Download or read book The Technique of Special Effects in Television written by Bernard Wilkie and published by Butterworth-Heinemann. This book was released on 1989 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Creating Special Effects for TV and Video written by Bernard Wilkie and published by Taylor & Francis. This book was released on 1996 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book The Technique of Special Effects in Television written by Bernard Wilkie and published by . This book was released on 1971 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: OUVRAGE TECHNIQUE TRAITANT DE TOUS LES EFFETS SPECIAUX POSSIBLES.
Download or read book Special Effects in Movies and TV written by Shaaron Cosner and published by Julian Messner. This book was released on 1985 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the world of special effects in television and film, including special props, filming techniques, atmospheric effects, and experiments that can be done at home.
Download or read book Special Effects written by Richard Rickitt and published by . This book was released on 2007 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning the rich history of movie magic, this completely up-to-date guide to visual trickery is unparalleled in scope, presenting a clearly written, lushly illustrated chronicle of special effects development during ten decades of filmmaking. A must for lovers of movie fantasy, students of film and pop culture, and amateur filmmakers. 350 color and 60 b&w illustrations.
Download or read book Special Effects written by Jake Hamilton and published by Dk Pub. This book was released on 1998 with total page 63 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a behind-the-scenes look at some of the magic of the movies including the puppetry techniques used in ET, the animation in Toy Story, and much more.
Download or read book Special Effects in Television written by Bernard Wilkie and published by Butterworth-Heinemann. This book was released on 1995 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text covers the world of special effects. Each technique is described, giving details of equipment used, working principles and the type of effect obtained. There is guidance on conduct and the correct procedure for those engaged in dangerous squences. This edition has been revised and includes new sections on computer aided design, special effects in commercials, the use of paint, artificial snow techniques, and how to create dirt and decay in the studio.
Download or read book Computer Vision for Visual Effects written by Richard J. Radke and published by Cambridge University Press. This book was released on 2013 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the fundamental computer vision principles and state-of-the-art algorithms used to create cutting-edge visual effects for movies and television. It describes classical computer vision algorithms and recent developments, features more than 200 original images, and contains in-depth interviews with Hollywood visual effects artists that tie the mathematical concepts to real-world filmmaking.
Download or read book The Technique of Special Effects Cinematography written by Raymond Fielding and published by . This book was released on 1974 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Filmmaker s Guide to Visual Effects written by Eran Dinur and published by Taylor & Francis. This book was released on 2017-03-27 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Filmmaker’s Guide to Visual Effects offers a practical, detailed guide to visual effects for non-VFX specialists working in film and television. In contemporary filmmaking and television production, visual effects are used extensively in a wide variety of genres and formats to contribute to visual storytelling, help deal with production limitations, and reduce budget costs. Yet for many directors, producers, editors, and cinematographers, visual effects remain an often misunderstood aspect of media production. In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker’s perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and reviewing VFX, from pre-production through post-production. The book will help readers: Learn what it takes for editors, cinematographers, directors, producers, gaffers, and other filmmakers to work more effectively with the visual effects team during pre-production, on the set and in post, use visual effects as a narrative aid, reduce production costs, and solve problems on location; Achieve a deeper understanding of 3D, 2D, and 2.5D workflows; the various VFX crafts from matchmove to compositing; essential concepts like photorealism, parallax, roto, and extraction; become familiar with the most common types of VFX, their role in filmmaking, and learn how to plan effectively for the cost and complexity of VFX shots; See visual effects concepts brought to life in practical, highly illustrated examples drawn from the real-world experiences of industry professionals, and discover how to better integrate visual effects into your own projects.
Download or read book Secrets of Hollywood Special Effects written by Robert E. McCarthy and published by Routledge. This book was released on 1992 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Industrial Light and Magic written by Thomas Graham Smith and published by Random House Digital, Inc.. This book was released on 1986 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A behind-the-scenes look at the world of special effects discusses a wide range of ingenious techniques--from computer graphics and optical compositing to matte printing and model construction--used in such films as "Star Wars," "Poltergeist," and "Raider
Download or read book Creating Special Effects for TV and Film written by Bernard Wilkie and published by Butterworth-Heinemann. This book was released on 1977 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The techniques of special effects in television written by Bernard Wilkie and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Special Effects written by Dan North and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: As blockbusters employ ever greater numbers of dazzling visual effects and digital illusions, this book explores the material roots and stylistic practices of special effects and their makers. Gathering leading voices in cinema and new media studies, this comprehensive anthology moves beyond questions of spectacle to examine special effects from the earliest years of cinema, via experimental film and the Golden Age of Hollywood, to our contemporary transmedia landscape. Wide-ranging and accessible, this book illuminates and interrogates the vast array of techniques film has used throughout its history to conjure spectacular images, mediate bodies, map worlds and make meanings. Foreword by Scott Bukatman, with an Afterword by Lev Manovich.
Download or read book Creating Special Effects for TV AndVideo written by Bernard Wilkie and published by Focal Press. This book was released on 2017-06-29 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Creating Special Effects for TV and Video is a concise and practical introduction to the techniques used in television production. Now completely updated, this third edition covers a wide range of special effects in a simple and practical form, with clear illustrations and photographs that support the text.Creating Special Effects for TV and Video is a concise and practical introduction to the techniques used in television production. Now completely updated, this third edition covers a wide range of special effects in a simple and practical form, with clear illustrations and photographs that support the text.Bernard Wilkie now a freelance consultant, director and writer, spent 25 years creating special effects for BBC TV where he became manager of one of the largest and most specialised visual FX units in the world.
Download or read book Digital Storytelling written by Shilo T. McClean and published by MIT Press. This book was released on 2008-09-26 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students. Computer-generated effects are often blamed for bad Hollywood movies. Yet when a critic complains that "technology swamps storytelling" (in a review of Van Helsing, calling it "an example of everything that is wrong with Hollywood computer-generated effects movies"), it says more about the weakness of the story than the strength of the technology. In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and "experimental" camera angles—other innovative film technologies that were once criticized for being distractions from the story. It is time, she says, to rethink the function of digital visual effects. Effects artists say—contrary to the critics—that effects always derive from story. Digital effects are a part of production, not post-production; they are becoming part of the story development process. Digital Storytelling is grounded in filmmaking, the scriptwriting process in particular. McClean considers crucial questions about digital visual effects—whether they undermine classical storytelling structure, if they always call attention to themselves, whether their use is limited to certain genres—and looks at contemporary films (including a chapter-long analysis of Steven Spielberg's use of computer-generated effects) and contemporary film theory to find the answers. McClean argues that to consider digital visual effects as simply contributing the "wow" factor underestimates them. They are, she writes, the legitimate inheritors of film storycraft.
