Download or read book Traditional Malay Theatre written by Ghulam Sarwar Yousof and published by PTS Publications & Distributors Sdn Bhd. This book was released on 2016-01-08 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The papers appearing in this volume cover a representative range of traditional Malay genres including main puteri, the most important Malay shaman ritual, several proto-theatre forms, the shadow play (wayang kulit), mak yong as well as the Thai-Malay dance-theatre form known as menora or nora chatri. Issues related to origins, and the historic and aesthetic connections with genres in neighbouring countries are raised in several papers, while others examine the functions of specific genres. Also discussed are transformations that rural genres such as mak yong have experienced as they move away from the traditional setting to new urban contexts such as the national theatre. In addition several of the papers deal with the sources of dramatic repertoire including the Ramayana and Mahabharata in their local versions.
Download or read book Traditional Malay Theatre written by Mohamed Ghouse Nasuruddin and published by . This book was released on 2009 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Panggung Semar written by Ghulam-Sarwar Yousof and published by Partridge Publishing Singapore. This book was released on 2015-02-17 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although stretching back into the unwritten and often mythic past, traditional Malay performing arts have, until recent times, been almost totally neglected. In recent years, the subject has begun to attract the serious scholarly interest it deserves. Such attention is timely, for the principal theatre genres, including Mak Yong, Wayang Kulit and the comparatively modern Bangsawan, have begun to suffer decline. Indeed, many of them are on the verge of extinction and, with time, will come the loss of an important facet of the native Malay genius. This volume by an acknowledged expert on Malaysian theatre, Ghulam-Sarwar Yousof, is a pioneering work on the subject, an invaluable contribution to Malay cultural studies. It discusses theatre from the perspectives of history, performance principles, functions and problems that have contributed to the decline of traditional performing arts in Malaysia. Also included is a chapter on Semangat, the Malay concept of soul, a seminal belief whose understanding allows for a deeper appreciation of Malay theatre and its role in traditional society. A vital forerunner of several books on the traditional performing arts and cultural traditions of the Malays, this volume is a landmark in cultural research by a Malaysian scholar.
Download or read book ISSUES IN TRADITIONAL MALAYSIAN CULTURE written by GHULAM-SARWAR YOUSOF and published by Partridge Singapore. This book was released on 2014 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contains a selection of non-academic materials on a wide range of topics related to Malaysian culture. Several of them deal with traditional Malay theatre genres, particularly mak yong, recognised by UNESCO as an item of the Oral and Intangible Heritage of Humanity in 2005, the shadow play and bangsawan. Others record the contributions of prominent personalities as practitioners, preservers, teachers and transmitters of oral traditions. The author touches upon issues related to the precarious situation in the arts in a rapidly changing Malay society which has in general neglected traditional performing arts forms under pressures exerted by modenisation and the simultaneous wave of Islamicisation. His own involvement in teaching, research, documentation as well as preservation of many of these arts provides unique personal insights into some of the problems and pertinent issues. Other essays of a more general nature, touch upon the continuing and at times controversial relationships between Malay cultural manifestations and those in neighbouring countries, contributions of the minority Indian-Muslim community in Malaysia, and upon the role of the administration in the preservation of heritage. The brief accounts contained in this volume are presented in a direct and readable manner for the non-expert enthusiast of culture and the arts from the perspective of someone deeply and passionately involved.
Download or read book Dramatic and Visual Text of Traditional Malay Theatre written by Mohamed Ghouse Nasuruddin and published by . This book was released on 2003 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Evolution of Traditional Malay Theatre in Penang written by Ghulam Sarwar Yousof and published by . This book was released on 2002 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book MAK YONG THROUGH THE AGES KELANTAN S TRADITIONAL DANCE THEATRE written by Ghulam-Sarwar Yousof and published by The University of Malaya Press. This book was released on 2018-10-25 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mak yong, the ancient Malay dance theatre form, is associated principally with the southern Thai Patani province and the Malaysian state of Kelantan on the east coast of the Malay Peninsula. It is also active in Terengganu and in the Riau islands of Indonesia where it is staged in a significantly variant form. Mak yong comprises the elements of story, formal and informal spoken text, stylized dance and acting, vocal and instrumental music, as well as ritual. It is performed both for entertainment as well as for healing specific types of emotional and psychological ailments. Mak yong is undoubtedly the most important of all traditional Malay theatre forms in terms of its content as well as performance style. Following an effort to revive this near- extinct art from 1969 onwards, it went through considerable changes as it shifted away from its rural base to urban centres, particularly Kuala Lumpur. The changes essentially attempted to “cleanse” Mak yong of some of the objectionable folk elements with a view to transform it into a sophisticated one intended for modern audiences, including tourists. Mak yong, was designated by UNESCO as a Masterpiece of Oral and Intangible Heritage of Mankind in 2005. The listing was based on the Candidature File prepared by the present author, Ghulam–Sarwar Yousof, a leading specialist in traditional Southeast Asian theatre. He was the first person in the world to work on a doctorate on traditional Malay theatre with a dissertation on Mak yong submitted to the University of Hawaii in 1976. The present volume comprise a selection of his essays on various aspects of Mak yong presented at local and international seminars as well as published in several journals. The papers provide original and vital insghts into the history, aesthetics and functions of Mak yong as well as controversies surrounding it. The papers also touch upon issues connected with the survival of mak yong and the need for efforts to preserve what the author regards as the most unique of traditional Malay performing arts.
Download or read book The Shadow Puppet Theatre of Malaysia written by Beth Osnes and published by McFarland. This book was released on 2014-01-10 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive book explores the Malaysian form of shadow puppet theatre, highlighting its unique nature within the context of Southeast Asian and Asian shadow puppet theatre traditions. Intended for a Western audience not familiar with Asian performance and practices, the text serves as a bridge to this highly imaginative form. An in-depth examination of the Malaysian puppet tradition is provided, as well as performance scripts, designs for puppet characters, instructions for creating a shadow screen, and easy directions for performance. Another section then considers the practical, pedagogical, and ethical issues that arise in the teaching of this art.
Download or read book Panggung Inu written by Ghulam Sarwar Yousof and published by . This book was released on 2004 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mak Yong written by Ghulam Sarwar Yousof and published by . This book was released on 2019 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Encyclopedia of Malaysia Performing arts written by and published by . This book was released on 1998 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bangsawan written by Sooi Beng Tan and published by Oxford University Press, USA. This book was released on 1993 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bangsawan - the first popular urban commercial theatre in Malaysia - merged in the late nineteenth century as an adaptation of the Parsi theatre of India which toured Malaya. The first indigenous theatre in Malaya to be modelled along Western lines, bangsawan engendered the development of the first Malay orchestra and the first Malay popular music in the country. This book traces the stylistic changes in bangsawan from the late nineteenth century to the 1980s and links these changes to the socio-political transformations in Malaysian society. A product of a period characterized by rapid and radical social changes occurring as a result of British intervention, bangsawan of the early twentieth century was heterogeneous, innovative, and constantly adapting to new situations and new audiences. Its conventions of plot structure, character types, costumes, speech, and stage setting corresponded with the new 'structure of feeling' in the society of that time. After a decline in the 1940s and 1950s caused by social hardships and uncertainties in the wake of World War II and the immediate post-war and Emergency periods, bangsawan was revived in the 1970s. However, this revival - spearheaded by the government and government institutions - has resulted in bangsawan being reshaped, Malayized for new national purposes, and projected as traditional theatre. This book is written in terms of a relatively recent trend in ethnomusicology which emphasizes diachronic analyses. The author is an ethnomusicologist at the Arts Centre, Universiti Sains Malaysia.
Download or read book Shadow Play written by Mohd. Azmi Ibrahim and published by . This book was released on 2008 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leather shadow puppet of Malay.
Download or read book Traditional Theatre in Southeast Asia written by Soo Pong Chua and published by . This book was released on 1995 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dictionary of Traditional South East Asian Theatre written by Ghulam Sarwar Yousof and published by Oxford University Press, USA. This book was released on 1994 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive guide to traditional theatre terminology used in the countries of South-East Asia, including descriptions of characters, physical stages, performance techniques, rituals, costumes, masks and puppetry
Download or read book Makyung written by A.S. Hardy Shafii and published by . This book was released on 2015 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Staging Nation written by Jacqueline Lo and published by Hong Kong University Press. This book was released on 2004-09-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Nation examines the complex relationship between the theatrical stage and the wider stage of nation building in postcolonial Malaysia and Singapore. In less than fifty years, locally written and produced English language theatre has managed to shrug off its colonial shackles to become an important site of community expression. This groundbreaking comparative study discusses the role of creative writing and the act of performance as actual political acts and as interventions in national self-constructions. It argues that certain forms of theatre can be read as emerging oppositional cultures that contribute towards the deepening of democracy by offering contending narratives of the nation. Jacqueline Lo is Senior Lecturer at the School of Humanities, Australian National University. She has published widely on postcolonial theory, performance studies and Asian-Australian cultural politics. She is the editor of Theatre in Southeast Asia, and co-editor of Diaspora: Negotiating Asian-Australia.
