Download or read book Thomas of Woodstock Or Richard the Second Part One written by Peter Corbin and published by Manchester University Press. This book was released on 2002 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: The series of plays by Shakespeare's contemporaries continues with a text contained in a well known collection of 15 manuscript play-books, apparently assembled by the actor William Cartwright, who became a bookseller and collector of plays during the Civil War. The worn condition and marginal notes of the manuscript confirm it as a bookkeeper's copy; it contains valuable information about production. A lengthy introduction, annotations and glosses, precursor texts, and a discussion of casting and doubling for performance support the edition. Distributed in the US by Palgrave. Annotation copyrighted by Book News, Inc., Portland, OR.
Download or read book The Tragedy of Richard II Part One written by William Shakespeare and published by . This book was released on 2006 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a new, three-volume (4 book) edition of an anonymous Elizabethan history play that has intrigued Shakespeare scholars for more than a century. Using modern computer softwares to degrain and magnify the text, Egan resolves many of the transcription difficulties presented by the handwritten manuscript to produce the most authoritative edition available.
Download or read book The Tragedy of King Richard II Part One written by Michael Egan and published by Createspace Independent Publishing Platform. This book was released on 2017-02-28 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Also known as Thomas of Woodstock, this unique edition is the only one based on a computerized analysis of the anonymous, hand-written MS in the British Library. Designed for actors and directors, but including scholarly notes and a comparative review of the MS's 13 earlier editions, the meticulously edited text concludes with a 'conjectural emendation' in the Elizabethan manner winding up the story. Is it by Shakespeare? This long-forgotten masterpiece completes the 'Hollow Crown' cycle filling in the narrative between Edward III and Shakespeare's Richard II, which begins immediately after its dramatic depiction of King Richard's first deposition and restoration in December, 1387.
Download or read book Shakespeare s Stage Traffic written by Janet Clare and published by Cambridge University Press. This book was released on 2014-01-09 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception.
Download or read book This England That Shakespeare written by Margaret Tudeau-Clayton and published by Routledge. This book was released on 2016-02-17 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is Shakespeare English, British, neither or both? Addressing from various angles the relation of the figure of the national poet/dramatist to constructions of England and Englishness this collection of essays probes the complex issues raised by this question, first through explorations of his plays, principally though not exclusively the histories (Part One), then through discussion of a range of subsequent appropriations and reorientations of Shakespeare and 'his' England (Part Two). If Shakespeare has been taken to stand for Britain as well as England, as if the two were interchangeable, this double identity has come under increasing strain with the break-up - or shake-up - of Britain through devolution and the end of Empire. Essays in Part One examine how the fissure between English and British identities is probed in Shakespeare's own work, which straddles a vital juncture when an England newly independent from Rome was negotiating its place as part of an emerging British state and empire. Essays in Part Two then explore the vexed relations of 'Shakespeare' to constructions of authorial identity as well as national, class, gender and ethnic identities. At this crucial historical moment, between the restless interrogations of the tercentenary celebrations of the Union of Scotland and England in 2007 and the quatercentenary celebrations of the death of the bard in 2016, amid an increasing clamour for a separate English parliament, when the end of Britain is being foretold and when flags and feelings are running high, this collection has a topicality that makes it of interest not only to students and scholars of Shakespeare studies and Renaissance literature, but to readers inside and outside the academy interested in the drama of national identities in a time of transition.
Download or read book The Apocryphal William Shakespeare written by Sabrina Feldman and published by Dog Ear Publishing. This book was released on 2011-10 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sabrina Feldman manages the Planetary Science Instrument Development Office at the NASA Jet Propulsion Laboratory. Born and raised in Riverside, California, she attended college and graduate school at the University of California at Berkeley, where she enjoyed the wonderful performances of the Berkeley Shakespeare Company, studied Shakespeare's works for a semester with Professor Stephen Booth, and received a Ph.D. in experimental physics in 1996. She has worked on many different instrument development projects for NASA, and is the former deputy director of JPL's Center for Life Detection. Her scientific training, combined with a lifelong love of literature and all things Shakespearean, gives her a unique perspective on the Shakespeare authorship mystery. Dr. Feldman lives in Pasadena, California with her husband and two children. This is her first book. If William Shakespeare wrote the Bard's works... Who wrote the Shakespeare Apocrypha? During his lifetime and for many years afterwards, William Shakespeare was credited with writing not only the Bard's canonical works, but also a series of 'apocryphal' Shakespeare plays. Stylistic threads linking these lesser works suggest they shared a common author or co-author who wrote in a coarse, breezy style, and created very funny clown scenes. He was also prone to pilfering lines from other dramatists, consistent with Robert Greene's 1592 attack on William Shakespeare as an "upstart crow." The anomalous existence of two bodies of work exhibiting distinct poetic voices printed under one man's name suggests a fascinating possibility. Could William Shakespeare have written the apocryphal plays while serving as a front man for the 'poet in purple robes, ' a hidden court poet who was much admired by a literary coterie in the 1590s? And could the 'poet in purple robes' have been the great poet and statesman Thomas Sackville (1536-1608), a previously overlooked authorship candidate who is an excellent fit to the Shakespearean glass slipper? Both of these scenarios are well supported by literary and historical records, many of which have not been previously considered in the context of the Shakespeare authorship debate.
Download or read book Renaissance Drama written by Arthur F. Kinney and published by John Wiley & Sons. This book was released on 2022-08-15 with total page 1172 pages. Available in PDF, EPUB and Kindle. Book excerpt: RENAISSANCE DRAMA Experience the best and most noteworthy works of Renaissance drama This Third Edition of Renaissance Drama: An Anthology of Plays and Entertainments is the latest installment of a groundbreaking collection of non-Shakespearean Renaissance drama. Covering not only the popular drama of the period, Renaissance Drama includes masques, Lord Mayor shows, royal performances, and the popular mystery plays of the time. The selections fairly represent the variety and quality of Renaissance drama and they include works of scholarly and literary interest. Each work included in this edition comes with an insightful and illuminating introduction that places the piece in its historical and cultural context, with accompanying text explaining the significance of each piece and the ways in which it interacts with other works. New to this edition are: The famous entertainment for Elizabeth at Kenilworth George Peele’s remarkably inventive The Old Wives’ Tale The oft-forgotten history of Thomas of Woodstock, predecessor to Shakespeare’s Richard II John Lyly’s Gallathea, a work which explores gender and love, written for the Children’s Company at Saint Paul’s Ben Johnson’s Volpone and the controversial Epicoene Perfect for scholars, teachers, and readers of the English Renaissance, Renaissance Drama: An Anthology of Plays and Entertainments belongs on the bookshelves of anyone with even a passing interest in the drama of its time.
Download or read book Renaissance Drama written by Sandra Clark and published by Polity. This book was released on 2007-11-19 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work provides a comprehensive overview of one of the richest periods of theatre history - the drama of early modern England.
Download or read book From Playtext to Performance on the Early Modern Stage written by Leslie Thomson and published by Taylor & Francis. This book was released on 2022-07-15 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions. This study encourages a new recognition and treatment of certain aspects of the plays as evidence – and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.
Download or read book The Horse in Early Modern English Culture written by Kevin De Ornellas and published by Rowman & Littlefield. This book was released on 2013-11-18 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kevin De Ornellas argues that in Renaissance England the relationship between horse and rider works as an unambiguous symbol of domination by the strong over the weak. There was little sentimental concern for animal welfare, leading to the routine abuse of the material animal. This unproblematic, practical exploitation of the horse led to the currency of the horse/rider relationship as a trope or symbol of exploitation in the literature of the period. Engaging with fiction, plays, poems, and non-fictional prose works of late Tudor and early Stuart England, De Ornellas demonstrates that the horse—a bridled, unwilling slave—becomes a yardstick against which the oppression of England’s poor, women, increasingly uninfluential clergyman, and deluded gamblers is measured. The status of the bitted, harnessed horse was a low one in early modern England—to be compared to such a beast is a demonstration of inferiority and subjugation. To think anything else is to be naïve about the realities of horse management in the period and is to be naïve about the realities of the exploitation of horses and other mammals in the present-day world.
Download or read book Shakespeare s Imaginary Constitution written by Paul Raffield and published by Bloomsbury Publishing. This book was released on 2010-10-28 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an examination of six plays by Shakespeare, the author presents an innovative analysis of political developments in the last decade of Elizabethan rule and their representation in poetic drama of the period. The playhouses of London in the 1590s provided a distinctive forum for discourse and dissemination of nascent political ideas. Shakespeare exploited the unique capacity of theatre to humanise contemporary debate concerning the powers of the crown and the extent to which these were limited by law. The autonomous subject of law is represented in the plays considered here as a sentient political being whose natural rights and liberties found an analogue in the narratives of common law, as recorded in juristic texts and law reports of the early modern era. Each chapter reflects a particular aspect of constitutional development in the late-Elizabethan state. These include abuse of the royal prerogative by the crown and its agents; the emergence of a politicised middle class citizenry, empowered by the ascendancy of contract law; the limitations imposed by the courts on the lawful extent of divinely ordained kingship; the natural and rational authority of unwritten lex terrae; the poetic imagination of the judiciary and its role in shaping the constitution; and the fusion of temporal and spiritual jurisdiction in the person of the monarch. The book advances original insights into the complex and agonistic relationship between theatre, politics, and law. The plays discussed offer persuasive images both of the crown's absolutist tendencies and of alternative polities predicated upon classical and humanist principles of justice, equity, and community. 'It is now canon in progressive U.S. legal scholarship that to focus solely on the text of our Constitution is myopic. We look as well for "constitutional moments", moments when the zeitgeist is so transformed that our fundamental legal charter changes with it. In this breathtakingly erudite book, Paul Raffield argues that the late-Elizabethan period was such a "constitutional moment" in England, a moment literally "played out" for the polity by the greatest dramatist of all time. A lawyer and a thespian, Raffield handles both legal and literary sources with exquisite care. As with the works of the Old Masters, one dwells pleasurably on each detail until their cumulative force presses one backward to see the canvas in its sudden, glorious entirety. A major achievement.' Kenji Yoshino Chief Justice Earl Warren Professor of Constitutional Law, NYU School of Law
Download or read book Shakespeare s Hybrid Faith written by J. Mayer and published by Springer. This book was released on 2006-08-04 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book throws new light on the issue of the dramatist's religious orientation by dismissing sectarian and one-sided theories, tackling the problem from the angle of the variegated Elizabethan context recently uncovered by modern historians and theatre scholars. It is argued that faith was a quest rather than a quiet certainty for the playwright.
Download or read book Costuming the Shakespearean Stage written by Dr Robert I Lublin and published by Ashgate Publishing, Ltd.. This book was released on 2013-05-28 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although scholars have long considered the material conditions surrounding the production of early modern drama, until now, no book-length examination has sought to explain what was worn on the period's stages and, more importantly, how articles of apparel were understood when seen by contemporary audiences. Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes conveyed. Four of the chapters of Costuming the Shakespearean Stage address 'categories of seeing': visually based semiotic systems according to which costumes constructed and conveyed information on the early modern stage. The four categories include gender, social station, nationality, and religion. The fifth chapter examines one play, Thomas Middleton's A Game at Chess, to show how costumes signified across the categories of seeing to establish a play's distinctive semiotics and visual aesthetic.
Download or read book Richard II A Critical Reader written by Michael Davies and published by Bloomsbury Publishing. This book was released on 2020-09-17 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Contributions from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making these books ideal companions for study and research. Key features include: Essays on the play's critical and performance histories A keynote chapter reviewing current research and recent criticism of the play A selection of new essays by leading scholars A survey of learning and teaching resources for both instructors and students This volume offers a thought-provoking guide to Shakespeare's Richard II, surveying its critical heritage and the ways in which scholars, critics, and historians have approached the play, from the 17th to the 21st century. It provides a detailed, up-to-date account of the play's rich performance history on stage and screen, looking closely at some major British productions, as well as a guide to learning and teaching resources and how these might be integrated into effective pedagogic strategies in the classroom. Presenting four new critical essays, this collection opens up fresh perspectives on this much-studied drama, including explorations of: the play's profound preoccupation with earth, ground and land; Shakespeare's engagement with early modern sermon culture, 'mockery' and religion; a complex network of intertextual and cultural references activated by Richard's famous address to the looking-glass; and the long-overlooked importance to this profoundly philosophical drama of that most material of things: money.
Download or read book The Art of Law in Shakespeare written by Paul Raffield and published by Bloomsbury Publishing. This book was released on 2017-02-09 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an examination of five plays by Shakespeare, Paul Raffield analyses the contiguous development of common law and poetic drama during the first decade of Jacobean rule. The broad premise of The Art of Law in Shakespeare is that the 'artificial reason' of law was a complex art form that shared the same rhetorical strategy as the plays of Shakespeare. Common law and Shakespearean drama of this period employed various aesthetic devices to capture the imagination and the emotional attachment of their respective audiences. Common law of the Jacobean era, as spoken in the law courts, learnt at the Inns of Court and recorded in the law reports, used imagery that would have been familiar to audiences of Shakespeare's plays. In its juridical form, English law was intrinsically dramatic, its adversarial mode of expression being founded on an agonistic model. Conversely, Shakespeare borrowed from the common law some of its most critical themes: justice, legitimacy, sovereignty, community, fairness, and (above all else) humanity. Each chapter investigates a particular aspect of the common law, seen through the lens of a specific play by Shakespeare. Topics include the unprecedented significance of rhetorical skills to the practice and learning of common law (Love's Labour's Lost); the early modern treason trial as exemplar of the theatre of law (Macbeth); the art of law as the legitimate distillation of the law of nature (The Winter's Tale); the efforts of common lawyers to create an image of nationhood from both classical and Judeo-Christian mythography (Cymbeline); and the theatrical device of the island as microcosm of the Jacobean state and the project of imperial expansion (The Tempest).
Download or read book Shakespeare s Englishes written by Margaret Tudeau-Clayton and published by Cambridge University Press. This book was released on 2020 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claims that Shakespeare resists an emergent, exclusionary post-reformation ideology of 'true' Englishness in his early plays.
Download or read book The Earl of Essex and Late Elizabethan Political Culture written by Alexandra Gajda and published by Oxford University Press. This book was released on 2012-03-15 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: In sixteenth-century England Robert Devereux, 2nd earl of Essex, enjoyed great domestic and international renown as a favourite of Elizabeth I. He was a soldier and a statesman of exceptionally powerful ambition. After his disastrous uprising in 1601 Essex fell from the heights of fame and favour, and ended his life as a traitor on the scaffold. This interdisciplinary account of the political culture of late Elizabethan England explores the ideological contexts of Essex's extraordinary career and fall from grace, and the intricate relationship between thought and action in Elizabethan England. By the late sixteenth century, fundamental political models and vocabularies that were employed to legitimise the Elizabethan polity were undermined by the strains of war, the ambivalence that many felt towards the church, continued uncertainty over the succession, and the perceived weaknesses of the rule of the aging Elizabeth. Essex's career and revolt threw all of these strains into relief. Alexandra Gajda examines the attitude of the earl and his followers to war, religion, the structures of the Elizabethan polity, and Essex's role within it. She also explores the classical and historical scholarship prized by Essex and his associates that gave shape and meaning to the earl's increasingly fractured relationship with the Queen and regime. She addresses contemporary responses to the earl, both positive and negative, and the earl's wider impact on political culture. Political and religious ideas in late sixteenth-century England had an important impact on political events in early modern England, and played a vital role in shaping the rise and fall of Essex's career.
