Download or read book Two Tudor Interludes written by Ian Lancashire and published by Manchester University Press. This book was released on 1980 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Children s Troupes and the Transformation of English Theater 1509 1608 written by Jeanne McCarthy and published by Taylor & Francis. This book was released on 2016-11-25 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Children’s Troupes and the Transformation of English Theater 1509–1608 uncovers the role of the children’s companies in transforming perceptions of authorship and publishing, performance, playing spaces, patronage, actor training, and gender politics in the sixteenth century. Jeanne McCarthy challenges entrenched narratives about popular playing in an era of revolutionary changes, revealing the importance of the children’s company tradition’s connection with many early plays, as well as to the spread of literacy, classicism, and literate ideals of drama, plot, textual fidelity, characterization, and acting in a still largely oral popular culture. By addressing developments from the hyper-literate school tradition, and integrating discussion of the children’s troupes into the critical conversation around popular playing practices, McCarthy offers a nuanced account of the play-centered, literary performance tradition that came to define professional theater in this period. Highlighting the significant role of the children’s company tradition in sixteenth-century performance culture, this volume offers a bold new narrative of the emergence of the London theater.
Download or read book Two Moral Interludes written by David N Klausner and published by Medieval Institute Publications. This book was released on 2010-02-01 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the METS editions of Everyman (2008), Mankind (2010), and The Castle of Perseverance (2010), this volume completes the presentation of the five surviving Middle English morality plays. In addition to the texts of The Pride of Life (the earliest of the surviving morality plays) and Wisdom (which is unusual for the size of its cast and the fact that it survives in multiple copies), Klausner's edition includes two appendices which provide the texts of primary sources for the two plays as well as appropriate music (liturgical music, song, and dances) which may have accompanied performances, especially Wisdom.
Download or read book The Oxford Handbook of Tudor Drama written by Thomas Betteridge and published by Oxford University Press. This book was released on 2012-07-19 with total page 709 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of Tudor drama that sees the long 16th century from the accession of Henry Tudor to the death of Elizabeth as a whole, taking in the drama of the 'mystery plays' and the early work of Shakespeare. It is an account of current scholarship and an introduction to the complexity of Tudor drama.
Download or read book The Tudor Interludes written by Leonard Tennenhouse and published by Dissertations-G. This book was released on 1984 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book English Dramatic Interludes 1300 1580 written by Darryll Grantley and published by Cambridge University Press. This book was released on 2004-04-05 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Darryll Grantley has created a comprehensive guide to the interlude: the extant non-cycle drama in English from the late fourteenth century up to the period in which the London commercial theatre began. As precursors of seventeenth-century drama, not only do these interludes shed important light on the technical and literary development of Shakespearean theatre, but many are also works of considerable theatrical or cultural interest in themselves. This accessible reference guide provides an entry for each of the extant interludes and fragments (c.100) typically containing an account of early editions or manuscripts; authorship and sources; modern editions; plot summary and dramatis personae; list of social issues present in the plays; verbal and dramaturgical features; songs and music; allusions and place names; stage directions and comments on staging; and modern productions, among other valuable and informative details. There are full bibliographies, indexes of characters and songs, and appendices.
Download or read book The Late Medieval Interlude written by Fiona S. Dunlop and published by Boydell & Brewer. This book was released on 2007 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sensitive study of the 15/16 century interlude, focussing on one of its major concerns, the depiction of male aristocracy and the development to maturity. The commercial theatre of the late sixteenth century is often credited with introducing its audiences to new modes of thought about the self, society and the nation, making them conscious that the self is performed, as an actor performs a role. Yet the earlier interlude drama, originally performed in households and other institutions of the late fifteenth and sixteenth centuries, indicates that the late medieval period was fully aware of the theatricalityof identity. This book argues that ideas of performance inform the concepts of aristocratic masculinity developed in the plays Nature, Fulgens and Lucres, The Worlde and the Chylde, The Interlude of Youth and Calisto and Melebea. It examines how the depiction of young male aristocrats in these texts is shaped by ideas of male youth constituted in the middle ages, and shows them as failing or succeeding to perform anadult noble masculinity in the aristocratic body and in aristocratic household. The book also suggests ways in which the plays offer discreet praise and censure of the manner in which their noble patrons performed as aristocrats.Throughout, it brings out the subtle qualities of the interludes, which, the author shows, have been unjustly neglected. Dr FIONA S. DUNLOP is Research Associate of the Centre for Medieval Studies, University of York
Download or read book Medieval and Renaissance Drama in England written by S. P. Cerasano and published by Associated University Presse. This book was released on 2008-08 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reflecting a variety of scholarly interests, this volume includes articles that range addressing Africans in Elizabeth London to chapel stagings, to the theory and practice of domestic tragedy. It also includes essays on the historical and theoretical issues relating to the evolution of dramatic texts and women at the theater.
Download or read book Interludes and Early Modern Society written by and published by BRILL. This book was released on 2007-01-01 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this collection, contributed by an internationally distinguished group of scholars, bring up to date many aspects of the criticism of the English Interludes. The development of these plays was a significant part of the history of the growth of English drama in the sixteenth century to the extent that they may be regarded as its main stream. Arising by means of a felicitous combination of the development of printing and the growth of a professional theatre, plays of this type quickly became a forum for the presentation and exploration of many contemporary themes. They became a useful means of disseminating a wide variety of opinions and public concerns as well as exhibiting at times the intellectual brilliance of the Renaissance. The essays here are concentrated upon power, particularly in its religious and political aspects, gender and theatricality. The political and religious upheavals of the Reformation under the Tudor monarchy form a background as well as a focus at times. In particular the position of women in sixteenth-century society is examined in essays on several plays. There is also discussion of the development of theatrical techniques as playwrights worked closely with small acting companies to reach a wide audience ranging from the royal court to the common streets. This was achieved, as a number of essays make clear, through a variety of entertaining theatrical devices.
Download or read book Four Tudor Interludes written by J. A. B. Somerset and published by A&C Black. This book was released on 2014-01-13 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: The important influence of the Tudor 'interlude' on later Elizabethan drama is now widely recognized and the inherent theatrical values of these short plays of the era which preceded the opening of permanent theatres have become increasingly apparent through modern productions and study. Largely written for performance by travelling players in a variety of situations, their dramatic technique and methods of staging provide valuable clues for an understanding of Shakespearean theatre. The plays given here represent the interlude in its popular and courtly forms. All are newly edited from the earliest originals and the volume includes an introduction and full explanatory notes.
Download or read book The Tudor Interlude written by Thomas Wallace Craik and published by . This book was released on 1962 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Tudor Interlude Stage Costume and Acting written by Thomas Wallace Craik and published by . This book was released on 1962 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Three Late Medieval Morality Plays Everyman Mankind and Mundus et Infans written by G.A. Lester and published by A&C Black. This book was released on 2014-05-29 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Take example, all ye that this do hear or see..." The Morality Play was popular in England between 1400 and 1600. It offers moral instruction and spiritual teaching with personal abstractions representing good and evil. Surviving plays from that period number about sixty and the three in this edition were among the first ten. Mankind is a plain, honest farming man who struggles against worldly and spiritual temptation. The bawdy humour and violent action in the play serve to make the moral point and instruct by example. Everyman portrays a man's struggles in the face of death to raise himself to a state of grace so that he may experience everlasting life. It is exceptional among the Moralities for this narrow focus on the last phase of life, and conveys its message with awe-inspiring seriousness. Mundus et Infans is more typical of the Morality genre. It shows an arrogant, bullying protagonist led astray by a single evildoer into a life of debauchery, before the inevitable conversion to virtue. In showing the whole of man's life it is the antithesis of Everyman, the action of which seems to take place in a single day.
Download or read book On the Queerness of Early English Drama written by Tison Pugh and published by University of Toronto Press. This book was released on 2021-02-01 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Often viewed as theologically conservative, many theatrical works of late medieval and early Tudor England nevertheless exploited the performative nature of drama to flirt with unsanctioned expressions of desire, allowing queer identities and themes to emerge. Early plays faced vexing challenges in depicting sexuality, but modes of queerness, including queer scopophilia, queer dialogue, queer characters, and queer performances, fractured prevailing restraints. Many of these plays were produced within male homosocial environments, and thus homosociality served as a narrative precondition of their storylines. Building from these foundations, On the Queerness of Early English Drama investigates occluded depictions of sexuality in late medieval and early Tudor dramas. Tison Pugh explores a range of topics, including the unstable genders of the York Corpus Christi Plays, the morally instructive humour of excremental allegory in Mankind, the confused relationship of sodomy and chastity in John Bale’s historical interludes, and the camp artifice and queer carnival of Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis. Pugh concludes with Terrence McNally’s Corpus Christi, pondering the afterlife of medieval drama and its continued utility in probing cultural constructions of gender and sexuality
Download or read book The Cambridge History of Early Modern English Literature written by David Loewenstein and published by Cambridge University Press. This book was released on 2003-01-16 with total page 1064 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 2003 book is a full-scale history of early modern English literature, offering perspectives on English literature produced in Britain between the Reformation and the Restoration. While providing the general coverage and specific information expected of a major history, its twenty-six chapters address recent methodological and interpretive developments in English literary studies. The book has five sections: 'Modes and Means of Literary Production, Circulation, and Reception', 'The Tudor Era from the Reformation to Elizabeth I', 'The Era of Elizabeth and James VI', 'The Earlier Stuart Era', and 'The Civil War and Commonwealth Era'. While England is the principal focus, literary production in Scotland, Ireland and Wales is treated, as are other subjects less frequently examined in previous histories, including women's writings and the literature of the English Reformation and Revolution. This history is an essential resource for specialists and students.
Download or read book Time and Gender on the Shakespearean Stage written by Sarah Lewis and published by Cambridge University Press. This book was released on 2020-09-24 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses the cultural and theatrical intersections of early modern temporal concepts and gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy, Sarah Lewis shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage, and vice versa. She sets out the ways in which the temporal constructs of patience, prodigality and revenge, as well as the dramatic identities that are built from those constructs, and the experience of playgoing itself, negotiate a fraught opposition between action in the moment and delay in the duration. This book argues that looking at time through the lens of gender, and gender through the lens of time, is crucial if we are to develop our understanding of the early modern cultural construction of both.
Download or read book Pity and Identity in the Age of Shakespeare written by Toria Johnson and published by Boydell & Brewer. This book was released on 2021 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring a wide range of material including dramatic works, medieval morality drama, and lyric poetry this book argues for the central significance of literary material to the history of emotions. Early modern English writing about pity evidences a social culture built specifically around emotion, one (at least partially) defined by worries about who deserves compassion and what it might cost an individual to offer it. Pity and Identity in the Age of Shakespeare positions early modern England as a place that sustains messy and contradictory views about pity all at once, bringing together attraction, fear, anxiety, positivity, and condemnation to paint a picture of an emotion that is simultaneously unstable and essential, dangerous and vital, deceptive and seductive. The impact of this emotional burden on individual subjects played a major role in early modern English identity formation, centrally shaping the ways in which people thought about themselves and their communities. Taking in a wide range of material - including dramatic works by William Shakespeare, Thomas Heywood, Ben Jonson, Thomas Middleton, and William Rowley; medieval morality drama; and lyric poetry by Philip Sidney, Thomas Wyatt, Samuel Daniel, Thomas Lodge, Barnabe Barnes, George Rodney and Frances Howard - this book argues for the central significance of literary material to the broader history of emotions, a field which has thus far remained largely the concern of social and cultural historians. Pity and Identity in the Age of Shakespeare shows that both literary materials and literary criticism can offer new insights into the experience and expression of emotional humanity.
