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Book THE YANKEE FIGURE IN EARLY AMERICAN THEATRE PRIOR TO 1820

Download or read book THE YANKEE FIGURE IN EARLY AMERICAN THEATRE PRIOR TO 1820 written by CHARLES A. SCHULTZ and published by . This book was released on 1977 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Catalog of Copyright Entries  Third Series

Download or read book Catalog of Copyright Entries Third Series written by Library of Congress. Copyright Office and published by Copyright Office, Library of Congress. This book was released on 1973 with total page 1040 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Bibliographic Annual in Speech Communication

Download or read book Bibliographic Annual in Speech Communication written by and published by . This book was released on 1971 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Abstracts of Theses and Dissertations

Download or read book Abstracts of Theses and Dissertations written by Bowling Green State University and published by . This book was released on 1970 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Books and Pamphlets  Including Serials and Contributions to Periodicals

Download or read book Books and Pamphlets Including Serials and Contributions to Periodicals written by Library of Congress. Copyright Office and published by . This book was released on 1973 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book American and English Popular Entertainment

Download or read book American and English Popular Entertainment written by Don B. Wilmeth and published by Detroit : Gale Research Company. This book was released on 1980 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Cambridge History of American Theatre

Download or read book The Cambridge History of American Theatre written by Don B. Wilmeth and published by Cambridge University Press. This book was released on 1998-02-28 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.

Book Catalogue of Title entries of Books and Other Articles Entered in the Office of the Librarian of Congress  at Washington  Under the Copyright Law     Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office

Download or read book Catalogue of Title entries of Books and Other Articles Entered in the Office of the Librarian of Congress at Washington Under the Copyright Law Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office written by Library of Congress. Copyright Office and published by . This book was released on 1973 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Drama  Theatre  and Identity in the American New Republic

Download or read book Drama Theatre and Identity in the American New Republic written by Jeffrey H. Richards and published by Cambridge University Press. This book was released on 2005-10-27 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. In this 2005 book Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theatre is viewed by Richards as a transatlantic hybrid in which British theatrical traditions in writing and acting provide material and templates by which Americans see and express themselves and their relationship to others. Through intensive analyses of plays both inside and outside of the early American 'canon', this book confronts matters of political, ethnic and cultural identity by moving from play text to theatrical context and from historical event to audience demography.

Book Catalog of Copyright Entries  Fourth Series

Download or read book Catalog of Copyright Entries Fourth Series written by Library of Congress. Copyright Office and published by . This book was released on 1971 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book American Drama

    Book Details:
  • Author : Travis Bogard
  • Publisher : Routledge
  • Release : 1977
  • ISBN : 9780416130904
  • Pages : 408 pages

Download or read book American Drama written by Travis Bogard and published by Routledge. This book was released on 1977 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Yankee Theatre

    Book Details:
  • Author : Francis Hodge
  • Publisher : University of Texas Press
  • Release : 2014-04-15
  • ISBN : 0292761546
  • Pages : 373 pages

Download or read book Yankee Theatre written by Francis Hodge and published by University of Texas Press. This book was released on 2014-04-15 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.

Book REAL  Vol  1

Download or read book REAL Vol 1 written by Herbert Grabes and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-05-18 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: No detailed description available for "GRABES: REAL VOL. 1 REAL E-BOOK".

Book Comprehensive Dissertation Index  1861 1972  Author index

Download or read book Comprehensive Dissertation Index 1861 1972 Author index written by Xerox University Microfilms and published by . This book was released on 1973 with total page 1118 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Yankee Theatre

    Book Details:
  • Author : Francis Hodge
  • Publisher : University of Texas Press
  • Release : 1964-01-01
  • ISBN : 029276152X
  • Pages : 373 pages

Download or read book Yankee Theatre written by Francis Hodge and published by University of Texas Press. This book was released on 1964-01-01 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.

Book The New International Encyclopaedia

Download or read book The New International Encyclopaedia written by and published by . This book was released on 1905 with total page 962 pages. Available in PDF, EPUB and Kindle. Book excerpt: