Download or read book The Theatre of Images written by Bonnie Marranca and published by . This book was released on 1996 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: The three plays collected in The Theatre of Images challenge the conventional understanding of performance. In Pandering to the Masses: A Misrepresentation, Richard Foreman, a philosopher as well as a playwright, creates a reality on stage that reflects his own reality - focusing on familiar, everyday events with the addition of recorded voice and projected image. A Letter for Queen Victoria, by Robert Wilson, is an opera without singers. Verbal declamations take the place of arias, creating a spectacle without narrative structure through tableaux and gesture. Represented in comic-book form, The Red Horse Animation demonstrates the play's reliance on cinematic techniques in its composition. It is what author Lee Breuer calls "caption literature", a radical alternative drama documenting the conception of dramatic work. With introductory essays by Bonnie Marranca, this reissue of The Theatre of Images brings back to print one of the most influential books on the American avant-garde in the last two decades.
Download or read book The Theatre of Robert Wilson written by Arthur Holmberg and published by Cambridge University Press. This book was released on 1996 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive study of the leading American avant-garde theatre director Robert Wilson.
Download or read book Fox Theatre written by Janice McDonald and published by Arcadia Publishing. This book was released on 2012 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: Even beyond Atlanta, this amazing, Moorish-style icon is known by most not by its legal name, the Fox Theatre, but as the "Fabulous Fox." Constructed in the late 1920s as a temple for the Yaarab Shrine, the imposing yellow-brick building was designed to "out Baghdad Baghdad" in its elaborate Middle Eastern appearance. But the onion-domed exterior with its faux prayer towers is nothing compared to the elaborate interior. Movie mogul William Fox leased the auditorium from the Shriners in 1929, transforming it into a movie palace like no other. The theater became a place of spectacular premieres and world-class performances until changing times threatened its very existence in the 1970s. The campaign to "Save the Fox" proved more dramatic than some of the performances that graced Fox's own stage. Today, the Fabulous Fox is one of Atlanta's best-known and most cherished landmarks.
Download or read book Images of the Greek Theatre written by Richard Green and published by . This book was released on 1995 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring themes of ancient life and culture. Format is accessile to general readers - students emphasis on archaeological evidence.
Download or read book Theatre Stage Photography written by William Kenyon and published by Taylor & Francis. This book was released on 2017-12-04 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documenting theatrical and stage events under the often dramatic lighting designed for the production provides a number of specific photographic challenges, and is unlike most every other branch of photography. Theatre & Stage Photography provides an overview of basic photography as it applies to "available-light" situations, and will move both basic and experienced photographers through the process of accurately capturing both the production process and the resultant performance. The book is accompanied by additional web content found at stagephoto.org, including tutorials, author blog, a photo gallery, and more resources.
Download or read book Pictures in the Air written by Stephen C. Baldwin and published by Gallaudet University Press. This book was released on 1993 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most of all, Pictures in the Air portrays the true, ongoing heritage of the National Theatre of the Deaf - the fine performers, directors, and playwrights that for the first time had a national stage of their own upon which to showcase their skills. This book shows that they have succeeded, in triumph after triumph, for the past quarter of a century.
Download or read book Theatre of the Unimpressed written by Jordan Tannahill and published by Coach House Books. This book was released on 2015-05-11 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)
Download or read book The Rainbow of Desire written by Augusto Boal and published by Routledge. This book was released on 2013-05-13 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rainbow of Desire is a handbook of exercises with a difference. It is Augusto Boal's bold and brilliant statement about the therapeutic ability of theatre to liberate individuals and change lives. Now translated into English and comprehensively updated from the French, Rainbow of Desire sets out the techniques which help us `see' for the first time the oppressions we have internalised. Boal, a Brazilian theatre director, writer and politician, has been confronting oppression in various forms for over thirty years. His belief that theatre is a means to create the future has inspired hundreds of groups all over the world to use his techniques in a multitude of settings. This, his latest work, includes such exercises as: * The Cops in the Head and their anti-bodies * The screen image * The image of the future we are afraid of * Image and counter-image ....and many more. Rainbow of Desire will make fascinating reading for those already familiar with Boal's work and is also completely accessible to anyone new to Theatre of the Oppressed techniques.
Download or read book The Illuminated Theatre written by Joe Kelleher and published by Routledge. This book was released on 2015-05-08 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: What sort of thing is a theatre image? How is it produced and consumed? Who is responsible for the images? Why do the images stay with us when the performance is over? How do we learn to speak of what we see and imagine? And how do we relate what we experience in the theatre to what we share with each other of the world? The Illuminated Theatre is a book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts. It is also a book about how European practitioners working across a range of forms, from theatre and performance to dance, opera, film and visual arts, use images to address the complexities of the times in which their work takes place. Through detailed and impassioned accounts of works by artists such as Dickie Beau, Wendy Houstoun, Alvis Hermanis and Romeo Castellucci, along with close readings of experimental theoretical and art writing from Gillian Rose to T.J. Clark and Marie-José Mondzain, the book outlines the historical, aesthetic and political dimensions of a contemporary ‘suffering of images.’
Download or read book Theatre as a Medium for Children and Young People Images and Observations written by Shifra Schonmann and published by Springer Science & Business Media. This book was released on 2006-07-10 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a journey into the dual territory of educational and theatrical settings. It advances the knowledge in these settings by touching upon provocative questions, by dealing with the limitations and challenging the new possibilities of theatre for young people. It is an attempt to bring intellectual rigor and some theoretical perspectives drawn from recent theatre and aesthetic theory to the field of theatre for young people.
Download or read book Games for Actors and Non Actors written by Augusto Boal and published by Routledge. This book was released on 2005-06-29 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Games for Actors and Non-Actors is the classic and best selling book by the founder of Theatre of the Oppressed, Augusto Boal. It sets out the principles and practice of Boal's revolutionary Method, showing how theatre can be used to transform and liberate everyone – actors and non-actors alike! This thoroughly updated and substantially revised second edition includes: two new essays by Boal on major recent projects in Brazil Boal's description of his work with the Royal Shakespeare Company a revised introduction and translator's preface a collection of photographs taken during Boal's workshops, commissioned for this edition new reflections on Forum Theatre.
Download or read book The Theatre of Tennessee Williams written by Tennessee Williams and published by New Directions Publishing. This book was released on 1971 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume III of the series includes Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), and Suddenly Last Summer (1958). The first, which won both the Pulitzer Prize and Drama Critics Award, has proved every bit as successful as William's earlier A Streetcar Named Desire. The other two plays, though different in kind, both have something of the quality of Greek tragedy in 20th-century settings, bringing about catharsis through ritual death.
Download or read book Yankee Theatre written by Francis Hodge and published by University of Texas Press. This book was released on 1964-01-01 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.
Download or read book The Theatre of Romeo Castellucci and Soc etas Raffaello Sanzio written by Dorota Semenowicz and published by Springer. This book was released on 2017-02-09 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on Romeo Castellucci’s theatrical project, exploring the ethical and aesthetic framework determined by his reflection on the nature of the image. But why does a director whose fundamental artistic tool is the image deny this key conceptual notion? Rooted in his conscious distancing from iconoclasm in the 1980s, Castellucci frequently replaces this notion with the words ‘symbol’, ‘form’ and ‘idea’. As the first publication on the international market which presents Castellucci’s work from both historical and theoretical perspectives, this book systematically confronts the director’s discourse with other concepts related to his artistic project. Capturing the evolution of his theatre from icon to iconoclasm, word to image and symbol to allegory, the book explores experimental notions of staging alongside an ‘emotional wave’, which serves as an animating principle of Castellucci’s revolutionary theatre.
Download or read book Lakewood Theatre written by Jenny Oby and published by Arcadia Publishing. This book was released on 2017-06-12 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning as a humble vaudeville hall in the Skowhegan-Madison trolley park, Lakewood Theatre has graced the southwestern shore of Lake Wesserunsett in Madison, Maine, since the turn of the 20th century. Under the masterful guidance of Herbert L. Swett, a Bangor native and Bowdoin graduate, Lakewood eventually developed into a nationally renowned playhouse that was called the "Broadway in Maine" by the New York Times in its heyday, from 1925 until World War II. In the years following the war, Lakewood was operated by Swett's heirs and became a virtual who's who of both Broadway and Hollywood, until it nearly went dark in the early 1980s. Operating today as a nonprofit community theater, Lakewood is the official state theater of Maine and the oldest continually running summer theater in the country.
Download or read book Acting Women written by Lesley Ferris and published by . This book was released on 1989 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre and War written by Nandita Dinesh and published by Open Book Publishers. This book was released on 2016-07-27 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nandita Dinesh places Kipling’s "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh’s personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to ‘doing’, without undervaluing the importance of ‘thinking about doing’. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry―Why, Where, Who, What, When―and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the ‘hows’ from the author’s own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre―practitioners, researchers, and students alike—as well as those seeking to understand the applications of the arts for ethics, politics, and education.
