Download or read book Tonality and Atonality in Sixteenth Century Music written by Edward Elias Lowinsky and published by Univ of California Press. This book was released on with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tonality and Atonality in Sixteenth Century Music written by Edward E. Lowinsky and published by Univ of California Press. This book was released on 2023-11-10 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tonality and Atonality In written by Edward E. Lowinsky and published by . This book was released on 2003-01-01 with total page 101 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tonal Structures in Early Music written by Cristle Collins Judd and published by Routledge. This book was released on 2014-04-23 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discussion of tonal structure has been one of the most problematic and controversial aspects of modern study of Medieval and Renaissance polyphony. These new essays written specifically for this volume consider the issue from historical, analytical, theoretical, perceptual and cultural perspectives.
Download or read book Composition Chromaticism and the Developmental Process written by Henry Burnett and published by . This book was released on 2016-11-15 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: 5 Tonality and Systems in the Mid- to Late-Eighteenth Century: The Classical Ideal -- I. The Development of the Early Symphony: Vivaldi and the Ripieno Concerto, G.B. Sammartini -- II. Viennese Symphonists of the Mid-Eighteenth Century: G.C. Wagenseil and G.M. Monn -- III. Joseph Haydn and the Sonata Form: Definitions and Compositional Design Elements -- IV. Joseph Haydn and the Developmental Process: Selected Compositions -- V. Alternative Design Elements in Sonata-Form Movements: J.C. Bach and W.A. Mozart -- 6 Nineteenth-Century Approaches to Eleven-Pitch-Class Systems Derived from the Viennese Classical Tradition -- I. Beethoven, Sonata Form, the Minor Mode, and Chromatic Development at the Beginning of the Nineteenth Century -- II. Eleven-Pitch-Class Systems in the Music of Nineteenth-Century Romantic Composers: Mode Mixture and System Shifts as Pre-Compositional Determinants in Schubert's String Quintet in C major op. 163 -- 7 Eleven-Pitch-Class Systems in the Music of Mid-to Late-Nineteenth-Century Romantic Composers -- I. Felix Mendelssohn: Piano Trio in D minor op. 49, First Movement -- II. Robert Schumann: Piano Quintet in E♭ op. 44, First Movement -- III. Johannes Brahms: The Sextets, op. 18 in B♭ and op. 36 in G -- IV. Pyotr Il'yich Chaikovsky: Symphony no. 4 in F minor op. 36, First Movement -- 8 The Romantic Avant Garde and the Rumblings of Modernism -- I. Liszt and Debussy: The Romantic. Avant Garde and its Manifestation in Impressionism -- II. Debussy and Chromaticism at the Turn of the Century -- III. Chopin and Debussy Revisit J.S. Bach -- IV. Schoenberg and the Expressionist Movement -- Bibliography -- Index
Download or read book Studies on the Origin of Harmonic Tonality written by Carl Dahlhaus and published by Princeton University Press. This book was released on 2014-07-14 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in the late Middle Ages and Renaissance. Numerous quotations from theoretical treatises document how early music was driven forward not by progressions of chords but by simple progressions of intervals. Exactly when did composers transform intervallic composition into chordal composition? Modality into tonality? Dahlhaus provides extensive analyses of motets by Josquin, frottole by Cara and Tromboncino, and madrigals by Monteverdi to demonstrate how, and to what degree, such questions can be answered. In his bold speculations, in his magisterial summaries, in his command of eight centuries of music and writings on music, and in his deep understanding of European history and culture, Carl Dahlhaus sets a standard that will seldom be equalled. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Hearing the Motet written by Dolores Pesce and published by Oxford University Press. This book was released on 1998-12-10 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing as well a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture--a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes vital reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods. Contributors include Rebecca A. Baltzer, Margaret Bent, M. Jennifer Bloxam, David Crook, James Haar, Paula Higgins, Joseph Kerman, Patrick Macey, Craig Monson, Robert Nosow, Jessie Ann Owens, Dolores Pesce, Joshua Rifkin, Anne Walters Robertson, Richard Sherr, and Rob C. Wegman.
Download or read book The Harvard Dictionary of Music written by Don Michael Randel and published by Harvard University Press. This book was released on 2014-03-05 with total page 1008 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music.
Download or read book Hearing Homophony written by Megan Kaes Long and published by Oxford University Press. This book was released on 2020-04-28 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The question of tonality's origins in music's pitch content has long vexed many scholars of music theory. However, tonality is not ultimately defined by pitch alone, but rather by pitch's interaction with elements like rhythm, meter, phrase structure, and form. Hearing Homophony investigates the elusive early history of tonality by examining a constellation of late-Renaissance popular songs which flourished throughout Western Europe at the turn of the seventeenth century. Megan Kaes Long argues that it is in these songs, rather than in more ambitious secular and sacred works, that the foundations of eighteenth century style are found. Arguing that tonality emerges from features of modal counterpoint - in particular, the rhythmic, phrase structural, and formal processes that govern it - and drawing on the arguments of theorists such as Dahlhaus, Powers, and Barnett, she asserts that modality and tonality are different in kind and not mutually exclusive. Using several hundred homophonic partsongs from Italy, Germany, England, and France, Long addresses a historical question of critical importance to music theory, musicology, and music performance. Hearing Homophony presents not only a new model of tonality's origins, but also a more comprehensive understanding of what tonality is, providing novel insight into the challenging world of seventeenth-century music.
Download or read book Spanish Cathedral Music in the Golden Age written by Robert Stevenson and published by Univ of California Press. This book was released on with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reader s Guide to Music written by Murray Steib and published by Routledge. This book was released on 2013-12-02 with total page 928 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Download or read book Histories and Narratives of Music Analysis written by Milena Medić and published by Cambridge Scholars Publishing. This book was released on 2013-11-26 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers a cross section of current directions in the broad field of music analysis as practiced by a transnational community of scholars. Music analysis is presented as a vibrant multi-faceted field of research which constantly re-examines its own postulates, while also establishing dialogues with a large number of other disciplines.
Download or read book Counterpoint and Compositional Process in the Time of Dufay written by Kevin N. Moll and published by Routledge. This book was released on 2014-04-08 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music. Despite the considerable potential these ideas hold for analysis and criticism of early music, they have hitherto exerted little influence outside their countries of origin. In order to render this valuable literature more immediately accessible to English-speaking students and scholars, this book presents translations of twelve seminal articles that originally appeared during the years 1948-1967, along with a comprehensive introductory chapter detailing the evolution of competing theories and terminology.
Download or read book Cantus Firmus in Mass and Motet 1420 1520 written by Edgar H. Sparks and published by Univ of California Press. This book was released on 1963 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tonal Space in the Music of Antonio Vivaldi written by Bella Brover-Lubovsky and published by Indiana University Press. This book was released on 2008-06-25 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
Download or read book Mannerism in Italian Music and Culture 1530 1630 written by Maria Rika Maniates and published by Manchester University Press. This book was released on 1979 with total page 714 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Stories of Tonality in the Age of Fran ois Joseph F tis written by Thomas Christensen and published by University of Chicago Press. This book was released on 2019-06-14 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
