Download or read book The Politics of the Art in Britain written by Clive Gray and published by . This book was released on 2000 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The organization and management of the arts and public-sector arts organizations in Britain have undergone major changes over the last twenty years. This book analyzes the process and politics of change in the world of the arts and develops an analytical framework for understanding an under-researched area of British political life.
Download or read book The Politics of the Art in Britain written by C. Gray and published by Springer. This book was released on 2000-10-11 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The organization and management of the arts and public-sector arts organizations in Britain have undergone major changes over the last twenty years. This book analyzes the process and politics of change in the world of the arts and develops an analytical framework for understanding an under-researched area of British political life.
Download or read book The Politics of the Art in Britain written by C. Gray and published by Palgrave Macmillan. This book was released on 2000-10-11 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The organization and management of the arts and public-sector arts organizations in Britain have undergone major changes over the last twenty years. This book analyzes the process and politics of change in the world of the arts and develops an analytical framework for understanding an under-researched area of British political life.
Download or read book Culture and Consensus Routledge Revivals written by Robert Hewison and published by Routledge. This book was released on 2015-06-11 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: Culture and Consensus, first published in 1995 and a revised edition in 1997, explores the history of the relationship between politics and the arts in Britain since 1940, and shows how the search for a secure sense of English identity has been reflected in official and unofficial attitudes to the arts, architecture, landscape and other emblems of national significance. Illustrating his argument with a series of detailed case histories, Robert Hewison analyses how Britain’s cultural life has reached its present enfeebled condition and suggests a way forward. This book will be of interest to students of art and cultural studies.
Download or read book Radical History and the Politics of Art written by Gabriel Rockhill and published by Columbia University Press. This book was released on 2014-07-15 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gabriel Rockhill opens new space for rethinking the relationship between art and politics. Rather than understanding the two spheres as separated by an insurmountable divide or linked by a privileged bridge, Rockhill demonstrates that art and politics are not fixed entities with a singular relation but rather dynamically negotiated, sociohistorical practices with shifting and imprecise borders. Radical History and the Politics of Art proposes a significant departure from extant debates on what is commonly called "art" and "politics," and the result is an impressive foray into the force field of history, in which cultural practices are meticulously analyzed in their social and temporal dynamism without assuming a conceptual unity behind them. Rockhill thereby develops an alternative logic of history and historical change, as well as a novel account of social practices and a multidimensional theory of agency. Engaging with a diverse array of intellectual, artistic, and political constellations, this tour de force diligently maps the various interactions between different dimensions of aesthetic and political practices as they intertwine and sometimes merge in precise fields of struggle.
Download or read book Art and Politics Now written by Anthony Downey and published by National Geographic Books. This book was released on 2014-10-28 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A highly illustrated, accessible guide to political art in the twenty-first century, including some of the most daring and ambitious artworks of recent times Why have so many artists turned to political subject matter in the last decade? Can art not only question but also reinvigorate the social, civic, and political imagination? Art and Politics Now offers a brilliant survey of artists engaged with “the political,” whether in providing commentary, questioning social structures, or actively responding to the world around them. Eleven thematic chapters address and contextualize a range of highly topical subjects, including globalization, labor, technology, citizenship, war, activism, and information. Art and Politics Now also highlights the radical changes in the approaches and techniques used by artists to communicate their ideas, from the increase in collaborative, artist-led, and participatory projects to activism and intervention, documentary and archive work. Many high-profile artists are featured, including Chantal Ackerman, Ai Weiwei, Francis Alys, Harun Farocki, Omer Fast, Subodh Gupta, Teresa Margolles, Walid Raad, Raqs Media Collective, Doris Salcedo, BrunoSerralongue, and Santiago Sierra.
Download or read book Culture War written by Alexander Adams and published by Andrews UK Limited. This book was released on 2019-03-06 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why has identity become so central to judging art today? Why are some groups reluctant to defend free speech within culture? Has state support made artists poorer not richer? How does the movement for social justice influence cultural production? Why is Post-Modernism dominant in the art world? Why are consumers of comic books so bitterly divided? In Culture War: Art, Identity Politics and Cultural Entryism Alexander Adams examines a series of pressing issues in today's culture: censorship, Islamism, Feminism, identity politics, historical reparations and public arts policy. Through a series of linked essays, Culture War exposes connections between seemingly unrelated events and trends in high and popular cultures. From fine art to superhero comics, from political cartoons to museum policy, certain persistent ideas underpin the most contentious issues today. Adams draws on history, philosophy, politics and cultural criticism to explain the reasoning of creators, consumers and critics and to expose some uncomfortable truths.
Download or read book Empires of the Imagination written by Holger Hoock and published by Profile Books. This book was released on 2010-07-09 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the mid-18th and mid-19th centuries, Britain evolved from a substantial international power yet relative artistic backwater into a global superpower and a leading cultural force in Europe. In this original and wide-ranging book, Hoock illuminates the manifold ways in which the culture of power and the power of culture were interwoven in this period of dramatic change. Britons invested artistic and imaginative effort to come to terms with the loss of the American colonies; to sustain the generation-long fight against Revolutionary and Napoleonic France; and to assert and legitimate their growing empire in India. Demonstrating how Britain fought international culture wars over prize antiquities from the Mediterranean and Near East, the book explores how Britons appropriated ancient cultures from the Mediterranean, the Near East, and India, and casts a fresh eye on iconic objects such as the Rosetta Stone and the Parthenon Marbles.
Download or read book Democratising Beauty in Nineteenth Century Britain written by Lucy Hartley and published by Cambridge University Press. This book was released on 2017-08-03 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines nineteenth-century interests in beauty, and considers whether these aesthetic pursuits were necessary to British public life.
Download or read book Art Labor Sex Politics written by Siona Wilson and published by U of Minnesota Press. This book was released on 2015-02-01 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contrary to critics who have called it the “undecade,” the 1970s were a time of risky, innovative art—and nowhere more so than in Britain, where the forces of feminism and labor politics merged in a radical new aesthetic. In Art Labor, Sex Politics Siona Wilson investigates the charged relationship of sex and labor politics as it played out in the making of feminist art in 1970s Britain. Her sustained exploration of works of experimental film, installation, performance, and photography maps the intersection of feminist and leftist projects in the artistic practices of this heady period. Collective practice, grassroots activism, and iconoclastic challenges to society’s sexual norms are all fundamental elements of this theoretically informed history. The book provides fresh assessments of key feminist figures and introduces readers to less widely known artists such as Jo Spence and controversial groups like COUM Transmissions. Wilson’s interpretations of two of the best-known (and infamous) exhibitions of feminist art—Mary Kelly’s Post-Partum Document and COUM Transmissions’ Prostitution—supply a historical context that reveals these works anew. Together these analyses demonstrate that feminist attention to sexual difference, sex, and psychic formation reconfigures received categories of labor and politics. How—and how much—do sexual politics transform our approach to aesthetic debates? What effect do the tropes of sexual difference and labor have on the very conception of the political within cultural practice? These are the questions that animate Art Labor, Sex Politics as it illuminates an intense and influential decade of intellectual and artistic experimentation.
Download or read book Images of Rule written by David Howarth and published by Univ of California Press. This book was released on 1997-01-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne. This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne.
Download or read book The King s Artists The Royal Academy of Arts and the Politics of British Culture 1760 1840 written by Holger Hoock and published by Clarendon Press. This book was released on 2003-11-13 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the story of the forging of a national cultural institution in late eighteenth- and early nineteenth-century Britain. The Royal Academy of Arts was the dominant art school and exhibition society in London and a model for art societies across the British Isles and North America. This is the first study of its early years, re-evaluating the Academy's significance in national cultural life and its profile in an international context. Holger Hoock reassesses royal and state patronage of the arts and explores the concepts and practices of cultural patriotism and the politicization of art during the American and French Revolutions. By demonstrating how the Academy shaped the notions of an English and British school of art and influenced the emergence of the British cultural state, he illuminates the politics of national culture and the character of British public life in an age of war, revolution, and reform.
Download or read book Art Culture and Enterprise Routledge Revivals written by Justin Lewis and published by Routledge. This book was released on 2013-12-16 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1990, this investigative overview of the politics of arts’ and cultural funding examines the question of public support for the arts. Looking at both popular commercial forms of culture, including radio, pop music and cinema, and the more traditional highbrow arts such as drama and opera, Art, Culture and Enterprise was the first book of its kind to deal systematically with the politics of contemporary culture. Drawing examples from specific British venues, Justin Lewis shows how innovative projects work in practice, and considers arts marketing and the promotion of culture as an economic strategy. A particularly relevant title in the context of the debate surrounding Arts Council funding, this reissue will prove valuable for artists, administrators and students of media and cultural studies, alongside those with a general interest in the future of public art and culture.
Download or read book Art Politics and Society in Britain 1880 1914 written by Trevor Harris and published by Cambridge Scholars Publishing. This book was released on 2009-10-02 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: The oldest word in politics is “new”. The oldest word in the writing of history may well be “modern”: it is, without doubt, one of the most overworked adjectives in the English language. But the indeterminacy is perhaps just another way of saying that the difficulties raised are of a kind which simply will not go away… This collection of eight essays on aspects of modernity and modernism takes up the challenge of examining the complex, but fascinating convergence of aesthetics, politics and a quasi-spiritual dimension which is perhaps typical of British modernist thinking about modernity. This may have produced figures whom we now dismiss as eccentrics or “aesthetes”, it none the less produced figures whom many still think of as in some sense embodying the national identity: what, after all, could be more “English” than a William Morris wallpaper design? Rather than towards socialism in any of its “scientific” guises, what the British modernist approach to modernity may have been pushing at was yet another mutation of liberalism: a libertarian-humanitarian hybrid in which indigenous radical and Evangelical legacies keep scientific socialism in check, where fellowship and domesticity edge out a larger-scale, more abstract “fraternity”, and where citoyenneté or civisme give way to what George Orwell was later to define simply as “decency”.
Download or read book The Politics of Art in Modern Egypt written by Patrick M. Kane (College teacher) and published by . This book was released on 2013 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Art and cultural production in Egypt during much of the last hundred years has operated against a backdrop of political crisis and confrontation. Patrick Kane focuses on the turbulent changes of the 1920s to 1960s, when polemical discourse and artistic practice developed against the entrenched and co-opted conservatism of elite and state culture. Radical forms of cultural criticism and dissonance emerged, and this legacy continues to resonate through contemporary activism and dissent. Kane charts the rise of key art movements, like the Egyptian Surrealists and the Contemporary Art Group, and explores their resistance to the Nahda paradigm of elite culture, as well as Nasser's state authoritarianism and nationalist agenda. Through the work of artists and critics like Abd al-Hadi al-Gazzar and Gamal al-Sagini, Kane provides rare insight into the Egyptian cultural and aesthetic experience, and how it has been shaped within a context of political and social conflict."--Bloomsbury Publishing.
Download or read book The Artist and the State 1777 855 written by DanielR. Guernsey and published by Routledge. This book was released on 2017-07-05 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Artist and the State, 1777-1855: The Politics of Universal History in British & French Painting is the first book-length study to examine political uses of 'universal history', or the philosophy of history, in European art from 1777 to 1855. Daniel R. Guernsey discusses a range of mural paintings and sculptural works produced in England and France between the American Revolution and the Universal Exposition of 1855, comparing the ways artists such as James Barry, Eug? Delacroix, Paul Chenavard, David d'Angers, and Gustave Courbet expressed linear or cyclical histories of progress and decline. By considering the work of these important European artists together, he reveals not only the rich artistic interaction that took place between England and France - as well as Germany - at this time, but also how the notion of 'universal history' was to become a major preoccupation in the work of these individual artists, each one participating in shaping a highly significant mode of eighteenth- and nineteenth-century political art.
Download or read book Conceptual Art and the Politics of Publicity written by Alexander Alberro and published by MIT Press. This book was released on 2003 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the origins and legacy of the conceptual art movement.
