Download or read book The Poetry Film Nexus in Latin America written by Ben Bollig and published by Moving Image. This book was released on 2022-02-14 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filmmakers often mine novels and plays for stories and characters, but what happens when poetry appears on screen? In this edited volume, contributors explore the rich corpus of Latin American films that operate where poetry and cinema meet. Examples include the adaptation of poems to film; the characterisation of poets on screen; the role of poets as filmmakers; the concept of the 'poetic film'; approaches to the 'cinema of poetry' (drawing on writings by Pasolini, in particular); poetic documentaries; and the use of poetry in avant-garde film. Contributions range from silent cinema to contemporary works, and from Mexico through Brazil to the Southern Cone, including studies of films by María Luisa Bemberg, Pablo Larraín, Guillermo del Toro, as well as independent video and media artists. Ben Bollig is Professor of Spanish-American Literature at the University of Oxford. David M.J. Wood is a Researcher at the Instituto de Investigaciones Estéticas, UNAM, Mexico City.
Download or read book Moving Verses written by Ben Bollig and published by Oxford University Press. This book was released on 2021-07 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Wild Tales to Zama, Argentine cinema has produced some of the most visually striking and critically lauded films of the 2000s. Argentina also boasts some of the most exciting contemporary poetry in the Spanish language. What happens when its film and poetry meet on screen? Moving Verses studies the relationship between poetry and cinema in Argentina. Although both the poetics of cinema and literary adaptation have become established areas of film scholarship in recent years, the diverse modes of exchange between poetry and cinema have received little critical attention. The book analyses how film and poetry transform each another, and how these two expressive media behave when placed into dialogue. Going beyond theories of adaptation, and engaging critically with concepts around intermediality and interdisciplinarity, Moving Verses offers tools and methods for studying both experimental and mainstream film from Latin America and beyond. The corpus includes some of Argentina's most exciting and radical contemporary directors (Raúl Perrone, Gustavo Fontán) as well as established modern masters (María Luisa Bemberg, Eliseo Subiela), and seldom studied experimental projects (Narcisa Hirsch, Claudio Caldini). The critical approach draws on recent works on intermediality and impure cinema to sketch and assess the many and varied ways in which directors read poetry on screen.
Download or read book The Metropolis in Latin America 1830 1930 written by Idurre Alonso and published by Getty Publications. This book was released on 2021-08-17 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima—as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis. Drawing from the Getty Research Institute’s vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities’ changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today’s Latin American megalopolis.
Download or read book Latin American Poetry written by Gordon Brotherston and published by Cambridge University Press. This book was released on 1975-11-13 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study considers the ways Spanish American and Brazilian poets differ from their European counterparts by considering 'Latin American' as more than a perfunctory epithet. It sets the orthodox Latin tradition of the subcontinent against others that have survived or grown up after the conquest then pays attention to those poets who, from Independence, have striven to express a specifically American moral and geographical identity. Dr Brotherson focuses on Modernismo, or the 'coming of age' of poetry in Spanish America and Brazil, and the importance of the movements associated with it. He considers César Vallejo and Pablo Neruda, probably the greatest of the selection, Octavio Paz, and modern poets who have reacted differently to the idea that Latin America might now be thought to have not just a geographical but a nascent political identity of its own. Poems are liberally quoted, and treated as entities in their own right.
Download or read book Cinema and Social Change in Latin America written by Julianne Burton and published by University of Texas Press. This book was released on 2010-06-28 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late 1960s, films from Latin America have won widening audiences in North America and Europe. Until now, no single book has offered an introduction to the diverse personalities and practices that make up this important regional film movement. In Cinema and Social Change in Latin America, Julianne Burton presents twenty interviews with key figures of Latin American cinema, covering three decades and ranging from Argentina to Mexico. Interviews with pioneers Fernando Birri, Nelson Pereira dos Santos, and Glauber Rocha, renowned feature filmmakers Tomás Gutiérrez Alea and Carlos Diegues, prize-winning documentarists Patricio Guzmán and Helena Solberg-Ladd, among others, endeavor to balance personal achievement against the backdrop of historical, political, social, and economic circumstances that have influenced each director's career. Presented also are conversations that cast light on the related activities of acting, distribution, theory, criticism, and film-based community organizing. More than their counterparts in other regions of the world, Latin American artists and intellectuals acknowledge the degree to which culture is shaped by history and politics. Since the mid-1950s, a period of rising nationalism and regional consciousness, talented young artists and activists have sought to redefine the uses of the film medium in the Latin American context. Questioning the studio and star systems of the Hollywood industrial model, these innovators have developed new forms, content, and processes of production, distribution, and reception. The specific approaches and priorities of the New Latin American Cinema are far from monolithic. They vary from realism to expressionism, from observational documentary to elaborate fictional constructs, from "imperfect cinema" to a cinema that emulates the high production values of the developed sectors, from self-reflexive to "transparent" cinematic styles, from highly industrialized modes of production to purely artisanal ones. What does not vary is the commitment to film as a vehicle for social transformation and the expression of national and regional cultural autonomy. From early alternative cinema efforts in Argentina, Brazil, and Cuba to a contemporary perspective from within the Mexican commercial industry to the emerging cinema and video production from Central America, Cinema and Social Change in Latin America offers the most comprehensive look at Latin American film available today.
Download or read book New Transnationalisms in Contemporary Latin American Cinemas written by Dolores Tierney and published by Edinburgh University Press. This book was released on 2018-01-23 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through a textual analysis of six filmmakers (Alejandro González Iñárritu, Alfonso Cuarón, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan José Campanella), this book brings a new perspective to the films of Latin America's transnational auteurs.
Download or read book Political Documentary Cinema in Latin America written by Antonio Traverso and published by Routledge. This book was released on 2016-01-08 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The chapters in this book show the important role that political documentary cinema has played in Latin America since the 1950s. Political documentary cinema in Latin America has a long history of tracing social injustice and suffering, depicting political unrest, intervening in periods of crisis and upheaval, and reflecting upon questions about ideology, cultural identity, genocide and traumatic memory. This collection bears witness to the region's film culture's diversity, discussing documentaries about workers' strikes, riots, and military coups against elected governments; crime, poverty, homelessness, prostitution, children's work, and violence against women; urban development, progress, (under)development, capitalism, and neoliberalism; exile, diaspora and border cultures; trauma and (post)memory. The chapters focus on documentaries made in Argentina, Brazil, Chile, Cuba, Mexico, and Venezuela, as well as on the work of Latino and diasporic Latin American political documentarians. The contributors to the anthology reflect the cultural and linguistic diversity of current Latin American film scholarship, with some writing in Spanish and Portuguese from Argentina and Brazil (with their original works especially translated), and others writing in English from Australia, Europe, and the USA. This book was originally published as a special issue of Social Identities.
Download or read book Themes in Latin American Cinema written by Keith John Richards and published by McFarland. This book was released on 2011-07-20 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing 19 contemporary films from across Latin America, this book identifies and explores seven crucial themes in Latin American film: the indigenous image, sexuality, childhood, female protagonists, crime and corruption, fratricidal wars, and writers as characters. Designed as a guide for teachers of Hispanic culture or Latin American film and literature, the book provides a sweeping look at the logistical circumstances of filmmaking in the region along with the criteria involved in interpreting a Latin American film. It also includes interviews with and brief biographies of influential filmmakers, along with film synopses, production details and credits, transcripts of selected scenes, and suggestions for further discussion and analysis.
Download or read book Contemporary Cinema of Latin America written by Deborah Shaw and published by A&C Black. This book was released on 2003-03-15 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on a selection of internationally known Latin American films. The chapters are organized around national categories, grounding the readings not only in the context of social and political conditions, but also in those of each national film industry. It is a very useful text for students of the region's cultural output, as well as for students of film studies who wish to learn more about the innovative and often controversial films discussed.
Download or read book New Latin American Cinema written by Michael T. Martin and published by Wayne State University Press. This book was released on 1997 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: V. 1. Theory, practices, and transcontinental articulations -- v. 2. Studies of national cinemas. Includes bibliographical references and indexes.
Download or read book The Latin American Road Movie written by Verónica Garibotto and published by Springer. This book was released on 2016-07-28 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the ways films made by Latin American directors and/or co-produced in Latin American countries have employed the road movie genre to address the reconfiguration of the geographical, sociopolitical, economic, and cultural landscape of Latin America.
Download or read book Struggles for Recognition written by Juan Sebastián Ospina León and published by University of California Press. This book was released on 2021-03-16 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Struggles for Recognition traces the emergence of melodrama in Latin American silent film and silent film culture. Juan Sebastián Ospina León draws on extensive archival research to reveal how melodrama visualized and shaped the social arena of urban modernity in early twentieth-century Latin America. Analyzing sociocultural contexts through film, this book demonstrates the ways in which melodrama was mobilized for both liberal and illiberal ends, revealing or concealing social inequities from Buenos Aires to Bogotá to Los Angeles. Ospina León critically engages Euro-American and Latin American scholarship seldom put into dialogue, offering an innovative theorization of melodrama relevant to scholars working within and across different national contexts.
Download or read book The Film Archipelago written by Antonio Gómez and published by Bloomsbury Publishing. This book was released on 2021-12-16 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do the islands and archipelagos of the New World figure in Latin American cinema? Comprising 15 essays and a critical introduction, The Film Archipelago: Islands in Latin American Cinema addresses this question by examining a series of intersections between insular spaces and filmmaking in Latin America. The volume brings together international scholars and filmmakers to consider a diverse corpus of films about islands, films that take place on islands, films produced in islands, and films that problematise islands. The book explores a diverse range of films that extend from the Chilean documentaries of Patricio Guzmán to work on the Malvinas/Falkland Islands, and films by Argentine directors Gustavo Fontán and Lucrecia Martel. Chapters focus on Rapa Nui (Easter Island), the Mexican Islas Marías, and the Panamanian Caribbean; on ecocritical, environmental and film historical aspects of Brazilian and Argentine river islands; and on Cuban, Guadeloupean, Haitian, and Puerto Rican contexts. The Film Archipelago argues that the islands and archipelagos of Latin American cinema constitute a critically interesting, analytically complex, and historically suggestive angle to explore issues of marginality and peripherality, remoteness and isolation, and fragility and dependency. As a whole, the collection demonstrates to what extent the combined insular and archipelagic lens can re-frame and re-figure both longstanding and recent discussions on the spaces of Latin American cinema.
Download or read book Latin America in Film part 1 of 2 written by and published by . This book was released on 2004 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cosmopolitan Film Cultures in Latin America 1896 1960 written by Rielle Navitski and published by Indiana University Press. This book was released on 2017-06-19 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.
Download or read book Magical Reels written by John King and published by Verso. This book was released on 2000-09-17 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: On Latin American cinema.
Download or read book Latsploitation Exploitation Cinemas and Latin America written by Victoria Ruetalo and published by Routledge. This book was released on 2009 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt:
