Download or read book The Catalogue of Printed Music in the British Library to 1980 written by British Library. Department of Printed Books and published by . This book was released on 1981 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Catalog of Books Represented by Library of Congress Printed Cards Issued to July 31 1942 written by and published by . This book was released on 1942 with total page 630 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Historical Sets Collected Editions and Monuments of Music written by Anna Harriet Heyer and published by Chicago : American Library Association. This book was released on 1957 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book National Union Catalog written by and published by . This book was released on 1953 with total page 1066 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The National Union Catalog Pre 1956 Imprints written by and published by . This book was released on 1968 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Sense of Marino written by Francesco Guardiani and published by New York ;$aOttawa : Legas. This book was released on 1994 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Of Poetry and Music s Power written by Barbara Russano Hanning and published by . This book was released on 1980 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Katalog der Musikdrucke BSB Musik written by Bayerische Staatsbibliothek and published by . This book was released on 1988 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dear Maestro Toscanini written by Stefania Iannella and published by . This book was released on 2021-01-06 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the black and white edition, for a color edition please see : https://www.amazon.com/dp/B08VCYDH9X?ref_=pe_3052080_397514860 Bilingual edition: original letters in English translated into Italian by Stefania Iannella***You will read the moving words of common people who, calling themselves "laymen" and admitting that they do not know how to distinguish "even just a note from another", perceive the true essence of classical music. In fact, most of these writings describe the highest musical experience: the mystical elevation. These American fans thank Arturo Toscanini for the "pure joy" resulting from the concerts he directed. They feel they are in celestial realms, thus forgetting their earthly sufferings.***In addition to the twenty-one letters from the admirers, an unpublished letter from Dora Mary Penny Powell (Dorabella) of singular musicological importance is also disclosed, as it reveals some key elements to solve an enigma. The famous yet unsolved mystery concerning the melody hidden in Edward Elgar's Enigma Variations (1899) could thus finally be revealed. ***La musica classica è una prerogativa di un'élite di soli intenditori? Questi ammiratori, autodefinendosi al contrario "profani" in ambito musicale e ammettendo di non saper distinguere "neanche una nota dall'altra", intuiscono la vera essenza della musica classica. In buona parte di questi scritti è, infatti, descritta l'esperienza musicale per eccellenza: l'elevazione mistica. Leggerete le parole commosse di persone che, grazie alla "gioia pura" derivante dall'ascolto dei concerti diretti da Toscanini, sentono di ritrovarsi in regni celestiali, dimenticando così le proprie sofferenze terrene. Tanto entusiasmo, tanta dedizione al mondo Sublime della musica classica sono espressi attraverso le più sincere impressioni raccontate da persone disparate, che proclamano però all'unisono l'effetto sovrannaturale della musica diretta da Arturo Toscanini. Libro contenente rivelazioni sulle "Enigma Variations " di Elgar.Questa è l'edizione in bianco e nero, per chi preferisce vedere e conservare le riproduzioni delle lettere nei loro colori originali, l'edizione a colori è acquistabile a questo link: https://www.amazon.com/dp/B08VCYDH9X?ref_=pe_3052080_397514860
Download or read book The Perfect Musician written by Luigi Zenobi and published by Musica Iagellonica. This book was released on 1995 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Monteverdi and the End of the Renaissance written by Gary Tomlinson and published by Univ of California Press. This book was released on 1987 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining a close study of Monteverdi's secular works with recent research on late Renaissance history, Gary Tomlinson places the composer's creative career in its broad cultural context and illuminates the state of Italian music, poetry, and ideology in the sixteenth and seventeenth centuries.
Download or read book Viderunt omnes and Sederunt written by Perotin (Perotinus) and published by Alfred Music. This book was released on 1999-08-26 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perotin (Latin Perotinus) was a most gifted composer of the Notre Dame school, which, during the late twelfth and early thirteenth centuries, was the first school to produce polyphony of international acclaim. Four of the works included in this collection are organa. A Perotin organum consists of a liturgical chant melody and text, which forms the tenor or cantus firmus. Its rhythm is altered. In approximately the same vocal range, the composer added one, two or three other voices, the duplum, triplum and quadruplum, all of them in one of the six rhythmic patterns known as modi. Seven of the works included in this collection are motets. These originated throug the tradition of troping, which consisted of the addition of a text to a melismatic piece of music. In motets, it was the duplum of an organum or clausula which was troped. When this happend the duplum was called motetus, and this name was adapted for the entire composition.
Download or read book Monteverdi Creator of Modern Music written by Leo Schrade and published by . This book was released on 1964 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Emblems of Eloquence written by Wendy Heller and published by Univ of California Press. This book was released on 2004-01-12 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera developed during a time when the position of women—their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality—was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts—by Ovid, Virgil, Tacitus, and Diodorus Siculus—form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).
Download or read book Monteverdi s Musical Theatre written by Lecturer in Music Royal Holloway and Bedford New College Tim Carter and published by Yale University Press. This book was released on 2002-01-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His Orfeo, Il Ritorno d'Ulisse in Patria, and L'incoronazione di Poppea are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in their fusion of music, drama and dance. This is a survey of Monteverdi's entire output of music for the theatre - his surviving operas, other dramatic musical compositions, and lost works.
Download or read book Opera in Seventeenth Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Download or read book Claudio Monteverdi Orfeo written by John Whenham and published by Cambridge University Press. This book was released on 1986-02-27 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance.