Download or read book The Rhythmic Structure of Music written by Grosvenor W. Cooper and published by University of Chicago Press. This book was released on 1963-04-15 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.
Download or read book The Structure of Atonal Music written by Allen Forte and published by Yale University Press. This book was released on 1973-01-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Describes and cites examples of pitch-class sets and relations in atonal music
Download or read book Sound Structure in Music written by Robert Erickson and published by Univ of California Press. This book was released on 1975-01-01 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reconceiving Structure in Contemporary Music written by Judy Lochhead and published by Routledge. This book was released on 2015-06-19 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho’s Lonh (1996), Sofia Gubaidulina’s Second String Quartet (1987), Stacy Garrop’s String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne’s "Choke" (2004). This book defies the prediction of classical music’s death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.
Download or read book Music of the Twentieth Century written by Ton de Leeuw and published by Amsterdam University Press. This book was released on 2005 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.
Download or read book Anthology of Musical Forms Structure Style Expanded Edition written by Leon Stein and published by Alfred Music. This book was released on 1999-11-27 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
Download or read book Structural Functions in Music written by Wallace Berry and published by Courier Corporation. This book was released on 1987-01-01 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: A brilliant investigation into musical structure through a systematic exploration of tonality, melody, harmony, texture, and rhythm. Discusses early madrigals and Gregorian chants through Bach, Beethoven, and Brahms to Ravel, Bartok, and Berg."
Download or read book Musical Structure and Design written by Cedric T. Davie and published by Courier Dover Publications. This book was released on 2014-05-05 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Clear, elementary explanation of basic forms, Renaissance to 1900, with many works analyzed. Nature and function of concerto, sonata, etc., clarified with nonmusical analogies; illustrated in detailed analysis of specific piece of music.
Download or read book The Musical Structure of Plato s Dialogues written by J.B. Kennedy and published by Routledge. This book was released on 2014-09-19 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: J. B. Kennedy argues that Plato's dialogues have an unsuspected musical structure and use symbols to encode Pythagorean doctrines. The followers of Pythagoras famously thought that the cosmos had a hidden musical structure and that wise philosophers would be able to hear this harmony of the spheres. Kennedy shows that Plato gave his dialogues a similar, hidden musical structure. He divided each dialogue into twelve parts and inserted symbols at each twelfth to mark a musical note. These passages are relatively harmonious or dissonant, and so traverse the ups and downs of a known musical scale. Many of Plato's ancient followers insisted that Plato used symbols to conceal his own views within the dialogues, but modern scholars have denied this. Kennedy, an expert in Pythagorean mathematics and music theory, now shows that Plato's dialogues do contain a system of symbols. Scholars in the humanities, without knowledge of obsolete Greek mathematics, would not have been able to detect these musical patterns. This book begins with a concise and accessible introduction to Plato's symbolic schemes and the role of allegory in ancient times. The following chapters then annotate the musical symbols in two of Plato's most popular dialogues, the Symposium and Euthyphro, and show that Plato used the musical scale as an outline for structuring his narratives.
Download or read book Beyond Beatmatching written by Yakov Vorobyev and published by Mixed in Key. This book was released on 2012-05-01 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: The team behind Mixed In Key software explores the art of professional DJing to answer one simple question: What can you do to become a better DJ? Beyond Beatmatching will show you how to: Use harmonic mixing in your DJ sets Mix with energy levels in mind Dig for the most unique tracks and define your sound Build a perfect DJ laptop Mix a flawless DJ set Create your own mashups Get gigs at nightclubs and festivals Build your brand with a logo design, publicity shots and press kit Use Facebook and social media to expand your audience The book also features in-depth interviews with key DJs, innovators and executives, including Markus Schulz, DJ Sasha, A-list manager Ash Pournouri, talent booker Biz Martinez, marketing guru Karl Detken, and many more. Written in a user-friendly, straightforward tone and rife with valuable insights about the history (and future) of modern DJing, Beyond Beatmatching covers ground that no guide to DJing has attempted to date. Get this book today and discover a wealth of advanced techniques already known to the world's best DJs.
Download or read book Conceptualizing Music written by Lawrence M. Zbikowski and published by Oxford University Press. This book was released on 2002-11-14 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Download or read book Musical Structure and Performance written by Wallace Berry and published by New Haven, [Conn.] : Yale University Press. This book was released on 1989 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Structure of Musical Sound written by Charles Sperry Willard Charles Sperry and published by iUniverse. This book was released on 2010 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Structure of Musical Sound is about science from the point of view of musical sound. It is also a book about musical sound from science's point of view. First and foremost, however, it is a science text for nonscientists. You, the reader, will be introduced to the methods of science; and you will be shown how these methods are used to discover more about musical sound. You will be an active participant in both of these quests, and as a result you will become a more "scientific" person than you might have realized possible. Parts of musical sound have scientific explanations. Examples of these parts include the rules for the formation and propagation of sound waves, the operation of musical instruments as they produce their sounds, and the acoustic conditions for good listening to musical sound in rooms and halls. The Structure of Musical Sound explains all of these scientific aspects of music. Questions are included throughout the book. They will challenge you to demonstrate your understanding of the ideas just presented. The solutions, not just the answers, to these questions are provided at the end of this book.
Download or read book Basic Formal Structures in Music written by Paul Hendricks Fontaine and published by . This book was released on 1967 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This text is intended primarily for students of college level who have had at least one year of theory: in most colleges and universities this means two semesters or the equivalent. A modest knowledge of harmony, extending to the more common altered chords such as augmented sixths and diminished sevenths, is assumed. Also, the student should understand the forms and functions of ordinary cadences. An attempt has been made here to bring some order to the study of subphrase units, especially motives. This and the subsequent study of phrases and phrase-groups are the two most important steps in any approach to musical form. They are fundamental to all styles and types of music. The story of the elementary forms and how they grew is a sort of capsule history of music. The subject is pursued in this book beyond the traditional classical forms in order to investigate certain adaptations of these old forms. Some of the miscellaneous studies in Chapter 12 are concerned with definite hybrid types. Great emphasis is placed on student participation. Modest opportunities for original composition (a most valuable instructional techniqe) are included as optional assignments in the early chapters. The instructor can, at his discretion, add to these or omit them. The making of graphs compels a student to analyze the formal details of a composition and reduce them to a visible form on paper in a manner permitting easy correction. Here, again, the instructor can determine subject matter for such analyses according to his own preferences and experience. The final chapter devoted to recent music touches on what appears to the author to be the more important advances or developments in compositional techniques affecting form in our time." --Preface.
Download or read book The Structure of Music written by Robert Erickson and published by . This book was released on 1955 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sound and Structure written by John Paynter and published by Cambridge University Press. This book was released on 1992-04-23 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the pioneering Sound and Silence (1970, CUP), Paynter and Peter Aston set out to demonstrate the importance of drawing on children's creative talent as the basis for music education. Their book reflected work that its authors had been doing in schools and colleges during the preceding decade. Much that has happened since in music education has in no small measure been influenced by Sound and Silence and by subsequent publications of John Paynter's. Now, twenty years later, John Paynter, himself a composer, views some thirty years of teaching music. His basic philosophy is the same: music is a creative art in all its modes--composing (inventing), performing (interpreting) and listening (remaking the music within ourselves). Today, John Paynter believes as firmly as ever that creativity is the starting point for all music education. To meet the new demands and fresh opportunities of a progressive educational program there have been developments in this philosophy. The projects and assignments in Sound and Structure are the fruits of this development. A cassette accompanies John Paynter's book, and contains those musical examples that may be difficult for the reader to obtain from usual sources. The cassette will complete the reader's enjoyment of the book.
Download or read book Structure and Synthesis written by Mark Fell and published by MIT Press. This book was released on 2022-03-01 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: An anthology of pioneer sound artist Mark Fell's work charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music. In this extensive anthology, Mark Fell, a pioneering artist known for his sound installations and his musical work solo and as part of SND and Sensate Focus, assembles a collection of diverse materials charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music. An amalgam of workbook and manifesto, featuring a collection of interleaved statements, diagrammatic scores, and instructional texts, Structure and Synthesis is a direct engagement with Fell's original thinking and his continual provocations in regard to "experimental" music. Alongside reflections on theory and practice, the volume includes exercises for dismantling musical expertise, habits, and intuitions, documenting Fell's explorations of the peripheries of rhythm, shape, and time in perception and performance. Long-term collaborator designer Joe Gilmore provides a striking graphic context for Fell's evolving thinking and the methods and structures he has developed through his solo and collaborative work.
