Download or read book Theater East and West written by Leonard Cabell Pronko and published by Univ of California Press. This book was released on 1967-01-01 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Peter Neil Isaacs collection.
Download or read book A History of Asian American Theatre written by Esther Kim Lee and published by Cambridge University Press. This book was released on 2006-10-12 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book surveys the history of Asian American theatre from 1965 to 2005.
Download or read book The Helsinki Process and East West Relations written by United States. Congress. Commission on Security and Cooperation in Europe and published by . This book was released on 1985 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Assassins written by Lorraine Kimsa Theatre for Young People Theatre Archives (University of Guelph) and published by . This book was released on 1993 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Helsinki Process and East West Relations written by and published by . This book was released on 1985 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theater in the Middle East written by Babak Rahimi and published by Anthem Press. This book was released on 2020-07-27 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance. What distinguishes this book from previous works is that it offers new analysis on a range of theatrical practices across a region, by and large, ignored for the history of its dramatic traditions and cultures, and it does so by emphasizing diverse performances in changing contexts. Topics include Arab, Iranian, Israeli, diasporic theatres from pedagogical perspectives to reinvention of traditions, from translation practices to political resistance expressed in various performances from the nineteenth century to the present.
Download or read book Center for Cultural and Technical Interchange Between East and West East West Center written by United States. Congress. House. Committee on Foreign Affairs and published by . This book was released on 1962 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines programs of the Center for Cultural and Technical Interchange Between East and West established in 1960 at the University of Hawaii with a State Dept grant-in-aid. Includes memo on East-West Center team visit during Oct.-Dec. 1960 to 19 countries in Asia and the Pacific to help plan programs, William Wachter et al. (p. 249-309). Dec. 13-14 hearings were held in Honolulu, Hawaii.
Download or read book The Chinese Lady written by Lloyd Suh and published by Dramatists Play Service, Inc.. This book was released on 2019 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.
Download or read book East West and Centre written by Michael Gott and published by Edinburgh University Press. This book was released on 2014-12-09 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Re-examines notions of East and West in contemporary European cinema. This book presents a comprehensive investigation of Central European cinema in the early 21st century.
Download or read book Stages of Evil written by Robert Lima and published by University Press of Kentucky. This book was released on 2005-01-01 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The evil that men do” has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. In Stages of Evil, Robert Lima explores the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. By examining examples of alchemy, astronomy, demonology, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo in prominent plays, Stages of Evil explores American and European perceptions of occultism from medieval times to the modern age.
Download or read book Modern Japanese Theatre and Performance written by David Jortner and published by Lexington Books. This book was released on 2007 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Japanese Theatre and Performance is a collection of sixteen essays on Japanese theatre, including historical overviews of twentieth century theatre, analyses of specific productions and individuals, and consideration of the intercultural nature of modern Japanese theatre. Also included is a new translation of a 'Superkyogen' play.
Download or read book New York s Yiddish Theater written by Edna Nahshon and published by Columbia University Press. This book was released on 2016-03-08 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage. Vividly illustrated and with essays from leading historians and critics, this book recounts the heyday of "Yiddish Broadway" and its vital contribution to American Jewish life and crossover to the broader American culture. These performances grappled with Jewish nationalism, labor relations, women's rights, religious observance, acculturation, and assimilation. They reflected a range of genres, from tear-jerkers to experimental theater. The artists who came of age in this world include Stella Adler, Eddie Cantor, Jerry Lewis, Sophie Tucker, Mel Brooks, and Joan Rivers. The story of New York's Yiddish theater is a tale of creativity and legacy and of immigrants who, in the process of becoming Americans, had an enormous impact on the country's cultural and artistic development.
Download or read book The New Yorker Theater and Other Scenes from a Life at the Movies written by Toby Talbot and published by Columbia University Press. This book was released on 2009-10-20 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work. In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order. Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad and often entertaining aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.
Download or read book Theatrical Worlds Beta Version written by Charles Mitchell and published by Orange Grove Texts Plus. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.
Download or read book Cultic Theatres and Ritual Drama written by Inge Nielsen and published by . This book was released on 2002 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: This well-illustrated book thoroughly investigates the relations between East and West in the Ancient world as seen through the lens of ancient religious practices. The author has concentrated on one aspect of the cult, the ritual drama, and its setting, the cultic theatre.The point of departure is the presence of a great amount of theatrical structures in the sanctuaries in Greece and Italy. Many of these structures were not proper theatres in the modern sense of the word, but rather primitive rows of seats, 'a place to watch from', which is in fact the original meaning of the word 'theatre'. These structures have never before been examined from a functional viewpoint, and the author proposes that their primary raison d'etre was the performance of ritual dramas at the great seasonal feasts. These non-literary dramas re-enacted the story or myth of the divinity, which in symbolic form treated the crises connected with precarious transitions during the agricultural year and human life in general.For various reasons, which she describes, the author points to the relative obscurity of this religious institution in the Greek and Roman world, and notes that as a result, it has received scant attention from scholars. In contrast, it is well known that ritual dramas had been performed in the distant past at the great seasonal feasts of the Orient, and the book includes an excellent overview of the development of this institution as well as the setting chosen for it in the Egyptian, Syrio-Phoenician and Anatolian cults, both in their homelands and in their new host countries in the West.This is a fascinating book for archaeologists and classicists, as well as for anthropologists andhistorians of religion, but it also gives food for thought for those who simply want to l
Download or read book The World of Theatre written by Ian Herbert and published by Routledge. This book was released on 2014-01-27 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: The World of Theatre is an on-the-spot account of current theatre activity across six continents. The year 2000 edition covers the three seasons from 1996-97 to 1998-99, in over sixty countries - more than ever before. The content of the book is as varied as the theatre scene it describes, from magisterial round-ups by leading critics in Europe (Peter Hepple of The Stage) and North America (Jim O'Quinn of American Theatre) to what are sometimes literally war-torn countries such as Iran or Sierra Leone.
