Download or read book The Politics of Opera in Handel s Britain written by Thomas McGeary and published by Cambridge University Press. This book was released on 2013-04-25 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.
Download or read book The Cultural Politics of Opera 1720 1742 written by Thomas McGeary and published by Boydell & Brewer. This book was released on 2024-09-24 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the intersection of the world of opera, literature and partisan politics to show how Italian opera was put to use in the 'culture wars' of the day. This last of a trilogy of books on opera and politics in Britain examines the cultural politics of opera during the ministerial reign of Sir Robert Walpole from 1720 to 1742. The book explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera - with its associations with the court, ministry and Britain's social-political elite - was put to use in the 'culture wars' of the day: how Italian opera was used for partisan political advantage; how political work could be accomplished by means of opera. It shows that attacks on opera had ulterior targets. The book surveys a range of often overlooked verse and prints to show how critique or satire of opera were a means for oppositional writers to delegitimize the Walpole ministry. Polemicists framed opera as a consequence of the corruption, luxury and False Taste generated by Walpole's ministry. It closes in the watershed year 1742: Handel had produced the last of his Italian operas the previous year, Walpole fell from power, and Alexander Pope published the last book of his Dunciad project.
Download or read book Opera and Politics in Queen Anne s Britain 1705 1714 written by Thomas McGeary and published by Boydell & Brewer. This book was released on 2022-07-26 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
Download or read book The Politics of Opera written by Mitchell Cohen and published by Princeton University Press. This book was released on 2020-12-08 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and music by such greats as Monteverdi, Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce. This is an engrossing book that will interest all who love opera and are intrigued by politics.
Download or read book The Royal Throne of Mercy and British Culture in the Victorian Age written by James Gregory and published by Bloomsbury Publishing. This book was released on 2020-10-01 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first detailed study of its kind, James Gregory's book takes a historical approach to mercy by focusing on widespread and varied discussions about the quality, virtue or feeling of mercy in the British world during Victoria's reign. Gregory covers an impressive range of themes from the gendered discourses of 'emotional' appeal surrounding Queen Victoria to the exercise and withholding of royal mercy in the wake of colonial rebellion throughout the British empire. Against the backdrop of major events and their historical significance, a masterful synthesis of rich source material is analysed, including visual depictions (paintings and cartoons in periodicals and popular literature) and literary ones (in sermons, novels, plays and poetry). Gregory's sophisticated analysis of the multiple meanings, uses and operations of royal mercy duly emphasise its significance as a major theme in British cultural history during the 'long 19th century'. This will be essential reading for those interested in the history of mercy, the history of gender, British social and cultural history and the legacy of Queen Victoria's reign.
Download or read book The Political History of England Leadam I S From the accession of Anne to the death of George II 1702 1760 written by William Hunt and published by . This book was released on 1912 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of prints and drawings in the British museum Division 1 Political and personal satires written by British museum dept. of prints and drawings and published by . This book was released on 1877 with total page 916 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Political History of England written by William Hunt and published by . This book was released on 1921 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and the Exotic from the Renaissance to Mozart written by Ralph P. Locke and published by Cambridge University Press. This book was released on 2015-05-07 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.
Download or read book Operatic Performances in England Before Handel written by A. Joseph Armstrong and published by Createspace Independent Publishing Platform. This book was released on 2016-05-08 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the beginning of the first chapter. This study deals chiefly with the early opera in its connection with English letters. Music has been considered only as it serves to give a more distinct and comprehensive view of the principal theme. This limitation is necessary because with a few exceptions the scores of operas composed before the time of Handel have been lost. The nature of the music therefore can only be surmised from incidental references to it, scattered throughout diaries, letters and other contemporary records. The seventeenth century idea of opera differed materially from our own. The essentials of opera in Italy and France varied in important details from those of English opera so that a definition must be formulated covering the English conditions. An opera, it would seem, was a drama, either tragic or comic, which called to its aid in its presentation the sister art of music in the form of set songs, choruses and recitatives. Its subject was commonly romantic, and it employed like other romantic drama, the effectiveness of elaborate scenery, stage effects and costuming, setting more store on these accessories than did other plays. It differed from the masque in the subsidiary place which it gave to dancing and in the greater coherence of its plot. Though it suffered in its history certain changes in detail, its essential features lay in the fact that it was a musical drama. Davenant was the first writer of English opera. But to him an opera was any dramatic performance with song, recitative, instrumental music and scenic accompaniment. Joseph Knight accounts thus for Davenant's usage of the term: "His reason for using the word seems to have been almost entirely commercial, without much consideration for fitness. It was necessary to hoodwink the Puritan police authorities in order to give the production, 'Long after he had dismissed the music and produced regular tragedies, he adhered to the word opera, the use of which had enabled him to steer his bark in "ticklish" times.'" Knight seems a trifle too general in his assertions, for there were certainly operatic elements in the Siege of Rhodes, in Sir Francis Drake and in The Spaniards in Peru. Time and again moreover Davenant is referred to by Dryden, Langbaine, Dennis and others as the one who first introduced opera. As to his "adherence to the word long after he had dismissed the music," there is no record that a new English opera was played during Davenant's lifetime, after the earliest years of the Restoration period. His own operatic version of Macbeth was not presented until 1672, several years after his death. There would seem then to be no reason for his continuance of the use of the word. Instead of dismissing musical accompaniments, it is far more probable in conformity to the trend of the Restoration stage, that he favored the introduction of music into his dramas in increasing proportion. Even conceding that Davenant's purpose in his earlier performances was largely mercenary, his remodeled Siege of Rhodes may be held to have been influenced also by other considerations. It has evidences of a conscious striving for artistic expression and complexity of plot, and it certainly set an example for later operas....
Download or read book The Political History of England From the accession of Anne to the death of George II 1702 1760 written by William Hunt and published by . This book was released on 1909 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Studies in Seventeenth Century Opera written by BethL. Glixon and published by Routledge. This book was released on 2017-07-05 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past four decades have seen an explosion in research regarding seventeenth-century opera. In addition to investigations of extant scores and librettos, scholars have dealt with the associated areas of dance and scenery, as well as newer disciplines such as studies of patronage, gender, and semiotics. While most of the essays in the volume pertain to Italian opera, others concern opera production in France, England, Spain and the Germanic countries.
Download or read book Opera passion power and politics written by Kate Bailey and published by . This book was released on 2017 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Opera is traditionally regarded as an elitist art form far removed from reality by its fantastical pots and melodramatic divas. This book shows that beneath the opulent sets and sumptuous costumes, opera is very much a product of its time. Like all the great narrative arts, it draws on essential human experiences to create a form that can be endlessly reinvented to reflect a changing society.Focusing on seven opera premieres in seven distinct cultural landscapes, with additional essays by contemporary practitioners including Placido Domingo, Antonio Pappano and Simone Young, the book culminates in the international explosion of opera in the twentieth and twenty-first centuries. The seven operas and premieres are: Venice (Monteverdi's L'Incoranazione di Poppea, 1642); London (Handel's Rinaldo, 1711); Vienna (Mozart's Le Nozze di Figaro, 1786); Milan (Verdi's Nabucco, 1842); Paris (Wagner's Tannhauser, 1861); Dresden (Strauss' Salome, 1905) and St Petersburg 0(Shostakovich's Lady Macbeth of the Mtsensk District, 1934)" -- publisher's description.
Download or read book Reader s Guide to British History written by David Loades and published by Routledge. This book was released on 2020-12-17 with total page 4319 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Reader's Guide to British History is the essential source to secondary material on British history. This resource contains over 1,000 A-Z entries on the history of Britain, from ancient and Roman Britain to the present day. Each entry lists 6-12 of the best-known books on the subject, then discusses those works in an essay of 800 to 1,000 words prepared by an expert in the field. The essays provide advice on the range and depth of coverage as well as the emphasis and point of view espoused in each publication.
Download or read book Handel in London written by Jane Glover and published by Simon and Schuster. This book was released on 2018-12-04 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1712, a young German composer followed his princely master to London and would remain there for the rest of his life. That master would become King George II and the composer was George Freidrich Handel. Handel, then still only twenty-seven and largely self-taught, would be at the heart of music activity in London for the next four decades, composing masterpiece after masterpiece, whether the glorious coronation anthem, Zadok the Priest, operas such as Rinaldo and Alcina or the great oratorios, culminating, of course, in Messiah. Here, Jane Glover, who has conducted Handel’s work in opera houses and concert halls throughout the world, draws on her profound understanding of music and musicians to tell Handel’s story. It is a story of music-making and musicianship, but also of courts and cabals of theatrical rivalries and of eighteenth-century society. It is also, of course the story of some of the most remarkable music ever written, music that has been played and sung, and loved, in this country—and throughout the world—for three hundred years.
Download or read book British Romanticism in European Perspective written by Steve Clark and published by Springer. This book was released on 2015-09-08 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: What, and when, is British Romanticism, if seen not in island isolation but cosmopolitan integration with European Romantic literature, history and culture? The essays here range from poetry and the novel to science writing, philosophy, visual art, opera and melodrama; from France and Germany to Italy and Bosnia.
Download or read book A History of Opera written by Carolyn Abbate and published by W. W. Norton & Company. This book was released on 2015-09-08 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
