Download or read book New York s Yiddish Theater written by Edna Nahshon and published by Columbia University Press. This book was released on 2016-03-08 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage. Vividly illustrated and with essays from leading historians and critics, this book recounts the heyday of "Yiddish Broadway" and its vital contribution to American Jewish life and crossover to the broader American culture. These performances grappled with Jewish nationalism, labor relations, women's rights, religious observance, acculturation, and assimilation. They reflected a range of genres, from tear-jerkers to experimental theater. The artists who came of age in this world include Stella Adler, Eddie Cantor, Jerry Lewis, Sophie Tucker, Mel Brooks, and Joan Rivers. The story of New York's Yiddish theater is a tale of creativity and legacy and of immigrants who, in the process of becoming Americans, had an enormous impact on the country's cultural and artistic development.
Download or read book The Rise of the Modern Yiddish Theater written by Alyssa Quint and published by Indiana University Press. This book was released on 2019-01-24 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (né Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden’s work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that "breathed the European spirit into our old jargon." Quint uses Goldfaden’s theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden’s work on stage absorbed the theater into their everyday lives. Goldfaden’s theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia.
Download or read book The Yiddish Theatre in America written by David S. Lifson and published by New York : T. Yoseloff. This book was released on 1965 with total page 664 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bibliography: p. 626-647.
Download or read book Yiddish Theatre written by Author Joel Berkowitz and published by Liverpool University Press. This book was released on 2008-03-06 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays conveys a broad range of fundamental ideas about Yiddish theatre and its importance in Jewish life as a reflection of aesthetic, social, and political trends and concerns. The contributions cover such topics as the Yiddish repertoire, including the purimshpil and the relationship between Yiddish drama and the broader European dramatic tradition; the historiography of the Yiddish theatre; the role of music; censorship, both by governmental authorities and from within the Jewish community; and the politics of Yiddish theatre criticism. Taken as a whole, these essays make a significant contribution to our understanding of Jewish literature and culture in eastern Europe and the United States.
Download or read book Stardust Lost written by Stefan Kanfer and published by Vintage. This book was released on 2009-03-12 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Stardust Lost, Stefan Kanfer brings the colorful Yiddish stage roaring back to life. Born of ancient traditions stretching back to the drama of the Old Testament, the Yiddish theater was a vibrant part of the immigrant experience. Kanfer invokes the energy, belief, and pure chutzpah it took to establish and run the thriving, influential theaters. He reveals the nightly drama and comedy that played out behind the scenes as well as onstage, and introduces all the players—actors, divas, playwrights, directors, and producers—who made it possible. A richly evocative chronicle of its brief but dazzling existence in America, this is both an elegy for and a tribute to Yiddish theater—lost, but not forgotten.
Download or read book Inventing the Modern Yiddish Stage written by Joel Berkowitz and published by Wayne State University Press. This book was released on 2012 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collects leading scholars' insight on the plays, production, music, audiences, and political and aesthetic concerns of modern Yiddish theater. While Yiddish theater is best known as popular entertainment, it has been shaped by its creators' responses to changing social and political conditions. Inventing the Modern Yiddish Stage: Essays in Drama, Performance, and Show Business showcases the diversity of modern Yiddish theater by focusing on the relentless and far-ranging capacity of its performers, producers, critics, and audiences for self-invention. Editors Joel Berkowitz and Barbara Henry have assembled essays from leading scholars that trace the roots of modern Yiddish drama and performance in nineteenth-century Eastern Europe and span a century and a half and three continents, beyond the heyday of a Yiddish stage that was nearly eradicated by the Holocaust, to its post-war life in Western Europe and Israel. Each chapter takes its own distinct approach to its subject and is accompanied by an appendix consisting of primary material, much of it available in English translation for the first time, to enrich readers' appreciation of the issues explored and also to serve as supplementary classroom texts. Chapters explore Yiddish theater across a broad geographical span--from Poland and Russia to France, the United States, Argentina, and Israel and Palestine. Readers will spend time with notable individuals and troupes; meet creators, critics, and audiences; sample different dramatic genres; and learn about issues that preoccupied both artists and audiences. The final section presents an extensive bibliography of book-length works and scholarly articles on Yiddish drama and theater, the most comprehensive resource of its kind. Collectively these essays illuminate the modern Yiddish stage as a phenomenon that was constantly reinventing itself and simultaneously examining and questioning that very process. Scholars of Jewish performance and those interested in theater history will appreciate this wide-ranging volume.
Download or read book Messiahs of 1933 written by Joel Schechter and published by Temple University Press. This book was released on 2008-05-07 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively examination of Yiddish theatre during the Great Depression.
Download or read book Jewish Theatre written by Edna Nahshon and published by BRILL. This book was released on 2009 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: While a frequently used term, Jewish Theatre has become a contested concept that defies precise definition. Is it theatre by Jews? For Jews? About Jews? Though there are no easy answers for these questions, "Jewish Theatre: A Global View," contributes greatly to the conversation by offering an impressive collection of original essays written by an international cadre of noted scholars from Europe, the United States, and Israel. The essays discuss historical and current texts and performance practices, covering a wide gamut of genres and traditions.
Download or read book The American Scene written by Henry James and published by New York : Harper. This book was released on 1907 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Jewish King Lear written by Jacob Gordin and published by Yale University Press. This book was released on 2007-01-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Jewish King Lear, written by the Russian-Jewish writer Jacob Gordin, was first performed on the New York stage in 1892, during the height of a massive emigration of Jews from eastern Europe to America. This book presents the original play to the English-speaking reader for the first time in its history, along with substantive essays on the play’s literary and social context, Gordin’s life and influence on Yiddish theater, and the anomalous position of Yiddish culture vis-�-vis the treasures of the Western literary tradition. Gordin’s play was not a literal translation of Shakespeare’s play, but a modern evocation in which a Jewish merchant, rather than a king, plans to divide his fortune among his three daughters. Created to resonate with an audience of Jews making their way in America, Gordin’s King Lear reflects his confidence in rational secularism and ends on a note of joyful celebration.
Download or read book Yiddish Proletarian Theatre written by Edna Nahshon and published by Praeger. This book was released on 1998-08-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Artef (1925-1940) began as a radical Yiddish workers' theatre and developed into a major American Yiddish theatre company. It was among the acknowledged pillars of the Theatre of Social Consciousness, a movement that redefined the course for the American stage during the half century that followed. In the 1920s and 1930s, New York was widely recognized as the world capital of the Yiddish theatre. The Artef was a principal theatrical institution during this so-called Golden Era. Established in 1925 as a proletarian theatrical organization affiliated with the Jewish section of the American communist movement, the Artef was hailed by Brooks Atkinson as one of the artistic ornaments in town. In 1934 the Artef moved to Broadway, where it continued to perform until its demise in 1940. This work examines the history of Artef and analyzes the artistic, ideological, and organizational aspects of its work. The company's major productions are discussed, with a focus on the central issues raised by script, direction, and acting. The book attempts to demonstrate that radical politics often shaped and determined the evolution of the theatre, and that its artistic and organizational life must be seen within the context of the political and cultural movement of which it was a part. The work is divided into three major segments: Chapters I-IV discuss the ideological, social, and cultural forces that gave rise to the Artef, the crystallization of the organization, and the work of its acting studio, which in 1928 became the acting collective of the Artef; Chapters V-VIII cover the period of 1929-1934, the formative years of the Artef and their correspondence to communist Third Period doctrine; Chapters IX-XIII are devoted to the theatre's successful Broadway period, which paralleled the Communist Party's liberal Popular Front era. The last chapter discusses the efforts to revive the Artef, and its inevitable demise following the 1939 German-Russian Nonaggression Pact. This is a major work in Jewish Theatre Studies that will be of great use to scholars and other researchers involved with Jewish and Performance Theatre Studies as well as the history of the American Left.
Download or read book Yiddish Empire written by Debra Caplan and published by University of Michigan Press. This book was released on 2018-04-02 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Relates the untold story of a traveling Yiddish theater company and traces their far- reaching influence
Download or read book Vagabond Stars written by Nahma Sandrow and published by Syracuse University Press. This book was released on 1996-01-01 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proceedings of a May 1994 symposium held to present cutting edge multidisciplinary work on the characterization of ancient materials; the technologies of selection, production, and usage by which materials are transformed into the objects and artifacts we find today; the science underlying their deterioration, preservation, and conservation; and sociocultural interpretation derived from an empirical methodology of observation, measurement, and experimentation. Over 70 contributions discuss topics that include the visual appearance and the imitation of one material by another; stable protective coatings and materials stability; resource surveying, source characterization, and cultural implications; and process reconstruction as essential to understanding of condition and conservation. Annotation copyright by Book News, Inc., Portland, OR
Download or read book Chagall and the Artists of the Russian Jewish Theater written by Susan Tumarkin Goodman and published by . This book was released on 2008 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Soviet Jewish theater in a world of moral compromise / Susan Tumarkin Goodman -- The political context of Jewish theater and culture in the Soviet Union / Zvi Gitelman -- Habima and "Biblical theater" / Vladislav Ivanov -- Yiddish constructivism : the art of the Moscow State Yiddish Theater / Jeffrey Veidlinger -- Art and theater / Benjamin Harshav -- Habima and Goset : an illustrated chronicle
Download or read book The God of Vengeance written by Sholem Asch and published by DigiCat. This book was released on 2023-11-19 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a drama written in 1906 that uses subject matter that would have been considered scandalous in many circles of the time. The drama is Yiddish. It involves a loving lesbian relationship, women openly talking about domestic abuse, and a desire to escape arranged marriages, and prostitution. It was first performed in 1923. One scene involves a kiss between the two lesbians - the first ever on Broadway - whereupon the whole cast was arrested.
Download or read book The Garden of the Finzi Continis written by Giorgio Bassani and published by . This book was released on 1989 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book On Stage Off Stage written by Luba Kadison and published by Harvard University Press. This book was released on 1992 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: For more than half a century, Joseph Buloff was a dominant figure in the Yiddish theatre. In On Stage, Off Stage, his wife and partner, Luba Kadison Buloff, has written an account of their careers. Covering a 60 year period - from the early 1920s to the early 1980s - their story mirrors the history of the Yiddish theatre in the 20th century.
