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Book The Use of Chaos in the Composition of The Music of the Spheres and Other Works

Download or read book The Use of Chaos in the Composition of The Music of the Spheres and Other Works written by David Lloyd Ozab and published by . This book was released on 1995 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Masters Abstracts International

Download or read book Masters Abstracts International written by and published by . This book was released on 1996 with total page 1000 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Unended Quest

    Book Details:
  • Author : Karl Popper
  • Publisher : Routledge
  • Release : 2005-09-29
  • ISBN : 1134449712
  • Pages : 344 pages

Download or read book Unended Quest written by Karl Popper and published by Routledge. This book was released on 2005-09-29 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the age of eight, Karl Popper was puzzling over the idea of infinity and by fifteen was beginning to take a keen interest in his father's well-stocked library of books. Unended Quest recounts these moments and many others in the life of one of the most influential thinkers of the twentieth century, providing an indispensable account of the ideas that influenced him most. As an introduction to Popper's philosophy, Unended Quest also shines. Popper lucidly explains the central ideas in his work, making this book ideal for anyone coming to Popper's life and work for the first time.

Book Putting Modernism Together

    Book Details:
  • Author : Daniel Albright
  • Publisher : JHU Press
  • Release : 2015-06-10
  • ISBN : 1421416433
  • Pages : 341 pages

Download or read book Putting Modernism Together written by Daniel Albright and published by JHU Press. This book was released on 2015-06-10 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: A powerful introduction to modernism and the creative arts it inspired. How do you rationally connect the diverse literature, music, and painting of an age? Throughout the modernist era—which began roughly in 1872 with the Franco-Prussian War, climaxed with the Great War, and ended with a third catastrophe, the Great Depression—there was a special belligerence to this question. It was a cultural period that envisioned many different models of itself: to the Cubists, it looked like a vast jigsaw puzzle; to the Expressionists, it resembled a convulsive body; to the Dadaists, it brought to mind a heap of junk following an explosion. In Putting Modernism Together, Daniel Albright searches for the center of the modernist movement by assessing these various artistic models, exploring how they generated a stunning range of creative work that was nonetheless wound together aesthetically, and sorting out the cultural assumptions that made each philosophical system attractive. Emerging from Albright's lectures for a popular Harvard University course of the same name, the book investigates different methodologies for comparing the evolution and congruence of artistic movements by studying simultaneous developments that occurred during particularly key modernist years. What does it mean, Albright asks, that Joseph Conrad's Heart of Darkness, published in 1899, appeared at the same time as Claude Debussy's Nocturnes—beyond the fact that the word "Impressionist" has been used to describe each work? Why, in 1912, did the composer Arnold Schoenberg and the painter Vassily Kandinsky feel such striking artistic kinship? And how can we make sense of a movement, fragmented by isms, that looked for value in all sorts of under- or ill-valued places, including evil (Baudelaire), dung heaps (Chekhov), noise (Russolo), obscenity (Lawrence), and triviality (Satie)? Throughout Putting Modernism Together, Albright argues that human culture can best be understood as a growth-pattern or ramifying of artistic, intellectual, and political action. Going beyond merely explaining how the artists in these genres achieved their peculiar effects, he presents challenging new analyses of telling craft details which help students and scholars come to know more fully this bold age of aesthetic extremism.

Book Sagetrieb

Download or read book Sagetrieb written by and published by . This book was released on 1992 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Music and Text

    Book Details:
  • Author : Steven Paul Scher
  • Publisher : Cambridge University Press
  • Release : 1992-02-28
  • ISBN : 0521401585
  • Pages : 349 pages

Download or read book Music and Text written by Steven Paul Scher and published by Cambridge University Press. This book was released on 1992-02-28 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: The semiotic elements of a multiplanar discourse : John Harbison's setting of Michael Fried's "depths" / Claudia Stanger -- Whose life? : the gendered self in Schumann's Frauenliebe songs / Ruth A. Solie -- Operatic madness : a challenge to convention / Ellen Rosand -- Commentary : form, reference, and ideology in musical discourse / Hayden White.

Book Music and Modern Art

    Book Details:
  • Author : James Leggio
  • Publisher : Routledge
  • Release : 2014-07-16
  • ISBN : 1135669627
  • Pages : 271 pages

Download or read book Music and Modern Art written by James Leggio and published by Routledge. This book was released on 2014-07-16 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor.

Book The Works of the British Poets

Download or read book The Works of the British Poets written by Robert Anderson and published by . This book was released on 1795 with total page 1056 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Works of the British Poets  The poetical works of Edward Young  L L D

Download or read book The Works of the British Poets The poetical works of Edward Young L L D written by Robert Anderson and published by . This book was released on 1794 with total page 1040 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Modern  Genius  Madness  and One Tumultuous Decade That Changed Art Forever

Download or read book Modern Genius Madness and One Tumultuous Decade That Changed Art Forever written by Philip Hook and published by The Experiment, LLC. This book was released on 2022-04-19 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: A revelatory, fast-paced account of the most exciting, frenzied, and revolutionary decade in art history—1905 to the dawn of World War I in 1914—and the avant-garde artists who indelibly changed our visual landscape Modern begins on a specific day—March 22, 1905—at a specific place: the Salon des Indépendants in Paris, where works of art we recognize as modern were first exhibited. Drawing on his forty five-year fine art career, author Philip Hook illuminates how this new art came to be—and how truly shocking it was. With Hook’s expert guidance, we witness movement upon movement that burst forth in dizzying succession: Fauvism, Expressionism, Primitivism, Symbolism, Cubism, Futurism, and Abstract art. As Hook barnstorms across Europe—to London, Germany, Moscow, Scandinavia, and everywhere modern art was being made—his vivid accounts breathe new life into the work and times of Picasso, Matisse, Modigliani, Kandinsky, Malevich, Klimt, Schiele, Munch, and nearly two hundred other artists who painted, sculpted, and exhibited alongside them, and whose collective genius was understood and appreciated by few at the time. Hook reconsiders the decade from a series of fresh angles: What was the conventional art against which Modernism sought to rebel? Why were avant-garde artists so self-obsessed? What persuaded a few bold collectors to buy difficult modern art? And why did others pay so much money for Old Masters at the same time? Modern helps us answer these questions and more—and to see how avant-garde artists marshaled their genius (and oftentimes their madness) to create works of such profound consequence, they still reverberate today—and which, taken together, made for a movement more influential than even the Renaissance.

Book Leonardo Music Journal

Download or read book Leonardo Music Journal written by and published by . This book was released on 1996 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Music of the Spheres

Download or read book The Music of the Spheres written by Elizabeth Redfern and published by Penguin. This book was released on 2010 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1795 London, Jonathan Absey of the Home Office pursues dual investigations into French espionage in Britain and the still unsolved murder of his teenage daughter, a pursuit that leads to a bizarre society of astronomers called the Company of Titius whose quest for a long-lost star leads ever closer to his own probe. A first novel. 75,000 first printing.

Book European Music  1520 1640

Download or read book European Music 1520 1640 written by James Haar and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").

Book Musical Times and Singing Class Circular

Download or read book Musical Times and Singing Class Circular written by and published by . This book was released on 1928 with total page 908 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Anton Bruckner and the Reception of His Music

Download or read book Anton Bruckner and the Reception of His Music written by Miguel J. Ramirez and published by Boydell & Brewer. This book was released on 2024 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner. Bruckner was, and continues to be, among the most divisive figures in the history of nineteenth-century music, in large part owing to the complexities and contradictions of his personality and the amalgam of differing stylistic features that characterize his musical language. Miguel J. Ramirez's insightful book scrutinizes the stereotypes about Bruckner's personality that loom large in the public imagination, the controversial editorial policies behind the publication of his collected works, and the trends in the reception of his music that were set early on by a handful of Viennese journalists. Working to undo the platitudes and prejudices that cloud our view of Bruckner's true personality and compositional habits, this study debunks the entrenched misconception that he was a helpless victim of "the Viennese press"-a notion contradicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.adicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.adicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.adicted by the pugnacious exchange in which pro- and anti-Bruckner critics invariably engaged after the premiere of each of his works. Ramirez demonstrates that, from the mid 1880s onward, only Eduard Hanslick, Max Kalbeck, and a few other critics persisted in their opposition to the Brucknerian symphonic oeuvre and that their caustic and denigrating reviews were vastly outnumbered by those of more appreciative critics who heard what performers and listeners cherish now: the music's coherence, grandeur, and emotional sweep.ence, grandeur, and emotional sweep.

Book Rethinking Reich

    Book Details:
  • Author : Sumanth Gopinath
  • Publisher : Oxford University Press
  • Release : 2019-04-12
  • ISBN : 0190945818
  • Pages : 417 pages

Download or read book Rethinking Reich written by Sumanth Gopinath and published by Oxford University Press. This book was released on 2019-04-12 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Described by music critic Alex Ross as "the most original musical thinker of our time" and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer. His music, however, remains largely underresearched. Rethinking Reich redresses this imbalance, providing a space for prominent and emerging scholars to reassess the composer's contribution to music in the twentieth century. Featuring fourteen tightly focused and multifarious essays on various aspects of Reich's work--ranging from analytical, aesthetic, and archival studies to sociocultural, philosophical, and ethnomusicological reflections--this edited volume reveals new insights, including those enabled by access to the growing Steve Reich Collection at the Paul Sacher Foundation archive, the premier institution for primary research on twentieth-century and contemporary classical music. This volume takes on the timely task of challenging the hegemony of Reich's own articulate and convincing discourses on his music, as found in his Writings on Music (OUP, 2002), and breaks new ground in the broader field of minimalism studies.