Download or read book The Judaic Nature of Israeli Theatre written by Dan Urian and published by Routledge. This book was released on 2013-12-19 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthodox Judaism by secular individuals.
Download or read book The Arab in Israeli Drama and Theatre written by Dan Urian and published by Taylor & Francis. This book was released on 1997 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Author uses of extensive examples, showing how theatre, politics and personal perceptions intertwine, presenting us with a model for further discussion and study of similar social and artistic phenomena in other cultures.
Download or read book Israeli Theatre written by Naphtaly Shem-Tov and published by Routledge. This book was released on 2023-01-09 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book conceptualizes Mizrahi (Middle Eastern Jewish) theatre, unfolding its performances in the field of Israeli theatre with a critical gaze. It covers the conceptualization and typology, not along a chronological axis, but rather through seven theatrical forms. The author suggests a defi nition of Mizrahi theatre that has fl uid boundaries and it can encompass various possibilities for self-representation onstage. Although Mizrahi theatre began to develop in the 1970s, the years since the turn of the millennium have seen an intense flowering of theatrical works by second- and third-generation artists dealing with issues of identity and narrative in a diverse array of forms. Mizrahi theatre is a cultural locus of self-representation, generally created by Mizrahi artists who deal with content, social experiences, cultural, religious, and traditional foundations, and artistic languages derived from the history and social reality of Mizrahi Jews in both Israel and their Middle Eastern countries of origin. Critically surveying Mizrahi theatre in Israel, the book is a key resource for students and academics interested in theatre and performance studies, and Jewish and Israeli studies.
Download or read book The Hebrew Theatre written by Mendel Kohansky and published by Jerusalem : Israel Universities Press. This book was released on 1969 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Theatre in Israel written by Zara Shakow and published by New York : Herzl Press. This book was released on 1963 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: (A Seven star book).
Download or read book The Theater in Israel written by Zara Shakow and published by . This book was released on 2012-06-01 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theater in Israel written by Linda Ben-Zvi and published by University of Michigan Press. This book was released on 1996 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book-length investigation of theater and drama in Israel
Download or read book Jewish Theatre written by Edna Nahshon and published by BRILL. This book was released on 2009 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: While a frequently used term, Jewish Theatre has become a contested concept that defies precise definition. Is it theatre by Jews? For Jews? About Jews? Though there are no easy answers for these questions, "Jewish Theatre: A Global View," contributes greatly to the conversation by offering an impressive collection of original essays written by an international cadre of noted scholars from Europe, the United States, and Israel. The essays discuss historical and current texts and performance practices, covering a wide gamut of genres and traditions.
Download or read book Theatre in Israel written by Jesaja Weinberg and published by . This book was released on 1969 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Israeli Theatre written by Naphtaly Shem-Tov and published by Routledge. This book was released on 2021-05-26 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book conceptualizes Mizrahi (Middle Eastern Jewish) theatre, unfolding its performances in the field of Israeli theatre with a critical gaze. It covers the conceptualization and typology, not along a chronological axis, but rather through seven theatrical forms. The author suggests a defi nition of Mizrahi theatre that has fl uid boundaries and it can encompass various possibilities for self-representation onstage. Although Mizrahi theatre began to develop in the 1970s, the years since the turn of the millennium have seen an intense flowering of theatrical works by second- and third-generation artists dealing with issues of identity and narrative in a diverse array of forms. Mizrahi theatre is a cultural locus of self-representation, generally created by Mizrahi artists who deal with content, social experiences, cultural, religious, and traditional foundations, and artistic languages derived from the history and social reality of Mizrahi Jews in both Israel and their Middle Eastern countries of origin. Critically surveying Mizrahi theatre in Israel, the book is a key resource for students and academics interested in theatre and performance studies, and Jewish and Israeli studies.
Download or read book Gesher written by Olga Gershenson and published by Peter Lang. This book was released on 2005 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Gesher Theatre opened in 1990 as a marginal immigrant troupe in Tel Aviv, and soon became one of the most popular innovative theatres in Israel. It has now achieved international acclaim. However, because its bilingual performances and multicultural cast challenge cornerstones of Zionism, the mainstream Israeli media constantly debate Gesher's position. Gesher: Russian Theatre in Israel - A Study of Cultural Colonization discusses Gesher's history and analyzes its controversial media reception. What emerges is an extension of postcolonial theory to new cultural contexts, leading to a groundbreaking model of interethnic relations. This book will be of value to scholars of cultural studies and immigration, as well as to anyone interested in contemporary Israeli culture." --Book Jacket.
Download or read book Palestinians and Israelis in the Theatre written by Dan Urian and published by Routledge. This book was released on 2006-02 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Jewish-Israeli theatre is a complex and developed system in which the dispute with the Palestinians constitutes just one of the important components in its repertoire; while the Palestinian theatre, both within and outside of Israel, is being consolidated. This work brings together these two approaches by relating to the Palestinian theme as it appears in the Jewish-Israeli theatre and by attempting to characterize the Palestinian theatre in general.
Download or read book Yiddish in Israel written by Rachel Rojanski and published by Indiana University Press. This book was released on 2020-01-07 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Yiddish in Israel: A History challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.
Download or read book Between Jerusalem and Athens written by Nurit Yaari and published by Oxford University Press, USA. This book was released on 2018 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first in-depth study of the reception of ancient Greek drama in Israeli theatre over the last 70 years offers ground-breaking analysis of a wide range of translations, adaptations, and new writing, and how performances of these works were created and staged at key points in the development of Israeli culture.
Download or read book The Arab in Israeli Drama and Theatre written by Dan Urian and published by Routledge. This book was released on 2013-09-13 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is Israeli theatre? Is it only a Hebrew theatre staged in Israel? Are performances by Arab Israelis working in an Arabic theatre framework not part of the repertoire of Israeli theatre? Do they perhaps belong to the Palestinian theatre? What are the "borders" of Palestinian theatre? Are not theatrical works created in East Jerusalem by Arab Israeli playwrights and actors, and staged on occasion before Jewish Israeli audiences, part of a dialogue between Palestinian and Israeli cultures? Does "theatre" only include works staged under that title? These and other similarly absorbing questions arise in Dan Urian's wide-ranging and detailed study of the image of the Arab in Israeli drama and theatre. By the use of extensive examples to show how theatre, politics and personal perceptions intertwine, the author presents us with a model which can be used as a basis for the further discussion and study of similar social and artistic phenomena in other cultures in relation to their theatre and drama.
Download or read book Israel Theatre 69 70 written by International Theatre Institute. Israeli Centre and published by . This book was released on 1971 with total page 62 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Possessed Voices written by Ruthie Abeliovich and published by State University of New York Press. This book was released on 2019-07-01 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies. Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, which preserve performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919/1923), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. The book shows how these recorded performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, Abeliovich develops a critical framework for the study of sound as a discipline in its own right in theater scholarship. Ruthie Abeliovich is Lecturer in the Theatre Department at Haifa University, Israel.
