Download or read book On Line written by Cornelia H. Butler and published by The Museum of Modern Art. This book was released on 2010 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: On Line: Drawing Through the Twentieth Century explores the radical transformation of drawing that began during the last century as numerous artists critically re-examined the traditional concepts of the medium. In a revolutionary departure from the institutional definition of drawing and from reliance on paper as the fundamental support material, artists instead pushed the line into real space, expanding the medium's relationship to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published in conjunction with an exhibition at The Museum of Modern Art, On Line presents a discursive history of mark-making through nearly 250 works by 100 artists, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum and Monika Grzymala, among many others. Essays by the curators illuminate individual practices and examine broader themes, such as the exploration of the line by the avant-garde and the relationship between drawing and dance.

Download or read book Twentieth Century American Art written by Erika Doss and published by OUP Oxford. This book was released on 2002-04-26 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.

Download or read book Machine Art in the Twentieth Century written by Andreas Broeckmann and published by MIT Press. This book was released on 2016-12-23 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.

Download or read book Art of the 20th Century written by TASCHEN and published by Taschen. This book was released on 2020-11-15 with total page 840 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explore the turbulent times and revolutionary ideas of 20th-century art. From Surrealism to Land Art, Fluxus to Bauhaus, this readable and comprehensive survey is your be-all, end-all guide to the people and works that redefined 'art' as we knew it, from 1900 to 2000. Ranging across the full spectrum of disciplines, including photography and new media, this encyclopedic masterwork does just what it says on the cover.

Download or read book 19th and 20th Century Art written by George Heard Hamilton and published by Prentice Hall. This book was released on 1972 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: PAINTING - SCULPTURE - ARCHITECTURE.

Download or read book Primitivism and Twentieth century Art written by Jack D. Flam and published by Univ of California Press. This book was released on 2003 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa

Download or read book Twentieth Century Theories of Art written by James Matheson Thompson and published by McGill-Queen's Press - MQUP. This book was released on 1990 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes selections from major writers on various approaches to art theory, for example Freud, Jung, Marx, Heidegger.

Download or read book Twentieth Century Design written by Jonathan M. Woodham and published by Oxford Paperbacks. This book was released on 1997-04-10 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: A look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. The book explores the way in which 20th-century designs such as the Coca-Cola bottle have affected our culture more than those considered true classics

Download or read book Art of the Avant gardes written by Professor and Head of Art History Steve Edwards and published by Yale University Press. This book was released on 2004-01-01 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: 02 This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood. This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood.

Download or read book Collage in Twentieth Century Art Literature and Culture written by Rona Cran and published by Routledge. This book was released on 2016-05-23 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emphasizing the diversity of twentieth-century collage practices, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan. For all four, collage was an important creative catalyst, employed cathartically, aggressively, and experimentally. Collage's catalytic effect, Cran argues, enabled each to overcome a potentially destabilizing crisis in representation. Cornell, convinced that he was an artist and yet hampered by his inability to draw or paint, used collage to gain access to the art world and to show what he was capable of given the right medium. Burroughs' formal problems with linear composition were turned to his advantage by collage, which enabled him to move beyond narrative and chronological requirement. O'Hara used collage to navigate an effective path between plastic art and literature, and to choose the facets of each which best suited his compositional style. Bob Dylan's self-conscious application of collage techniques elevated his brand of rock-and-roll to a level of heightened aestheticism. Throughout her book, Cran shows that to delineate collage stringently as one thing or another is to severely limit our understanding of the work of the artists and writers who came to use it in non-traditional ways.

Download or read book From Diversion to Subversion written by David Getsy and published by Penn State Press. This book was released on 2011 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Examines the wide-ranging influence of games and play on the development of modern art in the twentieth century"--Provided by publisher.

Download or read book Cubism and Twentieth century Art written by Robert Rosenblum and published by . This book was released on 1966 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Art of the Twentieth Century written by Jason Gaiger and published by Yale University Press. This book was released on 2004-03-11 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance.

Download or read book Italian Drawings of the 20th Century written by Antonello Negri and published by Silvana Editoriale. This book was released on 2019 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian Drawing of the 20th Century brings together works from the Ramo Collection, the only collection in the world exclusively dedicated to drawing in Italy during the 20th century, from the great masters to lesser-known figures. The collection--and this book--presents drawing in Italy as a fundamental part of 20th-century art history. Including a wide range of techniques on paper (from watercolor to collage, crayon to felt-tip pen), this volume presents drawing as the skeleton of 20th-century art because it represents the first visualization of an idea. As an essential early step in art making, drawing is an expressive means shared by artists in working in different mediums, opening up to realization in a wide range of art practices. Italian Drawing of the 20th Century presents a specific national history for this unique, wide-ranging medium of creative thought. Among the artists featured are Balla, Baruchello, Boccioni, Crippa, de Chirico, Depero, Fabro, Fontana, Kounellis, Licini, Manzoni, Melotti, Morandi, Munari, Penone, Pistoletto, Rama, Rosso, Rotella and Severini.

Download or read book Infinite Possibilities written by and published by University of Washington Press. This book was released on 2004 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: Infinite Possibilities offers new perspectives on the phenomenon of seriality in the medium of drawings and the visual arts. It includes drawings from the 1960s to the present by 29 artists from Japan, South America, the United States, and Europe. Whether looking at serial images in historical, political, mathematical, philosophical, or theoretical perspectives, Infinite Possibilities is a remarkable discourse on a fundamental aspect of contemporary artistic creativity. The artists included range from the emerging to the canonical; among them are Jennifer Bartlett, Jasper Johns, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Gloria Ortiz-Hernandez, Richard Serra, and Tony Smith.

Download or read book Art written by Flaminio Gualdoni and published by . This book was released on 2008 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a retrospective of the art of the twentieth century features concise introductions to every major art movement, with over four hundred illustrations of works from some of the most famous artists of the century. This work enables the reader to become familiar with the world of contemporary art from futurism to pop-art, Dada to conceptual. Presented are some of the most famous artists of the twentieth-century -- from Arp to Brancusi, Bacon to Basquiat, Gris to Koons, Gaudi to Schnabel, Warhol to Grant Wood -- and their greatest masterworks.

Download or read book Formalism and Historicity written by Benjamin H. D. Buchloh and published by National Geographic Books. This book was released on 2015-02-06 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays spanning three decades by one of the most rigorous art thinkers of our time grapple with formal and historical paradigms in twentieth century art. These influential essays by the noted critic and art historian Benjamin Buchloh have had a significant impact on the theory and practice of art history. Written over the course of three decades and now collected in one volume, they trace a history of crucial artistic transitions, iterations, and paradigmatic shifts in the twentieth century, considering both the evolution and emergence of artistic forms and the specific historical moment in which they occurred. Buchloh's subject matter ranges through various moments in the history of twentieth-century American and European art, from the moment of the retour à l'ordre of 1915 to developments in the Soviet Union in the 1920s to the beginnings of Conceptual art in the late 1960s to the appropriation artists of the 1980s. He discusses conflicts resulting from historical repetitions (such as the monochrome and collage/montage aesthetics in the 1910s, 1950s, and 1980s), the emergence of crucial neo-avantgarde typologies, and the resuscitation of obsolete genres (including the portrait and landscape, revived by 1980s photography). Although these essays are less monographic than those in Buchloh's earlier collection, Neo-Avantgarde and Culture Industry, two essays in this volume are devoted to Marcel Broodthaers, whose work remains central to Buchloh's theoretical concerns. Engaging with both formal and historical paradigms, Buchloh situates himself productively between the force fields of formal theory and historical narrative, embracing the discrepancies and contradictions between them and within individual artistic trajectories. Contents Formalism and Historicity (1977) • Marcel Broodthaers: Allegories of the Avant-Garde (1980) • Figures of Authority, Ciphers of Regression: Notes on the Return of Representation in European Painting (1981) • Allegorical Procedures: Appropriations and Montage in Contemporary Art (1982) • The Museum Fictions of Marcel Broodthaers (1983) • From Faktura to Factography (1984) • Readymade, Objet Trouvé, Idée Reçue (1985) • The Primary Colors for the Second Time: A Paradigm Repetition of the Neo-Avantgarde (1986) • Cold War Constructivism (1986) • Conceptual Art 1962–1969: From the Aesthetics of Administration to the Critique of Institutions (1989) • Residual Resemblance: Three Notes on the Ends of Portraiture (1994) • Sculpture: Publicity and the Poverty of Experience (1996)