Download or read book The Visual Aesthetics of Baz Luhrmann s Red Curtain Cinema written by Anett Koch and published by GRIN Verlag. This book was released on 2014-06-18 with total page 93 pages. Available in PDF, EPUB and Kindle. Book excerpt: Master's Thesis from the year 2014 in the subject Communications - Movies and Television, grade: 1,3, University of Mannheim, language: English, abstract: By using music, dancing, colorful settings and costumes to accompany the dramatic story, Baz Luhrmann's films stimulate all senses and intensify the movie experience to a degree that makes viewers aware of the artificiality and artistry involved. So-called "Red Curtain" films keep the audience engaged at all times by using theatrical rather than naturalistic cinema devices. This approach of storytelling is a conscious choice that can be attributed to Luhrmann’s comprehensive experience in arts and media. Although he is best known for his visually and symbolically charged films, Luhrmann has also worked in theater and opera – both behind and on stage. In addition, he has produced music videos and worked in journalism and fashion. Thus, it is not surprising that all these experiences influence his current work. Luhrmann’s films are characterized by a theatric style that combines dancing and singing with rapid cuts and editing, giving the impression that one is participating in the live action rather than just sitting passively in the auditorium.
Download or read book Baz Luhrmann written by Pam Cook and published by Bloomsbury Publishing. This book was released on 2010-05-07 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first major book-length study of the work of Australian film-maker Baz Luhrmann, one of the most exciting and controversial personalities working in World Cinema today. Luhrmann's reputation as an innovator rests on the evidence of the three films known as the Red Curtain Trilogy: Strictly Ballroom (1992), William Shakespeare's Romeo + Juliet (1996) and Moulin Rouge! (2001), which together demonstrate the development of a highly distinctive style and brand. Pam Cook, who was given unprecedented access to the Luhrmann private archives, explores the genesis of the Red Curtain aesthetic, from Luhrmann's early experience in theatre and opera to his collaborative working methods and unique production set-up. Drawing on in-depth interviews with Luhrmann and his chief collaborator, designer Catherine Martin, she traces the roots of their work in an increasingly globalised Australian film culture, investigating the relationship of their company Bazmark to the Hollywood studio Twentieth Century-Fox, and the influences on their style and production methods. At the book's heart are substantial analyses of the spectacular Red Curtain films and the historical epic Australia (2008). This lively and original study of one of contemporary cinema's most fascinating figures will appeal to film scholars, cultural historians and Luhrmann enthusiasts alike.
Download or read book Baz Luhrmann written by Pam Cook and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first major book-length study of the work of Australian film-maker Baz Luhrmann, one of the most exciting and controversial personalities working in World Cinema today. Luhrmann's reputation as an innovator rests on the evidence of the three films known as the Red Curtain Trilogy: Strictly Ballroom (1992), William Shakespeare's Romeo + Juliet (1996) and Moulin Rouge! (2001), which together demonstrate the development of a highly distinctive style and brand. Pam Cook, who was given unprecedented access to the Luhrmann private archives, explores the genesis of the Red Curtain aesthetic, from Luhrmann's early experience in theatre and opera to his collaborative working methods and unique production set-up. Drawing on in-depth interviews with Luhrmann and his chief collaborator, designer Catherine Martin, she traces the roots of their work in an increasingly globalised Australian film culture, investigating the relationship of their company Bazmark to the Hollywood studio Twentieth Century-Fox, and the influences on their style and production methods. At the book's heart are substantial analyses of the spectacular Red Curtain films and the historical epic Australia (2008). This lively and original study of one of contemporary cinema's most fascinating figures will appeal to film scholars, cultural historians and Luhrmann enthusiasts alike.
Download or read book Baz Luhrmann written by Tom Ryan and published by Univ. Press of Mississippi. This book was released on 2014-11-05 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though he has made only five films in two decades—Strictly Ballroom, William Shakespeare’s Romeo + Juliet, and the Oscar-nominated films Moulin Rouge!, Australia, and The Great Gatsby—Australian writer-director Baz Luhrmann is an internationally known brand name. His name has even entered the English language as a verb, as in “to Baz things up,” meaning “to decorate them with an exuberant flourish.” Celebrated by some, loathed by others, his work is underscored by what has been described as “an aesthetic of artifice” and is notable for both its glittering surfaces and recurring concerns. In this collection of interviews, Luhrmann discusses his methods and his motives, explaining what has been important to him and his collaborators from the start and how he has been able to maintain an independence from the studios that have backed his films. He also speaks about his other artistic endeavors, including stage productions of La Bohème and A Midsummer Night’s Dream, and his wife and collaborative partner Catherine Martin, who has received two Academy Awards for her work with Luhrmann.
Download or read book The Oxford Handbook of Dance and the Popular Screen written by Melissa Blanco Borelli and published by Oxford University Press. This book was released on 2014-07-01 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Dance and the Popular Screen sets the agenda for the study of dance in popular moving images - films, television shows, commercials, music videos, and YouTube - and offers new ways to understand the multi-layered meanings of the dancing body by engaging with methodologies from critical dance studies, performance studies, and film/media analysis. Through thorough engagement with these approaches, the chapters demonstrate how dance on the popular screen might be read and considered through bodies and choreographies in moving media. Questions the contributors consider include: How do dance and choreography function within the filmic apparatus? What types of bodies are associated with specific dances and how does this affect how dance(s) is/are perceived in the everyday? How do the dancing bodies on screen negotiate power, access, and agency? How are multiple choreographies of identity (e.g., race, class, gender, sexuality, and nation) set in motion through the narrative, dancing bodies, and/or dance style? What types of corporeal labors (dance training, choreographic skill, rehearsal, the constructed notion of "natural talent") are represented or ignored? What role does a specific film have in the genealogy of Hollywood dance film? How does the Hollywood dance film inform how dance operates in making cultural meanings? Whether looking at Bill "Bojangles" Robinson's tap steps in Stormy Weather, or Baby's leap into Johnny Castle's arms in Dirty Dancing, or even Neo's backwards bend in The Matrix, the book's arguments offer powerful new scholarship on dance in the popular screen.
Download or read book The Cinema Book written by Bloomsbury Publishing and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cinema Book is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of exciting new sections and in-depth case studies. Sections address Hollywood and other World cinema histories, key genres in both fiction and non-fiction film, issues such as stars, technology and authorship, and major theoretical approaches to understanding film.
Download or read book Romeo and Juliet written by William Shakespeare and published by Cambridge University Press. This book was released on 2023-06-29 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: For this updated critical edition of Romeo and Juliet, Hester Lees-Jeffries has written a completely new introduction. It draws on recent research in theatre to set Romeo and Juliet in its mid-1590s context, making connections with other plays by Shakespeare and other literature of the period, as well as with the social and cultural contexts of the day, with discussions of London and Italy, dancing and duelling, marriage, gender and sexuality. It includes detailed discussion of the play in performance from the Restoration to the present day, with a particular focus on film (including global cinema), music and dance, and also explores other adaptations and afterlives, including young-adult fiction. The edition retains the commentary and Textual Analysis of the previous editor, G. Blakemore Evans; the Textual Analysis is prefaced with a short note contextualising its conclusions in the light of more recent research.
Download or read book Light Moving in Time written by William Charles Wees and published by . This book was released on 1992 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the proposition that the images of cinema and vision derive from the same basic elements--light, movement, and time--Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores. Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art. To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the proposition that the images of cinema and vision derive from the same basic elements--light, movement, and time--Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores. Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art.
Download or read book Postmodern and Oriental Elements in Moulin Rouge Film Analysis written by Sylvia Krenn and published by Diplomarbeiten Agentur. This book was released on 2012-03 with total page 117 pages. Available in PDF, EPUB and Kindle. Book excerpt: Die Arbeit analysiert Baz Luhrmanns Film ?Moulin Rouge!? (2001) vor dem Hintergrund postmoderner und orientalischer Stilmittel in Literatur und Film. Moulin Rouge! ist nach Strictly Ballroom (1992) und William Shakespeare?s Romeo and Juliet (1996) das letzte Werk in Luhrmanns ?Red Curtain Trilogy?. Charakterisierend fr diese Art des Filmschaffens ist, dass der Fokus auf der Art der Erz„hlung bzw. der Erz„hlform liegt, und nicht prim„r auf ihrem Inhalt. Moulin Rouge! verknpft Elemente des amerikanischen Musicals der 40er und 50er Jahre mit europ„ischen Charthits der 1990er und Erz„hltechniken aus Bollywood Filmen. Dabei spielt er mit postmodernen und poststrukturalistischen Ph„nomenen wie Intertextualit„t, mehreren Erz„hlebenen sowie der Selbstreflexivit„t der Figuren als auch der Geschichte. Der Film ist laut, bunt und hektisch. Kitsch oder Kunst oder beides - das bleibt eine Frage des Geschmacks.
Download or read book Aesthetics of Film written by Jacques Aumont and published by . This book was released on 1992-07 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The chapters include "Film as Audiovisual Representation," "Montage," "Cinema and Narration," "Cinema and Language," and "Film and Its Spectator." With numerous references to specific films and many black-and-white stills, the book will be useful for both beginning film students and advanced scholars who need a summary of the major stages in the development of film theory and aesthetics."--BOOK JACKET. "Beyond its obvious appeal to cinema students, Aesthetics of Film also raises theoretical, critical, and historical issues of interest to everyone working in the larger field of cultural studies. These issues include the ideological dimensions of visual representation, problems in narrative theory, concepts applicable to linguistic and textual analysis, and issues surrounding the audience."--BOOK JACKET.
Download or read book Baz Luhrmann s Romeo and Juliet A postmodern Elizabethan interpretation written by Vera Henne and published by GRIN Verlag. This book was released on 2016-09-30 with total page 7 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2015 in the subject Communications - Movies and Television, grade: 1,0, University of Brighton, language: English, abstract: Baz Luhrmann’s "William Shakespeare’s Romeo + Juliet" (1996) retells the famous story of Romeo and Juliet who fall in love but cannot be together due to their families’ old feud. In many English literature lessons this film adaptation is popular to familiarize people with William Shakespeare’s plays and language. Due to the juxtaposition of Shakespeare’s words, fast colourful pictures and teenage stars such as Leonardo DiCaprio and Claire Danes the director Baz Luhrmann claims this adaptation to be an “Elizabethan interpretation of Shakespeare”. Adapted to the modern Zeitgeist Luhrmann staged a combination of an updated version of the classic in a multimedia time and preserved traditional essential elements such as the language and main themes. The adaptation lets the cast speak the Shakespeare’s original text and combines it with fast modern video art. The combination of the Elizabethan English language and the recontextualisation of the classic love story with news, TV, swords as guns, advertisements, and ecstasy led Jane Maslin, a reviewer form the NY Times, to remark “[t]his is headache Shakespeare, but there's method to its madness“. The adaptation is widely recognized to be postmodern. This does not seem to coincide with Luhrmann’s aspiration of an “Elizabethan adaptation” of the classic dramatic love story. So the question arises: Can a postmodern interpretation be an “Elizabethan interpretation” at the same time?
Download or read book The Media Swirl written by Carol Vernallis and published by Duke University Press. This book was released on 2023-02-20 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: From fan-generated content on TikTok to music videos, the contemporary media landscape is becoming ever more vast, spectacular, and intense. In The Media Swirl Carol Vernallis examines short-form audiovisual media—Beyoncé’s Lemonade, brief sequences from Baz Luhrmann’s The Great Gatsby, TikTok challenges, YouTube mashups, commercials, and many other examples—to offer ways of understanding digital media. She analyzes music videos by Beyoncé, Lady Gaga, Janelle Monáe, Kendrick Lamar, Anderson .Paak, and others to outline how sound and image enhance each other and shape a viewer’s mood. Responding to today’s political-media landscape through discussions of Fox News and Presidential inaugurations, Vernallis shows how a media literacy that exceeds newscasts and campaign advertising is central to engaging with the democratic commons. Forays into industry studies, neuroscience, and ethics also inform her readings. By creating our own content and knowing what corporations, the wealthy, and the government do through media, Vernallis contends, we can create a more just world.
Download or read book Shakespeare s Romeo and Juliet in the movies Comparing Franco Zeffirelli s 1968 and Baz Luhrman s 1996 film versions written by Bodo Heil and published by GRIN Verlag. This book was released on 2004-04-20 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examination Thesis from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 1,3 (A), University of Trier (English Department Trier), language: English, abstract: The paper is organised in three main parts, theoretics, application and evaluation. The first part will deal with issues necessary to fully apprehend Shakespearean moviemaking. I will examine the history of it and explain what made the two films discussed herein possible and what eventually led to them. Furthermore, I will depict the two directors’ different backgrounds and how they lead on to their individual styles. I will consider some other films that have paved the way for Zeffirelli and Luhrmann. A chapter is dedicated to the filmic realisation, which will consider the cuts, rearrangements and general approach of the films and their directors. These issues will be confirmed by the secondary literature used herein. The second part will apply these issues to single and in my opinion particularly revealing film-scenes, which will be examined to perceive Zeffirelli’s and Luhrmann’s access to the characters, early and latter scientific reception and how Zeffirelli’s approach might differ due to the times his motion picture was made in and how both may or may not have succeeded in mirroring its times. The second part will thus rely on my interpretation and less on secondary literature. The third part will try to bring these perceptions to a conclusive evaluation. These are subjective and thus liable to objection. They cannot be universally valid, but since I am dealing with art, nothing is. Luhrmann was obviously firmly affected by Zeffirelli’s work, and moreover used it as a guiding line for his film, which gives rise to the question, if he was merely an epigone, or maybe rather struck by Zeffirelli’s scenic ideas as being plausible and practical. This is a question which I shall seek to respond to, if I cannot answer it, in the progress of this paper. Furthermore, I will try to point out Morris’s2 dictum, that Shakespeare movies are an art form and a genre in their own right and should not be confused with or compared to a theatrical production of Shakespeare, but have an aesthetic language of their own. [...] 2 Morris, Peter. Shakespeare On Film. Canadian Film Institute/Institut canadien du film. Ottawa: 1972
Download or read book Modular Narratives in Contemporary Cinema written by A. Cameron and published by Springer. This book was released on 2008-07-11 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the early 1990s there has been a trend towards narrative complexity within popular cinema. This book examines a number of contemporary films that play overtly with narrative structure, raising questions of chance and destiny, memory and history, simultaneity and the representation of time.
Download or read book Directing written by Michael Rabiger and published by Taylor & Francis. This book was released on 2013-04-02 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt: Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking.
Download or read book West German Film in the Course of Time written by Eric Rentschler and published by . This book was released on 1984 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Indefinite Visions written by Beugnet Martine Beugnet and published by Edinburgh University Press. This book was released on 2017-07-07 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the camera can record better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base.
