Download or read book Trois premiers livres de la M tamorphose written by Publius Ovidius Naso and published by . This book was released on 1556 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Trois premiers livres de la metamorphose written by Ovid and published by . This book was released on 1556 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Les trois premiers livres de la m tamorphose trad en vers fran ois le 1er et le 2e par Cl Marot le tiers par B Aneau illustr s de figures et images written by and published by . This book was released on 1556 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A General Bibliographical Dictionary written by Friedrich Adolf Ebert and published by . This book was released on 1837 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A General Bibliographical Dictionary from the German of Frederic Adolphus Ebert by Arthur Browne written by Friedrich Adolf Ebert and published by . This book was released on 1837 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Sixteenth century French Emblem Book written by Alison Saunders and published by Librairie Droz. This book was released on 1988 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ovid in the Middle Ages written by James G. Clark and published by Cambridge University Press. This book was released on 2011-07-28 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the extraordinary influence of Ovid upon the culture - learned, literary, artistic and popular - of medieval Europe.
Download or read book The Cambridge History of Literary Criticism Volume 3 The Renaissance written by George Alexander Kennedy and published by Cambridge University Press. This book was released on 1989 with total page 790 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1999 volume was the first to explore as part of an unbroken continuum the critical legacy both of the humanist rediscovery of ancient learning and of its neoclassical reformulation. Focused on what is arguably the most complex phase in the transmission of the Western literary-critical heritage, the book encompasses those issues that helped shape the way European writers thought about literature from the late Middle Ages to the late seventeenth century. These issues touched almost every facet of Western intellectual endeavour, as well as the historical, cultural, social, scientific, and technological contexts in which that activity evolved. From the interpretative reassessment of the major ancient poetic texts, this volume addresses the emergence of the literary critic in Europe by exploring poetics, prose fiction, contexts of criticism, neoclassicism, and national developments. Sixty-one chapters by internationally respected scholars are supported by an introduction, detailed bibliographies for further investigation and a full index.
Download or read book Mysteriously Meant written by Don Cameron Allen and published by JHU Press. This book was released on 2020-02-03 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1971. In Mysteriously Meant, Professor Allen maps the intellectual landscape of the Renaissance as he explains the discovery of an allegorical interpretation of Greek, Latin, and finally Egyptian myths and the effect this discovery had on the development of modern attitudes toward myth. He believes that to understand Renaissance literature one must understand the interpretations of classical myth known to the sixteenth and seventeenth centuries. In unraveling the elusive strands of myth, allegory, and symbol from the fabric of Renaissance literature such as Milton's Paradise Lost, Allen is a helpful guide. His discussion of Renaissance authors is as authoritative as it is inclusive. His empathy with the scholars of the Renaissance keeps his discussion lively—a witty study of interpreters of mythography from the past.
Download or read book Universal Catalogue of Books on Art L to Z written by National Art Library (Great Britain) and published by . This book was released on 1870 with total page 1140 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book First Proofs of the Universal Catalogue of Books on Art written by National Art Library (Great Britain) and published by . This book was released on 1870 with total page 1142 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1883 with total page 682 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1881 with total page 782 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Lyrics of the French Renaissance written by and published by University of Chicago Press. This book was released on 2006-10 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renowned translator Norman R. Shapiro here presents fresh English versions of poems by three of Western literature’s most gifted and prolific poets—the French Renaissance writers Clément Marot, Joachim Du Bellay, and Pierre de Ronsard. Writing in the rhymed and metered verse typical of the original French poems (which appear on facing pages), Shapiro skillfully adheres to their messages but avoids slavishly literal translations, instead offering creative and spirited equivalents. Hope Glidden’s accessible introduction, along with the notes she and Shapiro provide on specific poems, will increase readers’ enjoyment and illuminate the historical and linguistic issues relating to this wealth of more than 150 lyric poems. “A marvelous micro-anthology of sixteenth-century French letters. Representing the pinnacle of French Renaissance verse, the poems singled out here are sensitively interpreted in rhymed English versions. . . . There is a pleasant and inspiring craftsmanship in these interpretations.”—Virginia Quarterly Review
Download or read book Shakespeare s Erotic Mythology and Ovidian Renaissance Culture written by Ms Agnès Lafont and published by Ashgate Publishing, Ltd.. This book was released on 2013-09-28 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking cross-disciplinary and comparative approaches to the volume’s subject, this exciting collection of essays offers a reassessment of Shakespeare’s erotic and Ovidian mythology within classical and continental aesthetic contexts. Through extensive examination of mythological visual and textual material, scholars explore the transmission and reinvention of Ovidian eroticism in Shakespeare’s plays to show how early modern artists and audiences collectively engaged in redefining ways of thinking pleasure. Within the collection’s broad-ranging investigation of erotic mythology in Renaissance culture, each chapter analyses specific instances of textual and pictorial transmission, reception, and adaptation. Through various critical strategies, contributors trace Shakespeare’s use of erotic material to map out the politics and aesthetics of pleasure, unravelling the ways in which mythology informs artistic creation. Received acceptions of neo-platonic love and the Petrarchan tensions of unattainable love are revisited, with a focus on parodic and darker strains of erotic desire, such as Priapic and Dionysian energies, lustful fantasy and violent eros. The dynamics of interacting tales is explored through their structural ability to adapt to the stage. Myth in Renaissance culture ultimately emerges not merely as near-inexhaustible source material for the Elizabethan and Jacobean arts, but as a creative process in and of itself.
Download or read book Rembrandt and the Female Nude written by Eric Jan Sluijter and published by Amsterdam University Press. This book was released on 2006 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.
Download or read book Death and Tenses written by Neil Kenny and published by Oxford University Press. This book was released on 2015 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is probably the first to explore a question that can crop up in everyday situations and that has a long history: in what tense should we refer to the dead? That question relates both to the recently deceased and also to those who died long ago, for example in antiquity. The book explores it through many kinds of texts, mainly in French but also in Latin, produced in sixteenth- and early seventeenth-century France, including by celebrated authors(Rabelais, Montaigne). Did tenses refer to the dead in ways that contributed to granting them differing degrees of presence (and absence)? Did tenses communicate something about posthumous presence (andabsence) that could not easily be communicated by other means? This is primarily a work of literary and cultural history, but it also draws on linguistics. It compares its early modern examples with modern French and English, asking whether changes in more recent beliefs in posthumous survival have led to different tense usage.
