Download or read book The Publishers Association 1896 1946 written by R. J. L. Kingsford and published by Cambridge University Press. This book was released on 1970 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1970 text tells the story of the Publishing Association, called into being by the crisis in British bookselling in the nineteenth century and how the Publishing Association evolved from the nineteenth century to after World War II.

Download or read book The Publishers Association 1896 1946 written by Reginald John Lethbridge Kingsford and published by . This book was released on 1970 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Publishers Association (PA) is an association for all book, journal and electronic publishers in the United Kingdom. The association caters for all areas of publishing through its divisions, which provide sector specific services and expertise. The PA provides access to news briefs and highlights upcoming events.

Download or read book The Publishers Association 1896 1946 with an epilogue written by Reginald John Lethbridge Kingsford and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Internationalisation of Copyright Law written by Catherine Seville and published by Cambridge University Press. This book was released on 2006-11-23 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: Technological developments have shaped copyright law's development, and now the prospect of endless, effortless digital copying poses a significant challenge to modern copyright law. Many complain that copyright protection has burgeoned wildly, far beyond its original boundaries. Some have questioned whether copyright can survive the digital age. From a historical perspective, however, many of these 'new' challenges are simply fresh presentations of familiar dilemmas. This book explores the history of international copyright law, and looks at how this history is relevant today. It focuses on international copyright during the nineteenth century, as it affected Europe, the British colonies (particularly Canada), America, and the UK. As we consider the reform of modern copyright law, nineteenth-century experiences offer highly relevant empirical evidence. Copyright law has proved itself robust and flexible over several centuries. If directed with vision, Seville argues, it can negotiate cyberspace.

Download or read book The British Publishing Industry in the Nineteenth Century written by David Finkelstein and published by Taylor & Francis. This book was released on 2024-03-14 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume documents how the nineteenth-century British publishing industry responded to and helped shape changes in readership and reading markets in the period. Focusing on broad social, economic and cultural changes, it traces the impact of improvements in transport and communication networks, which dramatically affected the production, distribution and retail of books and periodicals, and the implementation of the Education Acts of 1870 and 1871 which forced publishers to direct their attention to new markets and adopt cheaper publishing formats. The growth of circulating libraries, the revolution in serial and part publication, and the spread of railway bookstalls are among the many topics addressed in this volume which concludes with a section that documents the new pressures of censorship that arose as educational reforms provoked anxieties over the spread of cheap ‘pernicious’ literature.

Download or read book The New Cambridge Bibliography of English Literature Volume 4 1900 1950 written by George Watson and published by CUP Archive. This book was released on 1972-12-07 with total page 746 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

Download or read book Lost Illusions written by Christine Haynes and published by Harvard University Press. This book was released on 2010-05-01 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Linking the study of business and politics, Christine Haynes reconstructs the passionate and protracted debate over the development of the book trade in nineteenth-century France. In tracing the contest over literary production in France, Haynes emphasizes the role of the Second Empire in enacting - but also in limiting - press freedom and literary property.

Download or read book A History of British Publishing written by and published by Routledge. This book was released on with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A History of British Publishing written by John Feather and published by Routledge. This book was released on 2005-11-14 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thoroughly revised, restructured and updated, A History of British Publishing covers six centuries of publishing in Britain from before the invention of the printing press, to the electronic era of today. John Feather places Britain and her industries in an international marketplace and examines just how ‘British’, British publishing really is. Considering not only the publishing industry itself, but also the areas affecting, and affected by it, Feather traces the history of publishing books in Britain and examines: education politics technology law religion custom class finance, production and distribution the onslaught of global corporations. Specifically designed for publishing and book history courses, this is the only book to give an overall history of British publishing, and will be an invaluable resource for all students of this fascinating subject.

Download or read book The Cambridge History of the Australian Novel written by David Carter and published by Cambridge University Press. This book was released on 2023-05-31 with total page 826 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.

Download or read book The Regulation and Reform of Music Criticism in Nineteenth Century England written by Paul Watt and published by Routledge. This book was released on 2017-11-22 with total page 131 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective, cliché, bias and bombast. Critics such as Ernest Newman (1868–1959), John F. Runciman (1866–1916) and Michel D. Calvocoressi (1877–1944) fostered this new school and wrote extensively of their aspirations for musical criticism in their own times and for the future. This book charts the genesis of this new wave of musical criticism that sought to regulate and reform the profession of music critic. Alongside the establishment of principles, training manuals and schools for critics, hundreds of journal articles and dozens of books were written that encouraged new criticism, which also had a bearing on scholarly writing in biography, aesthetics and history. The Regulation and Reform of Music Criticism in Nineteenth-Century England considers the influence and advocacy of individual critics and the role that institutions, such as the Musical Association and the Musical Times, played in this period of change. The book also explores the impact that French and German writers had on their English counterparts, demonstrating the internationalization of critical thought of the period.

Download or read book The Music Profession in Britain 1780 1920 written by Rosemary Golding and published by Routledge. This book was released on 2018-03-15 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.

Download or read book A History of the Book in Australia 1891 1945 written by Martyn Lyons and published by Macmillan. This book was released on 2001 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collection of essays and case studies outlining Australian book production and consumption, from the 1880s to the end of World War II. Explores all aspects of print culture including authorship, editing, design and printing, publication, distribution, bookselling, libraries and reading habits. Includes photos, contributor notes, bibliography and index. Two further books in the 'A History of the Book in Australia' project are planned. Lyons is Professor of History at the University of New South Wales. He has previously written (with Lucy Taksa) 'Australian Readers Remember'. Arnold is Deputy Director of the National Centre for Australian Studies, Monash University. He has previously co-edited the 'Biography of Australian Literature: A-E'.

Download or read book Books As Weapons written by John B. Hench and published by Cornell University Press. This book was released on 2016-10-15 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Only weeks after the D-Day invasion of June 6, 1944, a surprising cargo—crates of books—joined the flood of troop reinforcements, weapons and ammunition, food, and medicine onto Normandy beaches. The books were destined for French bookshops, to be followed by millions more American books (in translation but also in English) ultimately distributed throughout Europe and the rest of the world. The British were doing similar work, which was uneasily coordinated with that of the Americans within the Psychological Warfare Division of General Eisenhower's Supreme Headquarters, Allied Expeditionary Force, under General Eisenhower's command. Books As Weapons tells the little-known story of the vital partnership between American book publishers and the U.S. government to put carefully selected recent books highlighting American history and values into the hands of civilians liberated from Axis forces. The government desired to use books to help "disintoxicate" the minds of these people from the Nazi and Japanese propaganda and censorship machines and to win their friendship. This objective dovetailed perfectly with U.S. publishers' ambitions to find new profits in international markets, which had been dominated by Britain, France, and Germany before their book trades were devastated by the war. Key figures on both the trade and government sides of the program considered books "the most enduring propaganda of all" and thus effective "weapons in the war of ideas," both during the war and afterward, when the Soviet Union flexed its military might and demonstrated its propaganda savvy. Seldom have books been charged with greater responsibility or imbued with more significance. John B. Hench leavens this fully international account of the programs with fascinating vignettes set in the war rooms of Washington and London, publishers' offices throughout the world, and the jeeps in which information officers drove over bomb-rutted roads to bring the books to people who were hungering for them. Books as Weapons provides context for continuing debates about the relationship between government and private enterprise and the image of the United States abroad. To see an interview with John Hench conducted by C-SPAN at the 2010 annual conference of the Organization of American Historians, visit: http://www.c-spanvideo.org/program/id/222522.

Download or read book Landmark Cases in Intellectual Property Law written by Jose Bellido and published by Bloomsbury Publishing. This book was released on 2017-09-07 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the nature of intellectual property law by looking at particular disputes. All the cases gathered here aim to show the versatile and unstable character of a discipline still searching for landmarks. Each contribution offers an opportunity to raise questions about the narratives that have shaped the discipline throughout its short but profound history. The volume begins by revisiting patent litigation to consider the impact of the Statute of Monopolies (1624). It continues looking at different controversies to describe how the existence of an author's right in literary property was a plausible basis for legal argument, even though no statute expressly mentioned authors' rights before the Statute of Anne (1710). The collection also explores different moments of historical significance for intellectual property law: the first trade mark injunctions; the difficulties the law faced when protecting maps; and the origins of originality in copyright law. Similarly, it considers the different ways of interpreting patent claims in the late nineteenth and twentieth century; the impact of seminal cases on passing off and the law of confidentiality; and more generally, the construction of intellectual property law and its branches in their interaction with new technologies and marketing developments. It is essential reading for anyone interested in the development of intellectual property law.

Download or read book Faber Faber written by Toby Faber and published by Faber & Faber. This book was released on 2019-04-30 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published to celebrate Faber's 90th anniversary, this is the story of one of the world's greatest publishing houses - a delight for all readers who are curious about the business of writing.'A striking drama.'SUNDAY TIMES'Never less than fascinating.'DAILY TELEGRAPH'This book will fascinate anyone with an interest in twentieth-century literature . . . a treasure trove.'SCOTSMAN'The details here do consistently shine.'NEW YORK TIMES'Ingeniously compiled . . . charming and quirky'EVENING STANDARDTold in its own words, this is the story of one of the world's greatest publishers, capturing the excitement, hopes and fears of the people who published and wrote the books that line our shelves today. Including archive material from T. S. Eliot, Samuel Beckett, Seamus Heaney, P. D. James, Kazuo Ishiguro and Philip Larkin, this is both a vibrant history and a hymn to the role of literature in all our lives.

Download or read book Copyright Law and the Public Interest in the Nineteenth Century written by Isabella Alexander and published by Bloomsbury Publishing. This book was released on 2010-03-03 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Copyright law is commonly described as carrying out a balancing act between the interests of authors or owners and those of the public. While much academic work, both historical and contemporary, has been done on the authorship side of the equation, this book examines the notion of public interest, and the way that concepts of public interest and the rhetoric surrounding it have been involved in shaping the law of copyright. While many histories of copyright focus on the eighteenth century, this book's main concern is with the period after 1774. The nineteenth century was the period during which the boundaries of copyright, as we know it today, were drawn and ideas of “public interest” were integral to this process, but in different, and complex, ways. The book engages with this complexity by moving beyond debates about the appropriate duration of copyright, and considers the development of other important features of copyright law, such as the requirement of legal deposit, the principle that some works will not be subject to copyright protection on the grounds of public interest, and the law of infringement. While the focus of the book is on literary copyright, it also traces the expansion of copyright to cover new subject matters, such as music, dramatic works and lectures. The book concludes by examining the making of the 1911 Imperial Copyright Act – the statute upon which the law of copyright in Britain, and in all former British colonies, is based. The history traced in this book has considerable relevance to debates over the scope of copyright law in the present day; it emphasises the contingency and complexity of copyright law's development and current shape, as well as encouraging a critical approach to the justifications for copyright law.