Download or read book Tsai Ming liang and a Cinema of Slowness written by Song Hwee Lim and published by University of Hawaii Press. This book was released on 2014-01-31 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: How can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider socio-cultural “slow movement”? A body of films that shares a propensity toward slowness has emerged in many parts of the world over the past two decades. This is the first book to examine the concept of cinematic slowness and address this fascinating phenomenon in contemporary film culture. Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film. Tsai Ming-liang and a Cinema of Slowness will speak to readers with an interest in art cinema, queer studies, East Asian culture, and the question of time. In an age of unrelenting acceleration of pace both in film and in life, this book invites us to pause and listen, to linger and look, and, above all, to take things slowly.
Download or read book Tsai Ming liang and a Cinema of Slowness written by Song Hwee Lim and published by . This book was released on 2014-01-31 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first dedicated study of all of Tsai Ming-Liangs feature length films to date. One of contemporary cinemas most distinctive filmmakers, Tsais films are typically slow paced and minimalist in plot, dialogue and characterization, full of static long takes with very little happening within the shots. Rather than provide a chronological survey of Tsais films, the book is theorized through the concept of slowness. It examines the two filmic elements, sights and sound, through detailed analysis of Tsais use of stillness and silence, it also situates Tsais filmmaking in the context of a trend in contemporary cinema toward slowness, by directors as diverse as Abbas Kiarostami, Bela Tarr, and Aleksandr Sokurov. The author argues that slowness in cinema can be seen as a response to the increasing pace of mainstream films as well as to the unstoppable speed of a postmodern world compressed in time and space.
Download or read book Poetics of Slow Cinema written by Emre Çağlayan and published by Springer. This book was released on 2018-10-12 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses slow cinema, a contemporary global production trend that has recently gained momentum in film theory and criticism. Slow films dispense with narrative progression in favour of a contemplative mood, which is stretched out to the extreme in order to impel viewers to confront cinematic temporality in all its undivided glory. Despite its critical reputation as an oblique mode of film practice, slow cinema continues to attract, challenge and provoke audiences. Focusing on filmmakers Béla Tarr, Tsai Ming-liang and Nuri Bilge Ceylan, this book identifies nostalgia, absurd humour and boredom as intrinsic dimensions of slow cinema and explores the ways in which these directors negotiate local filmmaking conventions with the demands of a global cinephile niche. As the first study to treat slow cinema both as an aesthetic style and as an institutional discourse, Poetics of Slow Cinema offers an illuminating perspective on the tradition’s historical genealogy and envisions it with a Janus-faced disposition in the age of digital technologies—lamenting at once the passing of difficult, ambiguous modernist film and capitalizing on the yearning for its absence.
Download or read book Slow Cinema written by Tiago de Luca and published by Edinburgh University Press. This book was released on 2015-12-31 with total page 539 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.
Download or read book Tsa Ming liang written by Jean-Pierre Rehm and published by Dis Voir Editions. This book was released on 1999 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in-depth study of filmmaker Tsai Ming-liang's sensual and solitary universe. Acclaimed Taiwan-based filmmaker Tsai Ming-liang is renowned for creating some of the most nihilistic and erotic films of the 1990s. His films often use water in its multiple capacities--cleansing, raining, nourishing, flooding--to symbolize his character's emotions. Depicting the human body as a mysterious, malleable machine consuming and excreting on its own volition, he turns bodily functions into metaphors for loneliness, desire, decay, and escape. His obsessive and isolated characters give his films a bleak outlook, but they also embody a wry sense of absurdist humor. Taiwanese filmmaker Tsai Ming-liang (born 1957) has directed a dozen full-length films, inlcluding Rebels of Neon God, Vive l'Amour (Golden Lion at the Venice Film Festival, 1994), The River (Silver Bear at the Berlin Film Festival, 1997), The Hole, The Wayward Cloud, Face and Stray Dogs (Silver Lion at the Venice Film Festival, 2013). In 2013, Tsai was voted by UK newspaper The Guardian as number 18 of the 40 best directors in the world.
Download or read book Slow Movies written by Ira Jaffe and published by Columbia University Press. This book was released on 2014-05-14 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In all film there is the desire to capture the motion of life, to refuse immobility," Agnes Varda has noted. But to capture the reality of human experience, cinema must fasten on stillness and inaction as much as motion. Slow Movies investigates movies by acclaimed international directors who in the past three decades have challenged mainstream cinema's reliance on motion and action. More than other realist art cinema, slow movies by Lisandro Alonso, Nuri Bilge Ceylan, Pedro Costa, Jia Zhang-ke, Abbas Kiarostami, Cristian Mungiu, Alexander Sokurov, Bela Tarr, Gus Van Sant and others radically adhere to space-times in which emotion is repressed along with motion; editing and dialogue yield to stasis and contemplation; action surrenders to emptiness if not death.
Download or read book Taiwan Cinema as Soft Power written by Song Hwee Lim and published by Oxford University Press. This book was released on 2021-12-17 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why has Taiwanese film been so appealing to film directors, critics, and audiences across the world? This book argues that because Taiwan is a nation without hard political and economic power, cinema becomes a form of soft power tool that Taiwan uses to attract global attention, to gain support, and to build allies. Author Song Hwee Lim shows how this goal has been achieved by Taiwanese directors whose films win the hearts and minds of foreign audiences to make Taiwan a major force in world cinema. The book maps Taiwan's cinematic output in the twenty-first century through the three keywords in the book's subtitle-authorship, transnationality, historiography. Its object of analysis is the legacy of Taiwan New Cinema, a movement that begun in the early 1980s that has had a lasting impact upon filmmakers and cinephiles worldwide for nearly forty years. By examining case studies that include Hou Hsiao-hsien, Ang Lee, and Tsai Ming-liang, this book suggests that authorship is central to Taiwan cinema's ability to transcend borders to the extent that the historiographical writing of Taiwan cinema has to be reimagined. It also looks at the scaling down of soft power from the global to the regional via a cultural imaginary called little freshness, which describes films and cultural products from Taiwan that have become hugely popular in China and Hong Kong. In presenting Taiwan cinema's significance as a case of a small nation with enormous soft power, this book hopes to recast the terms and stakes of both cinema studies and soft power studies in academia.
Download or read book The Long Take written by Lutz Koepnick and published by U of Minnesota Press. This book was released on 2017-12-15 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Long Take, Lutz Koepnick posits extended shot durations as a powerful medium for exploring different modes of perception and attention in our fast-paced world of mediated stimulations. Grounding his inquiry in the long takes of international filmmakers such as Béla Tarr, Tsai Ming-liang, Abbas Kiarostami, Apichatpong Weerasethakul, and Michael Haneke, Koepnick reveals how their films evoke wondrous experiences of surprise, disruption, enchantment, and reorientation. He proceeds to show how the long take has come to thrive in diverse artistic practices across different media platforms: from the work of photographer Hiroshi Sugimoto to the screen-based installations of Sophie Calle and Tacita Dean, from experimental work by Francis Alÿs and Janet Cardiff to durational images in contemporary video games. Deeply informed by film and media theory, yet written in a fluid and often poetic style, The Long Take goes far beyond recent writing about slow cinema. In Koepnick’s account, the long take serves as a critical hallmark of international art cinema in the twenty-first century. It invites viewers to probe the aesthetics of moving images and to recalibrate their sense of time. Long takes unlock windows toward the new and unexpected amid the ever-mounting pressures of 24/7 self-management.
Download or read book Transcendental Style in Film written by Paul Schrader and published by Univ of California Press. This book was released on 2018-05-18 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
Download or read book After Uniqueness written by Erika Balsom and published by Columbia University Press. This book was released on 2017-03-21 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at once. From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.
Download or read book Taiwan Cinema written by G. Hong and published by Springer. This book was released on 2011-02-25 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking study of Taiwan cinema, Hong provides helpful insight into how it is taught and studied by taking into account not only the auteurs of New Taiwan Cinema, but also the history of popular genre films before the 1980s. The book is essential for students and scholars of Taiwan, film and visual studies, and East Asian cultural history.
Download or read book Tsai Ming Liang written by Mingliang Cai and published by . This book was released on 2019 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celebrated within traditions of Taiwanese, auteur and slow cinema alike, Tsai Ming-liang is one of the most unique voices in cinema today. He is known for his long shots, elliptical narratives, painterly approaches to light and colour, and poignant portrayals of urban and sexual alienation. He joins us to present the UK premieres of recent feature films Your Face and Afternoon, a 35mm film print of Goodbye, Dragon Inn and a screening of his short films he has selected specially for the occasion. Tsai will also lead a masterclass..--Tate website.
Download or read book Slow Cinema written by Tiago de Luca and published by Edinburgh University Press. This book was released on 2015-12-31 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.
Download or read book Dreaming of Cinema written by Adam Lowenstein and published by . This book was released on 2014-11-11 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adam Lowenstein argues that Surrealism's encounter with film can help redefine the meaning of cinematic spectatorship in an era of popular digital entertainment. Video games, YouTube channels, Blu-ray discs, and other forms of ÒnewÓ media have made theatrical cinema seem Òold.Ó A sense of Òcinema lostÓ has accompanied the ascent of digital media, and many worry filmÕs special capacity to record the real is either disappearing or being fundamentally changed by new mediaÕs different technologies. The Surrealist movement offers an ideal platform for resolving these tensions, undermining the claims of cinemaÕs crisis of realism and offering an alternative interpretation of filmÕs aesthetics and function. The Surrealists never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Reading the writing, films, and art of Luis Bu–uel, Salvador Dal’, Man Ray, AndrŽ Breton, AndrŽ Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell, and tracing their influence in the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson, this innovative approach puts past and present cinema into conversation to recast the meaning of cinematic spectatorship in the twenty-first century.
Download or read book Out of Asia written by Bert Cardullo and published by Cambridge Scholars Publishing. This book was released on 2008 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Out of Asia: The Films of Akira Kurosawa, Satyajit Ray, Abbas Kiarostami, and Zhang Yimou is a collection of interviews with, and essays about, the four filmmakers who introduced the cinema of their respective countries to the West: Kurosawa (Japan) and Ray (India), in the 1950s; Kiarostami (Iran) and Zhang (China), in the 1980s. Kurosawa and Ray were post-World War II phenomena, as the new breed of American cinephiles demanded more contact with Asian cultures of which they had known little until the 1940s. Kiarostami and Zhang, for their part, are both post-revolutionary filmmakers whose films have helpfully introduced Americans to two Eastern cultures with which the American government has long had-and continues to have-a problematic relationship. As a whole, then, Out of Asia documents an alternative to Western brands of cinema even as these four foreign directors, with the possible exception of Kiarostami, integrate Western forms, styles, and genres into their own native traditions. As such, these artists could be said to represent a global filmmaking perspective that now, more than ever, this world-and the American nation-can use. Each of the interviews in this volume is accompanied by an overview of the director's career or an essay on representative films by him. In addition, Out of Asia is preceded by a contextualizing introduction; it is followed by filmographies, a bibliography, and an index; and the book is interspersed with photographs of the four directors in question or stills from their films. There are books devoted to individual filmmakers like Kurosawa, Ray, Kiarostami, and Zhang, but, until Out of Asia, there has not been one that treats representatives of four national cinemas from their own point of view, as well as from an international perspective.
Download or read book Doing Time written by Lee Carruthers and published by State University of New York Press. This book was released on 2016-06-06 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Doing Time addresses two areas of interest in recent film study—film temporality and film philosophy—to propose an innovative theorization of cinematic time that sees it as a dynamic process of engagement, or something we do as viewers. This active relation to cinematic time, which discloses a film's temporal character, is called its "timeliness." Here it is traced across a range of fascinating case studies from Hollywood and the global art cinema, uncovering each film's characteristic way of "doing time." Throughout, the ambiguities of filmic time are held as powerful attractions as they modulate film viewing: such pauses, gaps, repetitions, and stretches of time illuminate a living field that extends from viewing activity. Drawing on the writings of French film critic and theorist André Bazin, as well as the phenomenology of Martin Heidegger and Maurice Merleau-Ponty, Lee Carruthers forwards a claim about the value of cinematic time for thinking. She also raises the tasks of film analysis and interpretation to renewed visibility. By prioritizing the viewer's experience of filmic temporality, and offering a rich vocabulary for describing this exchange, Carruthers articulates a new sphere of theoretical inquiry that invites film viewers (and readers) to participate.
Download or read book Ling Ling and Hsing Hsing written by Larry R. Collins and published by Anchor. This book was released on 1973 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of the first year in the Washington Zoo of Ling-Ling and Hsing-Hsing, the giant pandas presented to the U.S. by the People's Republic of China.
