music written by Lawrence Kramer and published by Univ of California Press. This book was released on 2016-01-12 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: What, exactly, is knowledge of music? And what does it tell us about humanistic knowledge in general? The Thought of Music grapples directly with these fundamental questions—questions especially compelling at a time when humanistic knowledge is enmeshed in debates about its character and future. In this third volume in a trilogy on musical understanding that includes Interpreting Music and Expression and Truth, Lawrence Kramer seeks answers in both thought about music and thought in music—thinking in tones. He skillfully assesses musical scholarship in the aftermath of critical musicology and musical hermeneutics and in view of more recent concerns with embodiment, affect, and performance. This authoritative and timely work challenges the prevailing conceptions of every topic it addresses: language, context, and culture; pleasure and performance; and, through music, the foundations of understanding in the humanities. The publisher gratefully acknowledges the Joseph Kerman Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.
Download or read book Masonic Voice and Review written by and published by . This book was released on 1887 with total page 848 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dissonant Voices written by Harold A. Netland and published by Regent College Publishing. This book was released on 1999-04 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and the Ineffable written by Vladimir Jankélévitch and published by Princeton University Press. This book was released on 2024-05-14 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: The classic work on the philosophy of music—now available in English to a new generation of readers Vladimir Jankélévitch left behind a remarkable body of work steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.
Download or read book Fiction s Inexhaustible Voice written by Stephen M. Ross and published by University of Georgia Press. This book was released on 1989 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Faulkner recognized voice as one of the most distinctive and powerful elements in fiction when he delivered his Nobel Prize acceptance speech, describing the last sound at the end of the world as man's "puny inexhaustible voice, still talking." As a testimonial of an artist's faith in his art, the speech raised the value of voice to its highest reach for man, as "one of the props, the pillars to help him endure and prevail." In Fiction's Inexhaustible Voice, Stephen Ross explores the nature of voice in William Faulkner's fiction by examining the various modes of speech and writing that his texts employ. Beginning with the proposition that voice is deeply involved in the experience of reading Faulkner, Ross uses theoretically grounded notions of voice to propose new ways of explaining how Faulkner's novels and stories express meaning, showing how Faulkner used the affective power of voice to induce the reader to forget the silent and originless nature of written fiction. Ross departs from previous Faulkner criticism by proceeding not text-by-text or chronologically but by construction a workable taxonomy which defines the types of voice in Faulkner's fiction: phenomenal voice, a depicted event or object within the represented fictional world; mimetic voice, the illusion that a person is speaking; psychic voice, one heard only in the mind and overheard only through fiction's omniscience; and oratorical voice, an overtly intertextual voice which derives from a discursive practice--Southern oratory--recognizable outside the boundaries of any Faulkner text and identifiable as part of Faulkner's biographical and regional heritage. In Faulkner's own experience, listening was important. As he once confided to Malcolm Cowley, "I listen to the voices, and when I put down what the voices say, it's right." In Fiction's Inexhaustible Voice, Ross conducts a careful analysis of this fundamental source of power in Faulkner's fiction, concluding that the preponderance of voice imagery, represented talking, verbalized thought, and oratorical rhetoric and posturing makes the novels and stories fundamentally vocal. They derive their energy from the play of voices on the imaginative field of written language.
Download or read book Voices and Echoes of the Past written by Angelina Fish and published by . This book was released on 1885 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rituale Armenorum written by Frederick Cornwallis Conybeare and published by . This book was released on 1905 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Missionary Voice written by and published by . This book was released on 1913 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Church Music Review and Official Bulletin of the American Guild of Organists written by and published by . This book was released on 1920 with total page 900 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Acoustic Jurisprudence written by James E. K. Parker and published by Oxford University Press. This book was released on 2015 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Acoustic Jurisprudence' provides a detailed study of the trial of Simon Bikindi, who was convicted by the International Criminal Tribunal for Rwanda of inciting genocide with his songs. Using Bikindi as a case study, this book develops the many relations between law and sound, and the importance of sound in legal practice more widely.
Download or read book Performance as Research written by Annette Arlander and published by Routledge. This book was released on 2017-12-06 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance as Research (PAR) is characterised by an extraordinary elasticity and interdisciplinary drive. Performance as Research: Knowledge, Methods, Impact celebrates this energy, bringing together chapters from a wide range of disciplines and eight different countries. This volume focuses explicitly on three critical, often contentious themes that run through much discussion of PaR as a discipline: Knowledge - the areas and manners in which performance can generate knowledge Methods - methods and methodologies for approaching performance as research Impact - a broad understanding of the impact of this form of research These themes are framed by four essays from the book's editors, contextualising their interrelated conversations, teasing out common threads, and exploring the new questions that the contributions pose to the field of performance. As both an intervention into and extension of current debates, this is a vital collection for any reader concerned with the value and legitimacy of performance as research.
Download or read book Poetry and Voice written by Stephanie Norgate and published by Cambridge Scholars Publishing. This book was released on 2013-02-21 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poetry and Voice, with a foreword by Helen Dunmore, is a book of essays which fuses critical and creative treatments of poetic voice. Some contributors focus on critical explorations of voice in work by poets such as John Ashbery, Simon Armitage, Eavan Boland, Carol Ann Duffy, Arun Kolatkar, Don McKay and Dragica Rajčić, and on the musical voices of the lyric tradition and of poetry itself. Vicki Feaver, Jane Griffiths, Philip Gross, Waqas Khwaja, Lesley Saunders and David Swann reflect on their own poetic processes of composition, and the development of the voices of childhood, old age, migration, landscape, bilinguality, and imprisonment. Laurel Cohen-Pfister and Tatjana Bijelić examine the nature of poetic voice in exile, the need for fresh voices after war and new spaces in which poetic voices can be heard. In this international collection, the contributors give rare and generous insights into inner poetic processes and external effects. They engage with artistic debates about developing, losing and appropriating voice in poetry and approach the question of what is ‘finding a voice’ in poetry from multiple angles. The book will interest literary critics, poets, lecturers, and undergraduate and postgraduate students of literature, poetry and creative writing.
