Download or read book The Sacred Harp Revival in New England written by Susan L. Garber and published by . This book was released on 1987 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Makers of the Sacred Harp written by David Warren Steel and published by University of Illinois Press. This book was released on 2024-03-31 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.
Download or read book Public Worship Private Faith written by John Bealle and published by University of Georgia Press. This book was released on 1997 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Sacred Harp, a tunebook that first appeared in 1844, has stood as a model of early American musical culture for most of this century. Tunebooks such as this, printed in shape notes for public singing and singing schools, followed the New England tradition of singing hymns and Psalms from printed music. Nineteeth-century Americans were inundated by such books, but only the popularity of The Sacred Harp has endured throughout the twentieth century. With this tunebook as his focus, John Bealle surveys definitive moments in American musical history, from the lively singing schools of the New England Puritans to the dramatic theological crises that split New England Congregationalism, from the rise of the genteel urban mainstream in frontier Cincinnati to the bold "New South" movement that sought to transform the southern economy, from the nostalgic culture-writing era of the Great Depression to the post-World War II folksong revival. Although Bealle finds that much has changed in the last century, the custodians of the tradition of Sacred Harp singing have kept it alive and accessible in an increasingly diverse cultural marketplace. Public Worship, Private Faith is a thorough and readable analysis of the historical, social, musical, theological, and textual factors that have contributed to the endurance of Sacred Harp singing.
Download or read book The Sacred Harp written by Buell E. Cobb, Jr. and published by University of Georgia Press. This book was released on 2004-12-01 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable--clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the “singings.” Illustrated with forty-one songs from the original songbook, The Sacred Harp is a comprehensive account of a unique form of folk music. Buell Cobb’s study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.
Download or read book Beyond Revival written by Clinton Davis and published by . This book was released on 2016 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the publication of The Sacred Harp tunebook in 1844, families of the rural Deep South have cultivated a tradition of singing that blends written notation with oral traditions and frames them with performance practices and social rituals that first coalesced in colonial New England. Since the latter 20th century, a revival of their traditions has cultivated a network of singing communities spanning the country. Existing scholarship on this Sacred Harp revival has explored the complex transmissions and negotiations of oral tradition, performance practice, and social ritual from traditional Southerners to a more geographically dispersed and ideologically heterogeneous revival community. Far less attention has been given to the role of printed music in shaping this revival. Throughout the Sacred Harp tunebook's centuryandahalf existence, singers have composed new tunes to be added through periodic revision, but the modern revival has inspired a dramatic rise in the production of tunes newlycomposed in the book's historical styles, as well as new tunebooks collecting such material. This dissertation will take as its focus this scorecentered activity that has emerged from the Sacred Harp revival. Though singers and scholars alike attribute the greatest importance to immaterial dimensions of this tradition, I will argue that the score's materiality serves to structure the community by continually reinscribing the memories of singers within the very aesthetic materials that comprise their tradition. I will examine how scores have structured, negotiated, and reinvigorated the Sacred Harp community in the 20th century, with particular attention given to the revival era. Scorebased activity has also vastly outpaced the rate at which new material can be absorbed into The Sacred Harp tunebook and therefore Sacred Harp traditions. As a result, singers have organized new forums for the dissemination and compilation of this material. This activity will be explored as evidence of a new development in the Sacred Harp revival in which primarily revival singers are now using scores to structure communities and traditions standing apart from The Sacred Harp and its Deep South heritage.
Download or read book Traveling Home written by Kiri Miller and published by University of Illinois Press. This book was released on 2008 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compelling account of the vibrant musical tradition of Sacred Harp singing, Traveling Home describes how song brings together Americans of widely divergent religious and political beliefs. Named after the most popular of the nineteenth-century shape-note tunebooks - which employed an innovative notation system to teach singers to read music - Sacred Harp singing has been part of rural Southern life for over 150 years. In the wake of the folk revival of the 1950s and 60s, this participatory musical tradition attracted new singers from all over America. All-day "singings" from The Sacred Harp now take place across the country, creating a diverse and far-flung musical community. Blending historical scholarship with wide-ranging fieldwork, Kiri Miller presents an engagingly written study of this important music movement.
Download or read book Sacred Song in America written by Stephen A. Marini and published by University of Illinois Press. This book was released on 2003 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Sacred Song in America, Stephen A. Marini explores the full range of American sacred music and demonstrates how an understanding of the meanings and functions of this musical expression can contribute to a greater understanding of religious culture.Marini examines the role of sacred song across the United States, from the musical traditions of Native Americans and the Hispanic peoples of the Southwest, to the Sacred Harp singers of the rural South and the Jewish music revival to the music of the Mormon, Catholic, and Black churches. Including chapters on New Age and Neo-Pagan music, gospel music, and hymnals as well as interviews with iconic composers of religious music, Sacred Song in America pursues a historical, musicological, and theoretical inquiry into the complex roles of ritual music in the public religious culture of contemporary America.
Download or read book Public Worship Private Faith written by John Bealle and published by University of Georgia Press. This book was released on 1997 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Sacred Harp, a tunebook that first appeared in 1844, has stood as a model of early American musical culture for most of this century. Tunebooks such as this, printed in shape notes for public singing and singing schools, followed the New England tradition of singing hymns and Psalms from printed music. Nineteeth-century Americans were inundated by such books, but only the popularity of The Sacred Harp has endured throughout the twentieth century. With this tunebook as his focus, John Bealle surveys definitive moments in American musical history, from the lively singing schools of the New England Puritans to the dramatic theological crises that split New England Congregationalism, from the rise of the genteel urban mainstream in frontier Cincinnati to the bold "New South" movement that sought to transform the southern economy, from the nostalgic culture-writing era of the Great Depression to the post-World War II folksong revival. Although Bealle finds that much has changed in the last century, the custodians of the tradition of Sacred Harp singing have kept it alive and accessible in an increasingly diverse cultural marketplace. Public Worship, Private Faith is a thorough and readable analysis of the historical, social, musical, theological, and textual factors that have contributed to the endurance of Sacred Harp singing.
Download or read book The Story of The Sacred Harp 1844 1944 written by George Pullen Jackson and published by . This book was released on 1944 with total page 62 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Music and Dance of the World s Religions written by E. Rust and published by Bloomsbury Publishing USA. This book was released on 1996-08-23 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective. The work consists of 3,816 references divided among 37 chapters. It covers tribal, regional, and global religions and such subjects as shamanism, liturgical dance, healing, and the relationship of music, mathematics, and mysticism. The referenced materials display such diverse approaches as analysis of music and dance, description of context, direct experience, observation, and speculation. The references address topics from such disciplines as sociology, anthropology, history, linguistics, musicology, ethnomusicology, theology, medicine, semiotics, and computer technology. Chapter 1 consists of general references to religious music and dance. The remaining 36 chapters are organized according to major geographical areas. Most chapters begin with general reference works and bibliographies, then continue with topics specific to the region or religion. This book will be of use to anyone with an interest in music, dance, religion, or culture.
Download or read book Revival and Reconciliation written by Philip V. Bohlman and published by Scarecrow Press. This book was released on 2013-06-07 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sacred music has long contributed fundamentally to the making of Europe. The passage from origin myths to history, the sacred journeys that have mobilized pilgrims, crusaders, and colonizers, the politics and power sounded by the vox populi—all have joined in counterpoint to shape Europe’s historical longue durée. Drawing upon three decades of research in European sacred music, Philip V. Bohlman calls for a re-examination of European modernity in the twenty first century, a modernity shaped no less by canonic religious and musical practices than by the proliferation of belief systems that today more than ever respond to the diverse belief systems that engender the New Europe. In contrast to most studies of sacred musical practice in European history, with their emphasis on the musical repertories and ecclesiastical practices at the center of society, Bohlman turns our attention to individual and marginalized communities and to the collectives of believers to whose lives meaning accrues upon sounding the sacred together. In the historical chapters that open Revival and Reconciliation, Bohlman examines the genesis of modern history in the convergence and conflict the lie at the heart of the Abrahamic faiths—Judaism, Christianity, and Islam. Critical to the meaning of these religions to Europe, Bohlman argues, has been their capacity to mobilize both sacred journey and social action, which enter the everyday lives of Europeans through folk religion, pilgrimage, and politics, the subjects of the second half of his study. The closing sections then cross the threshold from history into modernity, above all that of the New Europe, with its return to religion through revival and reconciliation. Based on an extensive ethnographic engagement with the sacred landscapes and sites of conflict in twenty-first-century Europe, Bohlman calls in his final chapters for new ways of hearing the silenced voices and the full chorus of sacred music in our contemporary world. Ethnomusicologists from different traditions as well as scholars of religious studies and the history of modern Europe will find Revival and Reconciliation a fascinating exploration of the connections between sacred music and the role it plays in the formations of the modern self.
Download or read book Journey Into the Square a Geographical Perspective of Sacred Harp written by Michele Abee and published by . This book was released on 2012 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This thesis analyzes how the Sacred Harp adapted to become a unique musical tradition culturally and geographically specific to the America South. By applying methods from the Geography of Religion and Music Geography fields with contributions from Atlantic History and Ecomusicology, an uncommon perspective emerges as a regional network of shape-notes reveal how it became Sacred Harp over time. Originating in England, psalter hymnals reach the American colonies through the Puritan culture. Once in the New England region the psalters become shape-notes. Eventually the Great Awakenings and Better Music Movement force shape-notes out of the North and they journey along the Great Wagon Road through the Appalachia backcountry. With their migration shape-notes become adopted in the Scots-Irish churches that are scattered throughout the region. The family ways of the Scots-Irish solidify the continuation of shape-notes which result in the emergence of the Sacred Harp. Due to the singing families that dominate this tradition Sacred Harp has survived to the present and has redistributed itself across the nation, practiced and loved by many others."--Abstract from author supplied metadata.
Download or read book I Belong to This Band Hallelujah written by Laura Clawson and published by University of Chicago Press. This book was released on 2011-06-01 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Sacred Harp choral singing tradition originated in the American South in the mid-nineteenth century, spread widely across the country, and continues to thrive today. Sacred Harp isn’t performed but participated in, ideally in large gatherings where, as the a cappella singers face each other around a hollow square, the massed voices take on a moving and almost physical power. I Belong to This Band, Hallelujah! is a vivid portrait of several Sacred Harp groups and an insightful exploration of how they manage to maintain a sense of community despite their members’ often profound differences. Laura Clawson’s research took her to Alabama and Georgia, to Chicago and Minneapolis, and to Hollywood for a Sacred Harp performance at the Academy Awards, a potent symbol of the conflicting forces at play in the twenty-first-century incarnation of this old genre. Clawson finds that in order for Sacred Harp singers to maintain the bond forged by their love of music, they must grapple with a host of difficult issues, including how to maintain the authenticity of their tradition and how to carefully negotiate the tensions created by their disparate cultural, religious, and political beliefs.
Download or read book The Music of Multicultural America written by Kip Lornell and published by Univ. Press of Mississippi. This book was released on 2016-01-04 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Music of Multicultural America explores the intersection of performance, identity, and community in a wide range of musical expressions. Fifteen essays explore traditions that range from the Klezmer revival in New York, to Arab music in Detroit, to West Indian steel bands in Brooklyn, to Kathak music and dance in California, to Irish music in Boston, to powwows in the midwestern plains, to Hispanic and Native musics of the Southwest borderlands. Many chapters demonstrate the processes involved in supporting, promoting, and reviving community music. Others highlight the ways in which such American institutions as city festivals or state and national folklife agencies come into play. Thirteen themes and processes outlined in the introduction unify the collection's fifteen case studies and suggest organizing frameworks for student projects. Due to the diversity of music profiled in the book—Mexican mariachi, African American gospel, Asian West Coast jazz, women's punk, French-American Cajun, and Anglo-American sacred harp—and to the methodology of fieldwork, ethnography, and academic activism described by the authors, the book is perfect for courses in ethnomusicology, world music, anthropology, folklore, and American studies. Audio and visual materials that support each chapter are freely available on the ATMuse website, supported by the Archives of Traditional Music at Indiana University.
Download or read book Knowledge and the Sacred written by Seyyed Hossein Nasr and published by State University of New York Press. This book was released on 1989-07-03 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Christian Sacred Music in the Americas written by Andrew Shenton and published by Rowman & Littlefield. This book was released on 2021-02-17 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: Christian Sacred Music in the Americas explores the richness of Christian musical traditions and reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music. This volume, edited by Andrew Shenton and Joanna Smolko, is a follow-up to SCSM’s Exploring Christian Song and offers a cross-section of the most current and outstanding scholarship from an international array of writers. The essays survey a broad geographical area and demonstrate the enormous diversity of music-making and scholarship within that area. Contributors utilize interdisciplinary methodologies including media studies, cultural studies, theological studies, and different analytical and ethnographical approaches to music. While there are some studies that focus on a single country, musical figure, or region, this is the first collection to represent the vast range of sacred music in the Americas and the different approaches to studying them in context.
Download or read book The Radical Novel in the United States 1900 1954 written by Walter Bates Rideout and published by Columbia University Press. This book was released on 1992 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: A classic analysis of the American leftist writers of the 1900s, their work, and the political, social, economic, and cultural environment in which they existed--originally published in 1956 (Harvard U. Press) and reprinted with a new preface (8 pp.) by the author. Annotation copyrighted by Book News, Inc., Portland, OR
