Download or read book The Grotesque in the Fiction of Charles Dickens and Other 19th century European Novelists written by Isabelle Hervouet-Farrar and published by Cambridge Scholars Publishing. This book was released on 2015-01-12 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an overview of the literary grotesque in 19th-century Europe, with special emphasis on Charles Dickens, whose use of this complex aesthetic category is thus addressed in relation with other 19th-century European writers. The crossing of geographical boundaries allows an in-depth study of the different modes of the grotesque found in 19th-century fiction. It provides a comprehensive analysis of the reasons behind the extensive use of such a favoured mode of expression. Intertextuality and comparative or cultural analysis are thus used here to shed new light on Dickens’s influences (both given and received), as well as to compare and contrast his use of the grotesque with that of key 19th-century writers like Hugo, Gogol, Thackeray, Hardy and a few others. The essays of this volume examine the various forms taken by the grotesque in 19th-century European fiction, such as, for example, the fusion of the familiar and the uncanny, or of the terrifying and the comic; as well as the figures and narrative techniques best suited for the expression of a novelist’s grotesque vision of the world. These essays contribute to an assessment of the links between the grotesque, the gothic and the fantastic, and, more generally, the genres and aesthetic categories which the 19th-century grotesque fed on, like caricature, the macabre and tragicomedy. They also examine the novelists’ grotesque as contributing to the questioning of society in Victorian Britain and 19th-century Europe, echoing its raging conflicts and the shocks of scientific progress. This study naturally adopts as its theoretical basis the works of key theorists and critics of the grotesque: namely, Victor Hugo, Charles Baudelaire and John Ruskin in the 19th century, and Mikhail Bakhtin, Wolfgang Kayser, Geoffrey Harpham and Elisheva Rosen in the 20th century.
Download or read book Victorian Culture and the Idea of the Grotesque written by Colin Trodd and published by Ashgate Publishing. This book was released on 1999 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: An interdisciplinary study of the the concept of the Grotesque and its proliferations in Victorian culture.
Download or read book Victorian Grotesque written by Martin Howard and published by . This book was released on 1977 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Routledge Revivals Victorian Culture and the Idea of the Grotesque 1999 written by Colin Trodd and published by Routledge. This book was released on 2018-02-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1999, Victorian Culture and the Idea of the Grotesque is the first fully interdisciplinary study of the subject and examines a wide range of sources and materials to provide new readings between ‘style’ and ‘concept’. The book provides an original analysis of key articulations of the Grotesque in the literary culture of Ruskin, Browning and Dickens, where represents the eruptions, intensities, confusions and disturbed vitality of modern cultural experience such as the scientific revolution associated with Darwin and the nature of industrial society.
Download or read book Grotesque written by Justin Edwards and published by Routledge. This book was released on 2013-05-29 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grotesque provides an invaluable and accessible guide to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film. The book: presents a history of the literary grotesque from Classical writing to the present examines theoretical debates around the term in their historical and cultural contexts introduce readers to key writers and artists of the grotesque, from Homer to Rabelais, Shakespeare, Carson McCullers and David Cronenberg analyses key terms such as disharmony, deformed and distorted bodies, misfits and freaks explores the grotesque in relation to queer theory, post-colonialism and the carnivalesque. Grotesque presents readers with an original and distinctive overview of this vital genre and is an essential guide for students of literature, art history and film studies.
Download or read book Victorian Grotesque written by Thomas Burke and published by . This book was released on 1941 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Grotesque and the Unnatural written by and published by Cambria Press. This book was released on with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dickens and the Grotesque Routledge Revivals written by Michael Hollington and published by Routledge. This book was released on 2015-08-11 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1984, this title examines the development of a special rhetoric in Dickens’ work, which, by using grotesque effects, challenged the complacency of his middle-class Victorian readers. The study begins by exploring definitions of the grotesque and moves on to look at three key aspects that particularly impacted on Dickens’ imagination: popular theatre (especially pantomime), caricature, and the tradition of the Gothic novel. Michael Hollington traces the development of Dickens’ application of the grotesque from his early work to his late novels, showing how its use becomes more subtle. Hollington’s title greatly enhances our appreciation of Dickens’ technique, showing the skill with which he used the grotesque to undermine stereotyped responses and encourage his readership to challenge their context.
Download or read book Victorian Grotesque written by Thomas BURKE (of Eltham.) and published by . This book was released on 1941 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Victorian Fiction and the Cult of the Horse written by Gina M. Dorré and published by Routledge. This book was released on 2016-12-05 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: The horse was essential to the workings of Victorian society, and its representations, which are vast, ranging, and often contradictory, comprise a vibrant cult of the horse. Examining the representational, emblematic, and rhetorical uses of horses in a diversity of nineteenth-century texts, Gina M. Dorré shows how discourses about horses reveal and negotiate anxieties related to industrialism and technology, constructions of gender and sexuality, ruptures in the social fabric caused by class conflict and mobility, and changes occasioned by national "progress" and imperial expansion. She argues that as a cultural object, the horse functions as a repository of desire and despair in a society rocked by astonishing social, economic, and technological shifts. While representations of horses abound in Victorian fiction, Gina M. Dorré's study focuses on those novels by Charles Dickens, Elizabeth Braddon, Anna Sewell, and George Moore that engage with the most impassioned controversies concerning horses and horse-care, such as the introduction of the steam engine, popular new methods of horse-taming, debates over the tight-reining of horses, and the moral furor surrounding gambling at the race track. Her book establishes the centrality of the horse as a Victorian cultural icon and explores how through it, dominant ideologies of gender and class are created, promoted, and disrupted.
Download or read book 700 Victorian Ornamental Designs written by F. Knight and published by Courier Corporation. This book was released on 2013-01-23 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavish collection of royalty-free engravings by the celebrated 19th-century artist F. Knight — reproduced directly from a rare original edition — contains elaborate wall murals with trompe-l’oeil effects; scenes of hunters, flanked by mythological figures; idealized damsels in rustic settings; and numerous other florid motifs.
Download or read book The Circus and Victorian Society written by Brenda Assael and published by University of Virginia Press. This book was released on 2005 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This conflict informs us not only of the complicated role that the circus played in Victorian society but provides a unique view into a collective psyche fraught by contradiction and anxiety.
Download or read book Victorian Grotesque written by Barbara Jean Natterson and published by . This book was released on 1983 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Victorian Glassworlds written by Isobel Armstrong and published by Oxford University Press. This book was released on 2008-04-24 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.
Download or read book The Early Modern Grotesque written by Liam Semler and published by Routledge. This book was released on 2018-10-26 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque. While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.
Download or read book English Modernism National Identity and the Germans 1890 1950 written by Petra Rau and published by Ashgate Publishing, Ltd.. This book was released on 2009 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Petra Rau examines the shift in attitudes towards Germany and Germans, from suspicious competitiveness in the late Victorian period to the aggressive hostility of the First World War and the curious inconsistencies of the 1930s and 1940s. These shifts were no simple response to political change but the result of an anxious negotiation of modernity in which specific aspects of Englishness were projected onto representations of Germans and Germany in English literature and culture. While this incisive argument clarifies and deepens our understanding of cultural and national politics in the first half of the twentieth century, it also complicates current debates surrounding race and 'otherness' in cultural studies. Authors discussed include major figures such as Conrad, Woolf, Lawrence, Ford, Forster and Bowen, as well as popular or less familiar writers such as Saki, Graham Greene, and Stevie Smith." --book jacket.
Download or read book The Victorian Freak Show written by Lillian Craton and published by Cambria Press. This book was released on 2009 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Victorian freak show was at once mainstream and subversive. Spectacles of strange, exotic, and titillating bodies drew large middle-class audiences in England throughout much of the nineteenth century, and souvenir portraits of performing freaks even found their way into Victorian family albums. At the same time, the imagery and practices of the freak show shocked Victorian sensibilities and sparked controversy about both the boundaries of physical normalcy and morality in entertainment. Marketing tactics for the freak show often made use of common ideological assumptions - compulsory female domesticity and British imperial authority, for instance - but reflected these ideas with the surreal distortion of a fun-house mirror. Not surprisingly, the popular fiction written for middle-class Victorian readers also calls upon imagery of extreme physical difference, and the odd-bodied characters that people nineteenth-century fiction raise meaningful questions about the relationships between physical difference and the social expectations that shaped Victorian life." "This book is primarily an aesthetic analysis of freak show imagery as it appears in Victorian popular fiction, including the works of Charles Dickens, Wilkie Collins, Guy de Maupassant, Florence Marryat, and Lewis Carroll. It argues that, in spite of a strong nineteenth-century impulse to define and defend normalcy, images of radical physical difference are often framed in surprisingly positive ways in Victorian fiction. The dwarves, fat people, and bearded ladies who intrude on the more conventional imagery of Victorian novels serve to shift the meaning of those works' main plots and characters, sometimes sharpening satires of the nineteenth-century treatment of the poor or disabled, sometimes offering new traits and behaviors as supplements for restrictive social norms." --Book Jacket.
