Download or read book To Watch Theatre written by Rachel Fensham and published by Peter Lang. This book was released on 2009 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is about watching theatre; and how to utilise a corporeal semiotics to read genres of contemporary theatre. It suggests that three key concepts interact: genre, the formal term that structures theatricality, including the textual grammar of a dramatic work, its performance style, theatrical frame, and mode of rhetorical address; corporeality, an assemblage of the troubling physical work of the actors, the figurative forms in the text, and the ambivalent bodies of the spectators; and performance, the presenting of theatre as symbolic action in the social world. In order to develop new models of embodied spectatorship, these essays examine canonical productions of Medea, King Lear, Miss Julie, Genesi: The Museum of Sleep directed by Deborah Warner, Barrie Kosky, Anne Bogart, and Romeo Castellucci. With close attention to bodies and texts in performance, the book argues that to watch theatre is an intimate, yet political, atunement to processes of human transfiguration. It concludes by offering a reinvigorated perspective on tragedy and tragic experience in the theatre.
Download or read book Australasian Drama Studies written by and published by . This book was released on 2001 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book How Drama Activates Learning written by Michael Anderson and published by A&C Black. This book was released on 2013-08-01 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: How Drama Activates Learning: Contemporary Research and Practice draws together leaders in drama education and applied theatre from across the globe, including authors from Europe, North America and Australasia. It explores how learning can be activated when drama pedagogies and philosophies are applied across diverse contexts and for varied purposes. The areas explored include: · history · literacy, oracy and listening · health and human relationships education · science · democracy, social justice and global citizenship education · bullying and conflict management · criticality · digital technologies · additional language learning Drawing on a range of theoretical perspectives, the contributors present case studies of drama and applied theatre work in school and community settings, providing rich descriptions of practice accompanied by detailed analysis underpinned by the theoretical perspectives of key thinkers from both within and beyond the field of drama.
Download or read book Joint Volumes of Papers Presented to the Legislative Council and Legislative Assembly written by New South Wales. Parliament and published by . This book was released on 1981 with total page 1556 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes various departmental reports and reports of commissions. Cf. Gregory. Serial publications of foreign governments, 1815-1931.
Download or read book Mateship and Moneymaking written by Rory O'Malley and published by Xlibris Corporation. This book was released on 2013-04-30 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mateship and Money Making – Summary of Book A ferocious ‘war’ erupted in remote outback Australia in 1983. Shearers were on strike. ‘Scab’ shearers had to be protected against invading mobs of unionists. In scattered and isolated woolsheds sheds the question was: should sheep-shearers be allowed to use ‘wide combs’? Australian merinos had always been shorn with ‘narrow combs’. Until a recent ruling industrial award expressly forbad wide combs. Initiated by the graziers (way back in 1926) the rule had become shearers’ folklore. Wide combs were not just wrong – but positively evil. This was the 1980s, but the roots of the problem went back to the 1890s. Shearers got paid per hundred sheep, not by the hour or the day, so the opportunity to get a bigger tally with the wide comb was something to be welcomed - one would think. Indeed, that was certainly the case. But fanatical opposing opinion could not easily be overcome. It was ‘un-Australian’ to even think about it. But equally, it was ‘un-Australian’ NOT to be allowed a free choice to use whatever equipment did the job best. Diametrically opposed points of view were quite irreconcilable. The oldest and most powerful trade union in the nation’s history stood behind the strike. The Australian Workers Union, known wide and far by its acronym ‘the AWU’, had risen in the 1890s. Ruthlessly efficient at grass roots organiser, God help any shearer trying to occupy a stand without an AWU ticket. And God help any greedy upstart questioning AWU wisdom on industrial matters. The shearing workforce had always been a rambunctious, contrary lot. The work was punishingly strenuous as well as highly skilled. Infectious group camaraderie governed its cult of ‘mateship’. This was also prone to impenetrable ‘insider-outsider’ idiosyncrasies. There was money to be made for those who could stand the pace, but strong tribal loyalties to the union dictated customs and rules in the woolshed. Many different types gravitated into shearing. At one end were staunch unionists preaching ‘mateship’ and class solidarity. At the other end self-improving moneymakers accumulated funds get started as farmers. For the most part the two groups ‘got on’, or at least tolerated one another. Hard core class warriors enjoyed the competitive camaraderie and were not themselves against making money. Moneymakers were not averse to a bit of class solidarity if it bolstered shearing rates of pay. They were less tolerant of rules which slowed them down. In its foundation years the AWU had been pugnacious and militant. Violent strikes in the 1890s did not go well for it. Too many members were farmers who ‘scabbed’ during strikes. The arrival of contract shearing further diluted the link between ‘mateship’ and union solidarity. In 1902 moneymaking professional shearers were so exasperated by AWU belligerence towards woolgrowers, they formed a rival ‘Machine Shearers Union’, more friendly to the graziers. AWU leaders had to use all their guile and cunning to outwit the upstart MSU. The AWU moderated its militancy, adopted a policy of opposing strikes, and put its faith in the newly established Arbitration Court to fix wages and settle disputes. Unfortunately for the AWU, factions within its rank-and-file remained attracted to the mythology of class war against the graziers. During World War I, the Arbitration Court was very laggard in updating the shearing award and militants had their chance. In defiance of the AWU a very successful strike was organised in Queensland. This opened the door for a militant faction with communist connections in the interwar period. The AWU’s firm policy of ‘arbitration not direct action’ was ridiculed. The AWU denigrated them as ‘bogus disrupters’ and excoriated their point of view, but at the same time adopted militant-sounding rhetoric. The union could not afford to be accused of being on the side of the bos
Download or read book Windows Onto Worlds written by Committee to Review Australian Studies in Tertiary Education and published by . This book was released on 1987 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Holocaust Cabaret written by Lisa Peschel and published by Intellect Books. This book was released on 2023-10-25 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two scripts were created in 2017 from the same source materials: preserved song lyrics from a performance created in 1943 in the Terezin Ghetto called Prince Bettliegend (the Bedridden Prince), the popular 1930s jazz melodies to which those lyrics were set, and fragments of testimony by survivors who performed in or witnessed that production. The development processes took place under the auspices of the £1.8 million AHRC-funded project Performing the Jewish Archive. PtJA co-investigator Lisa Peschel has spent the past two decades researching theatrical performance in Terezin, and the project’s planned performance festivals in Australia and South African in the summer of 2017 afforded a unique opportunity to allow Prince Bettliegend to speak to our present. Peschel synthesized the existing materials into a rough plot outline, then collaborated with local production teams at the University of Sydney (produced by Joseph Toltz, directed by Ian Maxwell) and Stellenbosch University (directed by Amelda Brand) to reconstruct/recreate/re-imagine the play. Both teams were extraordinarily sensitive to questions of trauma and pleasure in the original performance, and those questions manifested themselves in different underlying themes that emerged with each production. During the first, month-long development process at the University of Sydney (July 2017), Peschel, Maxwell and Toltz worked together to refine the plot outline, Toltz and musical director Kevin Hunt explored the 1930s music with the entire production team, then the actors, recruited from Sydney’s alternative theatre scene, developed the performance through improvisation. Due to fortuitous accidents of casting, a theme soon emerged that dovetailed with the historical reality of the ghetto: the desire of the older prisoners to protect the youth. While the Australian production was still in development, the South African team at Stellenbosch University, led by Amelda Brand, began creating their own version. Their performance was based on the same plot outline and, to some extent, the same text developed by the Sydney performers, but their production diverged radically due to their interest in addressing issues of more immediate interest to the multi-racial student case: race and power. Their musical approach also diverged: music director Leonore Bredekamp created a hybrid of 1930s jazz and klezmer music. Part I of the book is composed of a series of essays about the original material and about each production. The essays, written by Peschel and key collaborators on each development team, explore the Terezin production and both reconstructions. Part II comprises the scripts. Although the texts themselves are similar, detailed stage directions and illustrations make clear how each manifested its own themes. Part of Intellect's Playtext series.
Download or read book The World Encyclopedia of Contemporary Theatre written by Katherine Brisbane and published by Routledge. This book was released on 2005-08-16 with total page 703 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.
Download or read book Youtopia a Passion for the Dark written by Dagmar Reinhardt and published by Freerange Press. This book was released on 2012 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: Youtopia A Passion for the Dark celebrates architecture at the intersection of Digital Processes and Theatrical Performance. 'Youtopia' pursues dreams: of other spaces and times; of outrageous and fascinating experiences; of the glamour and lights of the Sydney Festival. The book reviews design conversations between architectural practice, architectural theory, audio and acoustics, digital fabrication, interaction and mediation, structural engineering, theatre and performance studies, and cultural research. It parallels an exhibition that showcases ephemeral and captivating interactive landscapes, theatre installations, iconographic architectural objects, heterotopias and performative spaces. These speculative projects are developed by advanced design processes in 3D modelling and scripting environments, and by the production of prototypes through structural analysis and digital fabrication. Edited by Dagmar Reinhardt, with interviews and essays by Dirk Anderson, Eduardo Barata, Joseph Buch, Densil Cabrera, Bill Harris, Lindy Hume, Alexander Jung, Sandra Kaji-O'Grady, William L Martens, Luis Miranda, Patrick Nolan, Harry Partridge, Dagmar Reinhardt, Chris L Smith, Michael Scott-Mitchell, and Simon Weir.
Download or read book Profile Australia written by and published by . This book was released on 1983 with total page 1280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Routledge Companion to Theatre of the Oppressed written by Kelly Howe and published by Routledge. This book was released on 2019-02-21 with total page 859 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppressed. Developed by Brazilian director and theorist Augusto Boal, these theatrical forms invite people to mobilize their knowledge and rehearse struggles against oppression. Featuring a diverse array of voices (many of them as yet unheard in the academic world), the book hosts dialogues on the following questions, among others: Why and how did Theatre of the Oppressed develop? What are the differences between the 1970s (when Theatre of the Oppressed began) and today? How has Theatre of the Oppressed been shaped by local and global shifts of the last 40-plus years? Why has Theatre of the Oppressed spread or "multiplied" across so many geographic, national, and cultural borders? How has Theatre of the Oppressed been shaped by globalization, "development," and neoliberalism? What are the stakes, challenges, and possibilities of Theatre of the Oppressed today? How can Theatre of the Oppressed balance practical analysis of what is with ambitious insistence on what could be? How can Theatre of the Oppressed hope, but concretely? Broad in scope yet rich in detail, The Routledge Companion to Theatre of the Oppressed contains practical and critical content relevant to artists, activists, teachers, students, and researchers.
Download or read book The Semiotic Web 1987 written by Thomas A. Sebeok and published by Walter de Gruyter. This book was released on 2010-10-06 with total page 869 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Semiotic Web 1987 (Approaches to Semiotics).
Download or read book Theatre Australia Un limited written by Geoffrey Milne and published by BRILL. This book was released on 2021-12-28 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre Australia (Un)limited tells a truly national story of the structures of post-war Australian theatre: its artists, companies, financial and policy underpinnings. It gives an inclusive analysis of three ‘waves’ of Australian theatrical activity after 1953, and the types of organisations which grew up to support and maintain them. Subsidy, repertoire patterns, finances and administration, theatre buildings, companies, festivals and notable productions of the commercial, mainstream and alternative Australian theatre are examined state by state, and changes to governmental policy analysed. Theatrical forms comprise not only spoken-word drama, but also music theatre, comedy, theatre-restaurant, circus, puppetry, community theatre in several forms and new mixed-media genres: physical theatre, circus, visual theatre and contemporary performance. Theatre Australia (Un)limited is the first comprehensive overview of the fortunes of Australian theatre as a national enterprise, providing the industrial analysis of the ‘three waves’ essential for the understanding of the New Wave and of contemporary drama.
Download or read book The Sentient Archive written by Bill Bissell and published by Wesleyan University Press. This book was released on 2018-06-26 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Sentient Archive gathers the work of scholars and practitioners in dance, performance, science, and the visual arts. Its twenty-eight rich and challenging essays cross boundaries within and between disciplines, and illustrate how the body serves as a repository for knowledge. Contributors include Nancy Goldner, Marcia B. Siegel, Jenn Joy, Alain Platel, Catherine J. Stevens, Meg Stuart, André Lepecki, Ralph Lemon, and other notable scholars and artists. Hardcover is un-jacketed.
Download or read book FrC 22 2 Nikostratos II Theaitetos written by Andrew Hartwig and published by Vandenhoeck & Ruprecht. This book was released on 2022-01-17 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is part of the Fragmenta Comica series which aims to provide commentaries and translations to all the surviving fragments and testimonia of the comic poets of ancient Greece. This volume offers the first scholarly commentary and sustained study of several late fourth-century BCE poets of the so-called New Comedy – among them Philippides of Athens, a writer and dramatist highly esteemed in antiquity, known especially for his acrimonious clashes with Athenian demagogues and his influential friendship with foreign kings. All fragments are subject to close textual, linguistic and stylistic analysis, and are interpreted against the wider literary, social and historical background of the period. This volume will be a valuable reference work for scholars and students of ancient comedy, as well as anyone interested in ancient literature more generally and the broader historical and cultural contexts in which these texts were written.
Download or read book Creating Frames written by Maryrose Casey and published by Univ. of Queensland Press. This book was released on 2004 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides the first significant social and cultural history of Indigenous theatre across Australia. Creating Frames traces the journey behind a substantial national body of work and its importance in ensuring that Indigenous voices are heard.
