Download or read book Toward Science in Aesthetics written by Thomas Munro and published by . This book was released on 1956 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Towards Science in Aesthetics Selected Essays written by Thomas Munro and published by . This book was released on 1956 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Towards Science in Aesthetics Selected Essays With Illustrations and Musical Notes written by Thomas Munro (Curator of Education at the Cleveland Museum of Art.) and published by . This book was released on 1956 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Aesthetic Science written by Arthur P. Shimamura and published by OUP USA. This book was released on 2012-01-02 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do we do when we view a work of art? What does it mean to have an 'aesthetic' experience? Are such experiences purely in the eye of the beholder? This book addresses the nature of aesthetic experience from the perspectives of philosophy psychology and neuroscience.
Download or read book Toward Science in Aesthetics written by Thomas Munro and published by Literary Licensing, LLC. This book was released on 2011-10-01 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Culture Language and Personality written by Edward Sapir and published by Univ of California Press. This book was released on 1985 with total page 638 pages. Available in PDF, EPUB and Kindle. Book excerpt: "For sheer brilliance Edward Sapir is unsurpassed by any American anthropologist, living or dead."—Cylde Kluckhohn, Harvard University
Download or read book Truth and Beauty written by S. Chandrasekhar and published by University of Chicago Press. This book was released on 2013-11-15 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: "What a splendid book! Reading it is a joy, and for me, at least, continuing reading it became compulsive. . . . Chandrasekhar is a distinguished astrophysicist and every one of the lectures bears the hallmark of all his work: precision, thoroughness, lucidity."—Sir Hermann Bondi, Nature The late S. Chandrasekhar was best known for his discovery of the upper limit to the mass of a white dwarf star, for which he received the Nobel Prize in Physics in 1983. He was the author of many books, including The Mathematical Theory of Black Holes and, most recently, Newton's Principia for the Common Reader.
Download or read book The Utopian Function of Art and Literature written by Ernst Bloch and published by MIT Press. This book was released on 1989-03-06 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays in aesthetics by the philosopher Ernst Bloch that belong to the tradition of cultural criticism represented by Georg Lukács, Theodor Adorno, and Walter Benjamin. The aesthetic essays of the philosopher Ernst Bloch (1885–1977) belong to the rich tradition of cultural criticism represented by Georg Lukács, Theodor Adorno, and Walter Benjamin. Bloch was a significant creative source for these thinkers, and his impact is nowhere more evident than in writings on art. Bloch was fascinated with art as a reflection of both social realities and human dreams. Whether he is discussing architecture or detective novels, the theme that drives his work is always the same—the striving for "something better," for a "homeland" that is more socially aware, more humane, more just. The book opens with an illuminating discussion between Bloch and Adorno on the meaning of utopia; then follow twelve essays written between 1930 and 1973 on topics such as aesthetic theory, genres such as music, painting, theater, film, opera, poetry, and the novel, and perhaps most important, popular culture in the form of fairy tales, detective stories, and dime novels. The MIT Press has previously published Ernst Bloch's Natural Law and Human Dignity and his magnum opus, The Principle of Hope. The Utopian Function of Art and Literature is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.
Download or read book The Aesthetic Point of View written by Monroe C. Beardsley and published by . This book was released on 1982 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Aesthetics and the Theory of Criticism written by Arnold Isenberg and published by University of Chicago Press. This book was released on 1988-03-25 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: "These sixteen essays by Arnold Isenberg "bring wide-ranging connoiseurship, intricate analysis, and epigrammatic literacy to bear on a number of glib and fuzzy oppositions between form and content, description and interpretation, perception and meaning, technique and substance, and belief and expression, articulating provocative strategies for illuminating the canon of the arts and the organ of criticism. . . . Any thoughtful lover of the arts could read this book with profit and inspiration."—Choice
Download or read book The Aesthetic Point of View written by Monroe C. Beardsley and published by . This book was released on 1982 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays explore the philosophy of art, the definition of a work of art, the aims of art criticism, and the nature of creativity
Download or read book A Search for Structure written by Cyril Stanley Smith and published by Mit Press. This book was released on 1983-01 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: &"As an old admirer of Cyril Smith, I'm delighted to learn that a collection of his essays on the arts will be published. They are a unique body of work which only he could have produced.&" &-Meyer Schapiro Science, art, and history all share common or analogous patterns of hierarchical order that are embedded into the structure of the material world as well. This is a central insight of these essays by a generalist who has also spent a lifetime working in his specialty, the nature of materials. To Cyril Stanley Smith, the transformation of metals from one state to another, or the contrasts at one level that merge through repetition into uniformity at a higher level, carries solid metaphorical implications for the human condition. Cyril Stanley Smith's own expansion of outlook to encompass successively technology, science, history, and art is loosely implicit in the chronological ordering of the fourteen essays included in this volume and explicitly developed in one of them that &"comes as close to an autobiography as I am ever likely to write&" and traces the evolution of Smith's ideas on science and art. Trained as an industrial metallurgist, Smith turned to the purely scientific study of the structure of metals and alloys after his experience at Los Alamos during World War II, drawn in part by his delight in the intrinsic beauty of these structural manifestations of symmetry and natural design. A growing interest in the history of the science and technology of materials led him to consult the artifactual evidence&-the art objects in museums that either greatly predate written historical records or provide, through scientific examination, more reliable information than do the surviving documents of their period. This direct contact with fine or formal art only reinforced Smith's intuition that the aesthetic impulse is at play over the full range of human activity, whether it leads to the making of a bronze sculpture, a scientific theory, or a social reorganization. A variety of investigations of art objects is cited in the text, and the author regards the accompanying illustrations to be as important as the text. In particular, the essays make the case that historically many advances and discoveries regarding metals and ceramics came about through aesthetic curiosity and the desire to improve works of fine and decorative art, rather than through scientific investigation or in response to the need for products having practical utility. Many techniques and even whole industries, Smith writes, began with the making and reproduction of art works. Other essays deal with the emerging understanding of the remarkable properties of steel, the positive uses of corrosion, ancient casting and molding techniques, and the connection between attempts to reproduce oriental porcelain in Europe and modern geological ideas. Still others are more philosophical in approach.
Download or read book Film Art and the Third Culture written by Murray Smith and published by Oxford University Press. This book was released on 2017-03-24 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever. Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. Smith then goes on to focus on the role of emotion in film and the other arts, as an extended experiment in the 'third cultural' integration of ideas on emotion spanning the arts, humanities and sciences. While acknowledging that not all of the questions we ask are scientific in nature, Smith contends that we cannot disregard the insights wrought by taking a naturalized approach to the aesthetics of film and the other arts.
Download or read book The Reach of the Aesthetic written by Ronald W. Hepburn and published by Routledge. This book was released on 2019-05-29 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2001. This book focuses on the rich web of interrelations between aesthetic and wider human concerns. Among topics explored are concepts of truth and falsity (within art and aesthetic experience generally), superficiality and depth in aesthetic appreciation of nature, moral beauty and ugliness, the projects of integrating a life, of fashioning a life as a work of art, experiments in the aesthetic re-working of the 'sacred', the role of imagination within religion and in our attempts to place and identify ourselves within the cosmos. The essays are both interlinked and distinct, allowing them to be read in any order, and providing useful themes for discussion groups and seminars. The author aims to arouse in the reader something of his enjoyment in unravelling the connections of ideas that come into view when one approaches aesthetics in its widest setting.
Download or read book Phenomenology 2005 Volume 1 Selected Essays from Asia part 2 written by Cheung, Chan-fai and published by Zeta Books. This book was released on 2007-01-01 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Spirit of Beauty written by Henry Webster Parker and published by . This book was released on 1888 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Elusive Synthesis Aesthetics and Science written by A.I. Tauber and published by Springer Science & Business Media. This book was released on 1996-10-31 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: The tension between art and science may be traced back to the Greeks. What became "natural philosophy" and later "science" has traditionally been posed as a fundamental alternative to poetry and art. It is a theme that has commanded central attention in Western thought, as it captures the ancient conflict of Apollo and Dionysus over what deserves to order our thought and serve as the aspiration of our cultural efforts. The modern schi sm between art and science was again clearly articulated in the Romantic period and seemingly grew to a crescendo fifty years aga as a result of the debate concerning atomic power. The discussion has not abated in the physical sciences, and in fact has dramatically expanded most prominently into the domains of ecology and medicine. Issues concerning the role of science in modern society, although heavily political, must be regarded at heart as deeply embedded in our cultural values. Although each generation addresses them anew, the philosophical problems which lay at the foundation of these fundamental concerns always appear fresh and difficult. This anthology of original essays considers how science might have a greater commonality with art than was perhaps realized in a more positivist era. The contributors are concerned with how the aesthetic participates in science, both as a factor in constructing theory and influencing practice. The collec tion is thus no less than a spectrum of how Beauty and Science might be regarded through the same prism.
