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Book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum  A K   v  2  L Z and First supplement

Download or read book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum A K v 2 L Z and First supplement written by British Museum. Department of Printed Books and published by . This book was released on 1912 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The British Union catalogue of Early Music Before the Year 1801

Download or read book The British Union catalogue of Early Music Before the Year 1801 written by Edith Betty Schnapper and published by . This book was released on 1957 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Catalogue of Printed Music in the British Library to 1980

Download or read book The Catalogue of Printed Music in the British Library to 1980 written by British Library. Department of Printed Books and published by . This book was released on 1981 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum

Download or read book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1912 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Dance and Its Music in America  1528 1789

Download or read book Dance and Its Music in America 1528 1789 written by Kate Van Winkle Keller and published by Pendragon Press. This book was released on 2007 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanish exploration and settlement -- French exploration and settlement -- The English plantation colonies in the South -- The tobacco colonies -- New England -- The Middle Atlantic colonies.

Book British Music Publishers  Printers and Engravers  London  Provincial  Scottish  and Irish

Download or read book British Music Publishers Printers and Engravers London Provincial Scottish and Irish written by Frank Kidson and published by London : W. E. Hill. This book was released on 1900 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Sources of Irish Traditional Music c  1600 1855

Download or read book Sources of Irish Traditional Music c 1600 1855 written by Aloys Fleischman and published by Routledge. This book was released on 2016-12-05 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1998. Irish traditional music is one of the richest treasuries of folk music in the world. Being an oral tradition, much of it has already been lost, and what has been recorded is only partially available in isolated collections. Until now, no composite picture has yet been presented, showing its remarkable range and diversity over four centuries. This volume covers Irish materials in general collections up to 1800 and in Irish collections up to and including Petrie's Ancient Music of Ireland (1855).The purposes of the project are to identify Irish dance tunes and songs; to present the scholar with a mass of material showing the evolution of the Irish vocal and instrumental folk style, period by period, from the earliest recorded tune up to the middle of the last century; to put into circulation many of the splendid airs which were lost but have now been located. Some 6,000 songs and dance tunes are presented, also including Scottish and English tunes. Included are Scottish tunes that were used by 18th-century Irish poets for their verses, and both English and Scottish tunes that are still current among Irish traditional musicians. Tunes of present-day currency which do not seem to be included may still be located by comparing their first 12 notes in the thematic index at the end of the volume.To make the vast array of material readily available, an index allows readers to locate a tune by its melodic incipit, by any of its titles, or by the first line of its text. Unfortunately, the vast majority of Irish songs noted up to the end of the last century lack texts, since the collectors were ignorant of the Irish language. But almost every other facet is covered-provenance, tonality structure, and variants.

Book Sources of Irish Traditional Music  C  1600 1855

Download or read book Sources of Irish Traditional Music C 1600 1855 written by Aloys Fleischmann and published by Taylor & Francis. This book was released on 1997 with total page 708 pages. Available in PDF, EPUB and Kindle. Book excerpt: The largest publication of its kind

Book Dance Sources  UCLA Libraries and Archives

Download or read book Dance Sources UCLA Libraries and Archives written by and published by . This book was released on 1991 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Jeannie Robertson

Download or read book Jeannie Robertson written by James Porter and published by Univ. of Tennessee Press. This book was released on 1995 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining biography, folklore, oral history, and ethnomusicology, this book explores the life and repertoire of the Scottish traditional singer Jeannie Robertson (1908-1975) - an artist whom Alan Lomax hailed as "a monumental figure in twentieth-century folksong". Utilizing numerous quotations from Robertson's own oral accounts of her life, James Porter and Herschel Gower trace her career as a member of the marginal nomadic group in Northeast Scotland known as "travellers", whose origin is obscure. They explain the importance of traditional song in Robertson's family and community and include eighty of her songs, complete with musical notation.

Book Dance Figures Index

Download or read book Dance Figures Index written by and published by . This book was released on 1990 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Dance Figures Index: American Country Dances, 1790-1810 is a guide to the basic figures in all American printed and manuscript longways country dances in eighteenth- and early nineteenth-century sources. It is drawn from a computer data base of information which was gathered from 82 sources, 53 printed and 29 in manuscript."--Introduction

Book The Musical Times   Singing class Circular

Download or read book The Musical Times Singing class Circular written by and published by . This book was released on 1913 with total page 758 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Musical Times and Singing class Circular

Download or read book The Musical Times and Singing class Circular written by and published by . This book was released on 1913 with total page 1120 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Dictionary of National Biography

Download or read book The Dictionary of National Biography written by Leslie Stephen and published by . This book was released on 1908 with total page 1410 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Notes on Evolution in Scottish Country Dancing

Download or read book Notes on Evolution in Scottish Country Dancing written by Hugh Foss and published by H. Foss Glendarroch Dalry Castle-Douglas Kirkudbrightshire. This book was released on 1973 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Theatre in Dublin  1745   1820

Download or read book Theatre in Dublin 1745 1820 written by John C. Greene and published by Lehigh University Press. This book was released on 2011-11-16 with total page 801 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.