Download or read book Visual Culture and Decolonisation in Britain written by Anandi Ramamurthy and published by Routledge. This book was released on 2019-05-23 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.
Download or read book Visual culture in Britain written by Y. Holt and published by . This book was released on 2002 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Visual Culture in Britain written by Ysanne Holt and published by . This book was released on 2001-12 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Visual Culture in Britain written by University of Northumbria at Newcastle and published by . This book was released on 2002-12 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bi-annual journal is an innovative work on visual culture in Britain. It includes topics on architecture and design, photography, performing arts, sculpture and film.
Download or read book Beyond the Frame written by Deborah Cherry and published by Routledge. This book was released on 2012-11-12 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond the Frame rewrites the history of Victorian art to explore the relationships between feminism and visual culture in a period of heady excitement and political struggle. Artists were caught up in campaigns for women's enfranchisement, education and paid work, and many were drawn into controversies about sexuality. This richly documented and compelling study considers painting, sculpture, prints, photography, embroidery and comic drawings as well as major styles such as Pre-Raphaelitism, Neo-Classicism and Orientalism. Drawing on critical theory and post-colonial studies to analyse the links between visual media, modernity and imperialism, Deborah Cherry argues that visual culture and feminism were intimately connected to the relations of power.
Download or read book Mass Observation and Visual Culture written by LucyD. Curzon and published by Routledge. This book was released on 2017-07-05 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain critically analyses the role that visual culture played in the early development of Mass-Observation, the innovative British anthropological research group founded in 1937. The group?s production and use of painting, collage, photography, and other media illustrates not only the broad scope of Mass-Observation?s efforts to document everyday life, but also, more specifically, the centrality of visual elements to its efforts at understanding national identity in the 1930s. Although much interest has previously focused on Mass-Observation?s use of written reports and opinion surveys, as well as diaries that were kept by hundreds of volunteer observers, this book is the first full-length study of the group?s engagement with visual culture. Exploring the paintings of Graham Bell and William Coldstream; the photographs of Humphrey Spender; the paintings, collages, and photographs of Julian Trevelyan; and Humphrey Spender?s photographs and widely recognized ?Mass-Observation film?, Spare Time, among other sources, Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain positions these works as key sources of information with regard to illuminating the complex character of British identity during the Depression era.
Download or read book Visual Culture in Britain written by Ysanne Holt and published by . This book was released on 2000 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This twice-yearly journal encourages new material and introduces innovative work with the aim of placing the visual culture - painting and sculpture, architecture and design, print, film, photography and the performing arts - in relation to the wider culture, historically and geographically. The journal addresses a range of contemporary debates involving constructions of racial, ethnic and gender identities, nationality and internationalism, colonialism, high and low culture, the role of institutions and cultural groupings, and models of production and consumption.
Download or read book Visual Culture in Britain written by and published by . This book was released on 2003 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Visual Culture in the Northern British Archipelago written by Ysanne Holt and published by Routledge. This book was released on 2018-05-16 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection, including contributors from the disciplines of art history, film studies, cultural geography and cultural anthropology, explores ways in which islands in the north of England and Scotland have provided space for a variety of visual-cultural practices and forms of creative expression which have informed our understanding of the world. Simultaneously, the chapters reflect upon the importance of these islands as a space in which, and with which, to contemplate the pressures and the possibilities within contemporary society. This book makes a timely and original contribution to the developing field of island studies, and will be of interest to scholars studying issues of place, community and the peripheries.
Download or read book Imperial Landscapes written by John E. Crowley and published by Paul Mellon Centre for Studies. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In response to conquests in mid-18th century wars, Britons developed a keen interest in how their colonies actually looked. Artistic representations of these faraway places, claiming topographic accuracy from being 'drawn on the spot', became increasingly frequent as the British empire extended its reach during and after the Seven Years' War [1756-1763]. ... Chapters on Canada, the Pacific, the West Indies, the United States, India, and Australia show how British artists linked colonial territories with their homeland. This is both [an] ... art book and a historical analysis of how British visual culture entwined with the politics of colonization."--Book jacket.
Download or read book Memory Masculinity and National Identity in British Visual Culture 1914 930 written by Gabriel Koureas and published by Routledge. This book was released on 2017-07-05 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. The study interrogates the complications arising out of issues of trauma, cultural expressions of sexuality and affect, as well as the ways in which these are encoded in diverse forms in visual culture and commemorative objects. Concentrating on masculinity and cultural memory, it investigates the ways in which these and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. In the course of the narrative, the author looks at Bolshevism and the Returning Ex-Servicemen, the 1919 NUR Strike, the Central Labour College in conjunction with banners and revolution, as well as the Imperial War Graves, the Cenotaph, the London and North Western Railway memorial, the Machine Gun Corps Memorial and the establishment of the Imperial War Museum. He also excavates new archival material, particularly case studies of shell shock sufferers and film footage of male hysteria.
Download or read book Addiction and British Visual Culture 1751 919 written by Julia Skelly and published by Routledge. This book was released on 2017-07-05 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Highly innovative and long overdue, this study analyzes the visual culture of addiction produced in Britain during the long nineteenth century. The book examines well-known images such as William Hogarth's Gin Lane (1751), as well as lesser-known artworks including Alfred Priest's painting Cocaine (1919), in order to demonstrate how visual culture was both informed by, and contributed to, discourses of addiction in the period between 1751 and 1919. Through her analysis of more than 30 images, Julia Skelly deconstructs beliefs and stereotypes related to addicted individuals that remain entrenched in the popular imagination today. Drawing upon both feminist and queer methodologies, as well as upon extensive archival research, Addiction and British Visual Culture, 1751-1919 investigates and problematizes the long-held belief that addiction is legible from the body, thus positioning visual images as unreliable sources in attempts to identify alcoholics and drug addicts. Examining paintings, graphic satire, photographs, advertisements and architectural sites, Skelly explores such issues as ongoing anxieties about maternal drinking; the punishment and confinement of addicted individuals; the mobility of female alcoholics through the streets and spaces of nineteenth-century London; and soldiers' use of addictive substances such as cocaine and tobacco to cope with traumatic memories following the First World War.
Download or read book Soaking Up the Rays written by Tania Woloshyn and published by . This book was released on 2017 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is an Open Access edition of this book with a CC-BY-NC-ND license. Soaking up the rays forges a new path for exploring Britain's fickle love of the light by investigating the beginnings of light therapy in the country from c. 1890-1940. Despite rapidly becoming a leading treatment for tuberculosis, rickets and other infections and skin diseases, light therapy was a contentious medical practice. Bodily exposure to light, whether for therapeutic or aesthetic ends, persists as a contested subject to this day: recommended to counter skin conditions as well as Seasonal Affective Disorder and depression; closely linked to notions of beauty, happiness and well-being, fuelling tourism abroad and the tanning industry at home; and yet with repeated health warnings that it is a dangerous carcinogen. By analysing archival photographs, illustrated medical texts, advertisements, lamps, and goggles and their visual representation of how light acted upon the body, Woloshyn assesses their complicated contribution to the founding of light therapy.
Download or read book Difficult Subjects written by Kristina Huneault and published by Routledge. This book was released on 2002 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The working women of Victorian and Edwardian Britain were fascinating but difficult subjects for artists, photographers, and illustrators. The cultural meanings of labour sat uncomfortably with conventional ideologies of femininity, and working women unsettled the boundaries between gender and class, selfhood and otherness. From paintings of servants in middle-class households, to exhibits of flower-makers on display for a shilling, the visual culture of women's labour offered a complex web if interior fantasy and exterior reality. The picture would become more challenging still when working women themselves began to use visual spectacle. In this first in-depth exploration of the representation of British working women, Kristina Huneault explores the rich meanings of female employment during a period of labour unrest, demands for women's enfranchisement, and mounting calls for social justice. In the course of her study she questions the investments of desire and the claims to power that reside in visual artifacts, drawing significant conclusions about the relationship between art and identity.
Download or read book Visual Culture in Britain written by A. F. Upton and published by . This book was released on 2000 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the annual journal of the International Commission for the History of Representative and Parliamentary Institutions. It covers the whole spectrum of history of representative institutions to the present day. It is concerned with political theory and the institutional practice of representation, as well as the internal organisation and the social and political background to parliaments and assemblies of estates.
Download or read book Art Visual Culture 1600 1850 Academy to Avant Garde written by Emma Barker and published by Tate Enterprises Ltd. This book was released on 2013-09-05 with total page 684 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1600-1850 Academy to Avant-Garde" interrogates labels used in standard histories of the art of this period (Baroque, Rococo, Neo-Classicism and Romanticism) and examines both established and recent art-historical methodologies, including formalism, iconology, spectatorship and reception, identity and difference. Key topics include Baroque Rome, Dutch Painting of the Golden Age, Georgian London, the Paris Salon, and the impact of the discovery of the South Pacific.The second of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: City and country 1600-1760 1: Bernini and Baroque Rome 2: Meaning and interpretation: Dutch painting of the golden age 3: The metropolitan urban renaissance: London 1660-1760 4: The English landscape garden 1680-1760 Part 2: New worlds of art 1760-1850 5: Painting for the public 6: Canova, Neo-classicism and the sculpted body 7: The other side of the world 8: Inventing the Romantic artist
Download or read book Black Artists in British Art written by Eddie Chambers and published by Bloomsbury Publishing. This book was released on 2014-07-29 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
