Download or read book Piano and Radio Magazine written by and published by . This book was released on 1927 with total page 900 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Welte Mignon written by Charles Davis Smith and published by Automatic Musical Instrument Collectors' Association. This book was released on 1994 with total page 1000 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Moving Picture World written by and published by . This book was released on 1913 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Century written by and published by . This book was released on 1926 with total page 950 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Art World and Arts Decoration written by and published by . This book was released on 1910 with total page 708 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music Trade Indicator written by and published by . This book was released on 1928 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Program written by Detroit Symphony Orchestra and published by . This book was released on 1923 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Harper s New Monthly Magazine written by and published by . This book was released on 1925 with total page 946 pages. Available in PDF, EPUB and Kindle. Book excerpt: Important American periodical dating back to 1850.

Download or read book The World s Work written by and published by . This book was released on 1926 with total page 804 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Off the Record written by Neal Peres da Costa and published by Oxford University Press. This book was released on 2012-05-16 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Off the Record is a revealing exploration of piano performing practices of the high Romantic era. Author and well-known keyboard player Neal Peres Da Costa bases his investigation on a range of early sound recordings (acoustic, piano roll and electric) that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century. Placing general practices of late nineteenth-century piano performance alongside evidence of the stylistic idiosyncrasies of legendary pianists such as Carl Reinecke (1824-1910), Theodor Leschetizky (1830-1915), Camille Saint-Sa?ns (1838-1921) and Johannes Brahms (1833-1897), he examines prevalent techniques of the time--dislocation, unnotated arpeggiation, rhythmic alteration, tempo fluctuation--and unfolds the background and lineage of significant performer/pedagogues. Throughout, Peres Da Costa demonstrates that these early recordings do not simply capture the idiosyncrasies of aging musicians as has been commonly asserted, but in fact represent a range of established expressive practices of a lost age. An extensive collection of these fascinating and sometimes rare professional recordings of the Romantic age masters are available on a companion web site, and in addition, Peres Da Costa, himself a renowned period keyboardist, illustrates points made throughout the book with his own playing. Of essential value to student and professional pianists, historical musicologists of 19th and early 20th century performance practice, and also to the general music aficionado audience, Off the Record is an indispensable resource for scholarly research, performance inspiration, and listening enjoyment.

Download or read book The Presto Buyer s Guide to the American Pianos Player pianos and Organs written by and published by . This book was released on 1922 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Detroit Masonic News written by and published by . This book was released on 1922 with total page 834 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music in the World written by Timothy D. Taylor and published by University of Chicago Press. This book was released on 2017-04-11 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: In music studies, Timothy D. Taylor is known for his insightful essays on music, globalization, and capitalism. Music in the World is a collection of some of Taylor’s most recent writings—essays concerned with questions about music in capitalist cultures, covering a historical span that begins in the late nineteenth and early twentieth centuries and continues to the present. These essays look at shifts in the production, dissemination, advertising, and consumption of music from the industrial capitalism of the nineteenth century to the globalized neoliberal capitalism of the past few decades. In addition to chapters on music, capitalism, and globalization, Music in the World includes previously unpublished essays on the continuing utility of the concept of culture in the study of music, a historicization of treatments of affect, and an essay on value and music. Taken together, Taylor’s essays chart the changes in different kinds of music in twentieth- and twenty-first-century music and culture from a variety of theoretical perspectives.

Download or read book The Musical Blue Book of America written by and published by . This book was released on 1915 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Purchaser s Guide to the Music Industries written by and published by . This book was released on 1928 with total page 838 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Performing Style of Alexander Scriabin written by Anatole Leikin and published by Routledge. This book was released on 2016-02-24 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Alexander Nikolayevich Scriabin's music was performed during his lifetime, it always elicited ecstatic responses from the listeners. Wilhelm Gericke, conductor of the Vienna opera, rushed backstage after one of Scriabin's concerts and fell on his knees crying, 'It's genius, it's genius...'. After the composer’s death in 1915, however, his music steadily lost the captivating appeal it once held. The main reason for this drastic change in the listeners’ attitude is an enormous gap existing between the printed scores of Scriabin’s music and the way the composer himself played his works. Apparently, what Scriabin's audiences heard at the time was significantly different from, and vastly superior to, modern performances that are based primarily on published scores. Scriabin recorded nineteen of his compositions on the Hupfeld and Welte-Mignon reproducing pianos in 1908 and 1910, respectively. Full score transcriptions of the piano rolls, which are included in the book, provide many substantial features of Scriabin's performance: exact pitches and their timing against each other, rhythms, tempo fluctuations, articulation, dynamics and essential pedal application. Using these transcriptions and other historical documents as the groundwork for his research, Anatole Leikin explores Scriabin's performing style within the broader context of Romantic performance practice.

Download or read book The Gershwin Style written by Wayne Schneider and published by Oxford University Press. This book was released on 1999-01-21 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Even as orchestras, performers, enthusiasts, and critics across the nation--and across the globe--celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers. True, he is loved and revered for his wonderful popular songs, a few instrumental works, and the majestic opera Porgy and Bess. But most of his music is virtually unknown; hundreds of compositions, Broadway show tunes, and even several large and important instrumental works are gradually disappearing with the generations that first heard them. The Gershwin Style: New Looks at the Music of George Gershwin is a bold new work that stands in opposition to this disappearance. It is also a fresh collection of essays that promises to make a key contribution to American music research. Editor Wayne Schneider has corralled some of the leading authorities of Gershwin's efforts--renowned experts and authors who have researched his music for years if not decades--and sets their work alongside articles by scholars who come to Gershwin for the first time from backgrounds in American music or popular music in general. The notable contributors include Wayne D. Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse (who has transcribed nearly all of Gershwin's piano performances). No one who surveys the American musical landscape can doubt Gershwin's enduring popularity or profound influence, but his critical standing among today's serious music scholars is much less certain. As Schneider points out in his Introduction, there have been many biographies of Gershwin but comparatively few studies of his music in and of itself. Covering both the "popular" and "classical" extremes of Gershwin's output, as well as the many and subtle points in between, this book reevaluates the music of an American original from several enlightening perspectives. This is a book with much to offer any student or scholar of American music--while some essays explore new methods of measuring Gershwin's abilities as a composer, others draw on hitherto unavailable musical and archival sources to make arguments previously unthinkable. The essays gathered here, most of which were written especially for this volume, thus address a number of important research topics, among them biography, source studies, music analysis, performance practice, and questions of interpretation and reception. The contributions also reflect the wide diversity of contemporary thinking regarding the logic, legacy, and lure of Gershwin's music.