Download or read book Thoscanello de la Musica written by Pietro Aaron and published by . This book was released on with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Thoscanello de la Musica written by Pietro Aaron and published by . This book was released on 1523 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Thoscanello de la Musica written by Pietro Aaron and published by . This book was released on 1969 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Pierre de la Rue and Musical Life at the Habsburg Burgundian Court written by Honey Meconi and published by Oxford University Press, USA. This book was released on 2003 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.
Download or read book The Performance of 16th Century Music written by Anne Smith and published by Oxford University Press. This book was released on 2011-03-30 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes readers through the significance of part-book notation; solmization; rhythmic flexibility; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest, most glorious potential.
Download or read book Interpreting Historical Keyboard Music written by Andrew Woolley and published by Routledge. This book was released on 2016-05-23 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Download or read book From Ciconia to Sweelinck written by and published by BRILL. This book was released on 2022-05-20 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Manual of Musical Instrument Conservation written by Stewart Pollens and published by Cambridge University Press. This book was released on 2015-07-09 with total page 829 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to combine museum-based conservation techniques with practical instructions on the maintenance, repair, adjustment, and tuning of virtually every type of historical musical instrument. As one of the world's leading conservators of musical instruments, Stewart Pollens gives practical advice on the handling, storage, display and use of historic musical instruments in museums and other settings, and provides technical information on such wide-ranging subjects as acoustics, cleaning, climate control, corrosion, disinfestation, conservation ethics, historic stringing practice, measurement and historic metrology, retouching, tuning historic temperaments, varnish and writing reports. There are informative essays on the conservation of each of the major musical instrument groups, the treatment of paper, textiles, wood and metal, as well as historic techniques of wood and metalworking as they apply to musical instrument making and repair. This is a practical guide that includes equations, formulas, tables and step-by-step instructions.
Download or read book The Emotional Power of Music written by Tom Cochrane and published by OUP Oxford. This book was released on 2013-07-18 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: How can an abstract sequence of sounds so intensely express emotional states? How does music elicit or arouse our emotions? What happens at the physiological and neural level when we listen to music? How do composers and performers practically manage the expressive powers of music? How have societies sought to harness the powers of music for social or therapeutic purposes? In the past ten years, research into the topic of music and emotion has flourished. In addition, the relationship between the two has become of interest to a broad range of disciplines in both the sciences and humanities. The Emotional Power of Music is a multidisciplinary volume exploring the relationship between music and emotion. Bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers, the volume presents both theoretical perspectives and in-depth explorations of particular musical works, as well as first-hand reports from music performers and composers. In the first section of the book, the authors consider the expression of emotion within music, through both performance and composing. The second section explores how music can stimulate the emotions, considering the psychological and neurological mechanisms that underlie music listening. The third section explores how different societes have sought to manage and manipulate the power of music. The book is valuable for those in the fields of music psychology and music education, as well as philosophy and musicology
Download or read book An Illustrated Catalogue of Books Printed During the Fifteenth and Sixteenth Centuries written by Bernard Quaritch (Firm) and published by . This book was released on 1908 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Interpreting Historical Keyboard Music written by Dr Andrew Woolley and published by Ashgate Publishing, Ltd.. This book was released on 2013-12-28 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ‘workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Download or read book Book prices Current written by John Herbert Slater and published by . This book was released on 1909 with total page 1092 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Book prices Current written by and published by . This book was released on 1909 with total page 1084 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music in Print and Beyond written by Craig A. Monson and published by Boydell & Brewer. This book was released on 2013 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fresh and innovative takes on the dissemination of music in manuscript, print, and, now, electronic formats, revealing how the world has experienced music from the sixteenth century to the present. This collection of essays examines the diverse ways in which music and ideas about music have been disseminated in print and other media from the sixteenth century onward. Contributors look afresh at unfamiliar facets of the sixteenth-century book trade and the circulation of manuscript and printed music in the seventeenth to nineteenth centuries. They also analyze and critique new media forms, showing how a dizzying array of changing technologies has influenced what we hear, whom we hear, and how we hear. The repertoires considered include Western art music -- from medieval to contemporary -- as well as popular music and jazz. Assembling contributions from experts in a wide range of fields, such as musicology, music theory, music history, and jazz and popular music studies, Music in Print and Beyond: Hildegard von Bingen to The Beatles sets new standards for the discussion of music's place in Western cultural life. Contributors: Joseph Auner, Bonnie J. Blackburn, Gabriela Cruz, Bonnie Gordon, Ellen T. Harris, Lewis Lockwood, Paul S. Machlin, Roberta Montemorra Marvin, Honey Meconi, Craig A. Monson, Kate van Orden, Sousan L. Youens. Roberta Montemorra Marvin teaches at the University of Iowa and is the author of Verdi the Student -- Verdi the Teacher (Istituto Nazionale di Studi Verdiani, 2010) and editor of The Cambridge Verdi Encyclopedia (Cambridge University Press, 2013). Craig A. Monson is Professor of Musicology at Washington University (St Louis, Missouri) and is the author of Divas in the Convent: Nuns, Music, and Defiance in Seventeenth-Century Italy (University of Chicago Press, 2012).
Download or read book Music and the Renaissance written by Philippe Vendrix and published by Routledge. This book was released on 2017-07-05 with total page 609 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume unites a collection of articles which illustrate brilliantly the complexity of European cultural history in the Renaissance. On the one hand, scholars of this period were inspired by classical narratives on the sublime effects of music and, on the other hand, were affected by the profound religious upheavals which destroyed the unity of Western Christianity and, in so doing, opened up new avenues in the world of music. These articles offer as broad a vision as possible of the ways of thinking about music which developed in the fifteenth and sixteenth centuries.
Download or read book Early Music History written by Iain Fenlon and published by Cambridge University Press. This book was released on 2009-03-19 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume one include: A lost guide to Tinctoris's teachings recovered; two English motets on Simon de Montfort; the Mary Magdalene scene in the Visitatio sepulchri ceremonies; and European politics and the distribution of music in the early fifteenth century.
Download or read book Music History During the Renaissance Period 1520 1550 written by Blanche M. Gangwere and published by Bloomsbury Publishing USA. This book was released on 2004-10-30 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.
