Download or read book The Subjective Vision of French Impressionism Including French Impressionist Prints written by Genevieve A. Linnehan and published by . This book was released on 1981 with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Subjective Vision of French Impressionism written by and published by . This book was released on 1981 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Impressionist France written by Simon R. Kelly and published by Other Distribution. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A novel look at the relationship between Impressionist painting and photography and the forging of a national identity in France between 1850 and 1880 Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Édouard Baldus, Gustave Le Gray, the Bisson Frères, Édouard Manet, Jean-François Millet, Claude Monet, Charles Nègre, and Camille Pissarro. This ambitious premise focuses on the whole of France, exploring the relationship between landscape art and the notion of French nationhood across the country's varied and spectacular landscapes in seven geographical sections and four scholarly essays, which provide new information regarding the production and impact of French Impressionism. Distributed for the Nelson-Atkins Museum of Art and the Saint Louis Museum of Art Exhibition Schedule: Nelson-Atkins Museum of Art (10/19/13-02/09/14) Saint Louis Art Museum (03/16/14-07/06/14)
Download or read book The French Impressionists 1860 1900 written by Camille Mauclair and published by Good Press. This book was released on 2019-11-20 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive exploration delves into the world of French Impressionism, a revolutionary art movement that emerged between 1860 and 1900. Camille Mauclair offers detailed insights into the lives and works of the artists who pioneered this style, capturing the essence of a period that transformed the art world. With a focus on the techniques, colors, and subjects that defined Impressionism, this book is a must-read for art enthusiasts and historians alike.
Download or read book The Great Book of French Impressionism written by Horst Keller and published by Random House Value Publishing. This book was released on 1982 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ultimate book on the paintings and personalities of the Impressionist movement. Over 220 illustrations, 207 full-color plates.
Download or read book French Impressionists and Their Circle written by Herman Joel Wechsler and published by . This book was released on 1953 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The French Impressionists written by Camille Mauclair and published by Createspace Independent Publishing Platform. This book was released on 2017-06-12 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: I THE PRECURSORS OF IMPRESSIONISM-THE BEGINNING OF THIS MOVEMENT AND THE ORIGIN OF ITS NAME It will be beyond the scope of this volume to give a complete history of French Impressionism, and to include all the attractive details to which it might lead, as regards the movement itself and the very curious epoch during which its evolution has taken place. The proportions of this book confine its aim to the clearest possible summing up for the British reader of the ideas, the personalities and the works of a considerable group of artists who, for various reasons, have remained but little known and who have only too frequently been gravely misjudged. These reasons are very obvious: first, the Impressionists have been unable to make a show at the Salons, partly because the jury refused them admission, partly because they held aloof of their own free will. They have, with very rare exceptions, exhibited at special minor galleries, where they become known to a very restricted public. Ever attacked, and poor until the last few years, they enjoyed none of the benefits of publicity and sham glory. It is only quite recently that the admission of the incomplete and badly arranged Caillebotte collection to the Luxembourg Gallery has enabled the public to form a summary idea of Impressionism. To conclude the enumeration of the obstacles, it must be added that there are hardly any photographs of Impressionist works in the market. As it is, photography is but a poor translation of these canvases devoted to the study of the play of light; but even this very feeble means of distribution has been withheld from them! Exhibited at some galleries, gathered principally by Durand-Ruel, sold directly to art-lovers-foreigners mostly-these large series of works have practically remained unknown to the French public. All the public heard was the reproaches and sarcastic comments of the opponents, and they never became aware that in the midst of modern life the greatest, the richest movement was in progress, which the French school had known since the days of Romanticism. Impressionism has been made known to them principally by the controversies and by the fruitful consequences of this movement for the illustration and study of contemporary life. MANETREST I do not profess to give here a detailed and complete history of Impressionism, for which several volumes like the present one would be required. I shall only try to compile an ensemble of concise and very precise notions and statements bearing upon this vast subject. It will be my special object to try and prove that Impressionism is neither an isolated manifestation, nor a violent denial of the French traditions, but nothing more or less than a logical return to the very spirit of these traditions, contrary to the theories upheld by its detractors. It is for this reason that I have made use of the first chapter to say a few words on the precursors of this movement. No art manifestation is really isolated. However new it may seem, it is always based upon the previous epochs....
Download or read book Impressionism an Intimate View written by Florence E. Coman and published by . This book was released on 2004 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: The art of the Impressionists has enduring appeal. Exhibitions on impressionism and impressionist artists continue to draw large crowds. Yet very little has been published that focuses on the intimate nature of much of impressionist art.Presenting over fifty works by major artists such as Bonnard, Corot, Cezanne, Degas, Van Gogh, Matisse, Monet, Renoir and Toulouse-Lautrec, and using the Ailsa Mellon Bruce Collection of small French paintings in the National Gallery of Art as its starting point, this beautifully illustrated new volume explores two important aspects of impressionism. First, it illustrates how artists like Monet, Pissarro, Degas, Cezanne, Sisley and Renoir sought to capture fleeting, everyday moments and objects that made up their own lives and those of the people around them: their immediate family, friends, servants and strangers. The scale and subject matter was in stark contrast to the paintings of the official Salon. In place of large-scale academic or neoclassical subjects the impressionists turned to self-portraits, flowers in a crystal vase, a view of dancers backstage, a sister at a window, or an interior just after dinner-works that were once highly personal and introverted, wistful and dreamlike, transient and intimate in scale. Moreover, the author shows how the painting of earlier realist and landscape artists such as Corot, Rousseau, Boudin and Manet was absorbed into the small-scale impressionist works of an emerging generation of aspiring artists that included Monet, Renoir, Morisot and Pissarro. This highlights the second important feature of impressionism - its central role within the development of later nineteenth-century French and European modern art. In an introductory essay and in thematic groupings of works the author shows how, when the first impressionist exhibition opened in April 1874, critics were shocked at the small scale,"unfinished" nature of the paintings with their unmixed pigments and broken brush work, more akin to oil sketches. By the time of the last impressionist exhibition in 1886 the concept of what constituted a finished work had changed. Smaller, sketchier painting was increasingly admired for its freshness and immediacy of expression, and impressionism had given way to a radical reinterpretation by a new generation of artists. These included post-impressionists such as Seurat, Gauguin, Van Gogh and Cezanne;Vuillard and other members of the Nabis inspired by Gaugin; and, at the outset of the twentieth century Matisse, Derain and Duffy, known as the "fauves" ('wild beasts'), creators of highly coloured and emphatical brushworked paintings.
Download or read book The Impressionists written by Martha Kapos and published by . This book was released on 1991 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: A group of young artists in 1874, in opposition to the established authority of the Salon and the Academy, decided to show their work directly to the public in an exhibition which they organized themselves. The artists forming the core of this group - Pissarro, Degas, Sisley, Cezanne, Monet, Renoir and Morisot - came to be known as "the Impressionists." Seen to be following the independent spirit of Manet, they were immediately identified as the avant-garde and their first exhibition became an historic landmark in the development of modern art. We now tend to see the landscapes of Impressionist paintings as perfect images of nature. It is easy to overlook their startling and fragmented appearance at the time they were painted. The documents in this book show how the paintings looked to contemporary eyes: to both the critics and the artists. Some of the criticism these paintings received is almost as famous as the works themselves, and several important documents appear here in English translation for the first time. The book tells the story of the personal struggles, debates, problems and solutions involved in a new way of painting that quickly led in unforeseen directions and took enormous risks with the traditional means of representing the world in art. These experiences are revealed in the letters and recorded comments of the artists themselves, and in the writings of friends and contemporary critics, many of whom, such as Baudelaire, Zola, Valery, Mallarme, Huysmans, Laforgue and Mirbeau, were also novelists and poets. The continuing interpretation of Impressionism within the changing art and art criticism of the twentieth century is examined through the writings of artists such as Leger, Kandinsky, Masson, Matisse and Hofmann as well as recent critics, philosophers and art historians including Meyer Schapiro, Gaston Bachelard, Clement Greenberg and Lawrence Gowing. The text is illustrated with 116 colour plates and 117 black and white reproductions of photographs, documents and contemporary cartoons, prints and drawings. After Harvard Martha Kapos studied painting and the history of art at the Chelsea School of Art, where she is now teaching. Her art criticism has appeared in various magazines including Artscribe, Art Monthly and Screen. A collection of poems was published in 1989 by the Many Press.
Download or read book The French Impressionists written by Clive Bell and published by . This book was released on 1978 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The French Impressionists and Their Century written by Diane Kelder and published by . This book was released on 1970 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: The historical, biographical background of nineteenth-century art and artists with marginal references to prints included in the volume.
Download or read book French Impressionists written by Richard R. Brettell and published by . This book was released on 1987 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains color reproductions of French Impressionist art from the Art Institute of Chicago. Includes a narrative discussion of each work.
Download or read book The French Impressionists written by Camille Mauclair and published by . This book was released on 2020-11-03 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: It will be beyond the scope of this volume to give a complete history of French Impressionism, and to include all the attractive details to which it might lead, as regards the movement itself and the very curious epoch during which its evolution has taken place. The proportions of this book confine its aim to the clearest possible summing up for the British reader of the ideas, the personalities and the works of a considerable group of artists who, for various reasons, have remained but little known and who have only too frequently been gravely misjudged. These reasons are very obvious: first, the Impressionists have been unable to make a show at the Salons, partly because the jury refused them admission, partly because they held aloof of their own free will. They have, with very rare exceptions, exhibited at special minor galleries, where they become known to a very restricted public. Ever attacked, and poor until the last few years, they enjoyed none of the benefits of publicity and sham glory.
Download or read book Impression written by Richard R. Brettell and published by . This book was released on 2000 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for the first time works that might truly be called Impressions--paintings that appear to be rapid transcriptions of shifting subjects but were nonetheless considered finished by their makers. Renowned Impressionist scholar Richard R. Brettell identifies and discusses Impressions by some of the best-known artists of the period, including Manet, Monet, Renoir, Sisley, Morisot, Degas, Pissarro, and Caillebotte. The book surveys the various practices of individual artists in the making, signing, exhibiting, and selling of Impressions. Brettell discusses the pictorial theories behind the paintings, the sales strategies for them, and the various forms they took, including works completed in one sitting, "apparent" Impressions, and repeated Impressions. In a concluding chapter, the author considers a small group of works by Vincent van Gogh, who painted with an almost fanatical rapidity and was the only major post-Impressionist painter to push the aesthetic of the Impression even further.
Download or read book Birth of Impressionism written by Krista Brugnara and published by DelMonico Books. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains a collection of one hundred works by the masters of nineteenth-century French painting telling the story of the Impressionist movement that changed the way artists view the world and the way the world views art. This book tells the story of the beloved Impressionist movement, focusing on the tumultuous period of the 1860s and 1870s and the emergence of the New Painting out of the Paris Salon. Reproductions of French painting masterpieces from the canvases of Bouguereau to the landscapes and peasant scenes of Millet and Courbet set the stage for a rich visual narrative that recounts the incubation and evolution of the Impressionist movement. The range of subject matter and techniques reflects the stylistic diversity of the artists who were part of this revolution. This work includes paintings by Manet, Monet, Renoir, Pissarro, Cezanne, Morisot, and Degas, among others. The paintings have been selected and thematically grouped to prompt discussion of Impressionism's many facets, including France's turbulent social and political climate at the time, the state-run Salon system and the artistic rivalries it fostered, and aspects of daily life during the Belle Epoque.
Download or read book Great Masters of French Impressionism from the National Gallery of Art Washington written by and published by . This book was released on 1970 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Impressionism written by Bernard Denvir and published by BDD Promotional Books Company. This book was released on 1991 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: In magnificent large format--362 color reproductions, 40 in black-and-white, and 12 fold-outs representing 59 famous artists, including Monet, Manet, Degas, Renoir, and Cezanne. Lively text explains the movement, its artists and their work, and the era in which they lived.
