Download or read book The Poetics of Iranian Cinema written by Khatereh Sheibani and published by Bloomsbury Publishing. This book was released on 2011-09-30 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the wake of the 1979 Iranian Revolution, Iranian society and culture underwent massive changes. Here, Khatereh Sheibani argues that cinema evolved after the national uprising in 1978/79, and ultimately replaced poetry as the dominant form of cultural expression. She presents a comparative analysis of post-revolutionary Iranian cinema as an offshoot of Iranian modernity, and explains its connections with the themes present in traditional Persian poetry and conventional visual arts. She examines the pre-revolutionary film industry - such as Iranian new wave and filmfarsi movies - its styles and themes, and its relation to the emerging cinema after 1978. Sheibani argues that Iranian art cinema, as one of the signifiers and agents of modernity, underwent a cultural revolution by employing the aesthetics of Persian literature and visual arts in a modern context. This is a valuable contribution to the scholarly literature on Iranian cinema, politics and culture.
Download or read book The Poetics of Iranian Cinema written by Khatereh Sheibani and published by Tauris Academic Studies. This book was released on 2011-09-20 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the wake of the 1979 Iranian Revolution, Iranian society and culture underwent massive changes. Here, Khatereh Sheibani argues that cinema evolved after the national uprising in 1978/79, and ultimately replaced poetry as the dominant form of cultural expression. She presents a comparative analysis of post-revolutionary Iranian cinema as an offshoot of Iranian modernity, and explains its connections with the themes present in traditional Persian poetry and conventional visual arts. She examines the pre-revolutionary film industry - such as Iranian new wave and filmfarsi movies - its styles and themes, and its relation to the emerging cinema after 1978. Sheibani argues that Iranian art cinema, as one of the signifiers and agents of modernity, underwent a cultural revolution by employing the aesthetics of Persian literature and visual arts in a modern context. This is a valuable contribution to the scholarly literature on Iranian cinema, politics and culture.
Download or read book Reform Cinema in Iran written by Blake Atwood and published by Columbia University Press. This book was released on 2016-11-08 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami's Taste of Cherry (1997) and Mohsen Makhmalbaf's Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami's presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.
Download or read book Allegory in Iranian Cinema written by Michelle Langford and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for many, allegory is much more than a foil against haphazardly applied censorship rules. Drawing on a long history of allegorical expression in Persian poetry and the arts, allegory has become an integral part of the poetics of Iranian cinema. Allegory in Iranian Cinema explores the allegorical aesthetics of Iranian cinema, explaining how it has emerged from deep cultural traditions and how it functions as a strategy for both supporting and resisting dominant ideology. As well as tracing the roots of allegory in Iranian cinema before and after the 1979 revolution, Langford also theorizes this cinematic mode. She draws on a range of cinematic, philosophical and cultural concepts - developed by thinkers such as Walter Benjamin, Gilles Deleuze, Pier Paolo Pasolini, Christian Metz and Vivian Sobchack - to provide a theoretical framework for detailed analyses of films by renowned directors of the pre-and post-revolutionary eras including Masoud Kimiai, Dariush Mehrjui, Ebrahim Golestan, Kamran Shirdel, Majid Majidi, Jafar Panahi, Marziyeh Meshkini, Mohsen Makhmalbaf, Rakhshan Bani-Etemad and Asghar Farhadi. Allegory in Iranian Cinema explains how a centuries-old means of expression, interpretation, encoding and decoding becomes, in the hands of Iran's most skilled cineastes, a powerful tool with which to critique and challenge social and cultural norms.
Download or read book Allegory in Iranian Cinema written by Michelle Langford and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for many, allegory is much more than a foil against haphazardly applied censorship rules. Drawing on a long history of allegorical expression in Persian poetry and the arts, allegory has become an integral part of the poetics of Iranian cinema. Allegory in Iranian Cinema explores the allegorical aesthetics of Iranian cinema, explaining how it has emerged from deep cultural traditions and how it functions as a strategy for both supporting and resisting dominant ideology. As well as tracing the roots of allegory in Iranian cinema before and after the 1979 revolution, Langford also theorizes this cinematic mode. She draws on a range of cinematic, philosophical and cultural concepts - developed by thinkers such as Walter Benjamin, Gilles Deleuze, Pier Paolo Pasolini, Christian Metz and Vivian Sobchack - to provide a theoretical framework for detailed analyses of films by renowned directors of the pre-and post-revolutionary eras including Masoud Kimiai, Dariush Mehrjui, Ebrahim Golestan, Kamran Shirdel, Majid Majidi, Jafar Panahi, Marziyeh Meshkini, Mohsen Makhmalbaf, Rakhshan Bani-Etemad and Asghar Farhadi. Allegory in Iranian Cinema explains how a centuries-old means of expression, interpretation, encoding and decoding becomes, in the hands of Iran's most skilled cineastes, a powerful tool with which to critique and challenge social and cultural norms.
Download or read book The New Iranian Cinema written by Richard Tapper and published by Harvard Common Press. This book was released on 2002-09-06 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iranian cinema is today widely recognised not merely as a distinctive national cinema, but as one of the most innovative and exciting mzzin the world. This book shows how contemporary Iranian film has firm roots, both from before the revolution and in richer and more profound cultural traditions that have survived many centuries of political and social change.
Download or read book Popular Iranian Cinema before the Revolution written by Pedram Partovi and published by Taylor & Francis. This book was released on 2017-07-14 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.
Download or read book Modern American Literature and Contemporary Iranian Cinema written by Morteza Yazdanjoo and published by Taylor & Francis. This book was released on 2022-12-29 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: As an endeavor to contribute to the burgeoning field of comparative literature, this monograph addresses the dynamic yet understudied "intertextual dialogism" between modern American literature and contemporary Iranian Cinema, pinpointing how the latter appropriates and recontextualizes instances of the former to construct and inculcate vestiges of national/gender identity on the silver screen. Drawing on Louis Montrose’s catchphrase that Cultural Materialism foregrounds "the textuality of history, [and] the historicity of texts", this book contends that literary "texts" are synchronic artifacts prone to myriad intertextual and extra-textual readings and understandings, each historically conditioned. The recontextualization of Herzog, Franny and Zooey, The Glass Menagerie, A Streetcar Named Desire, and Death of a Salesman into contemporary Iran provides an intertextual avenue to delineate the textuality of history and the historicity of texts
Download or read book Structure and Meaning in Medieval Arabic and Persian Lyric Poetry written by Julie Meisami and published by Routledge. This book was released on 2003-09-02 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive and comparative study of compositional and stylistic techniques in medieval Arabic and Persian lyric poetry. Ranging over some seven countries, it deals with works by over thirty poets in the Islamic world from Spain to present-day Afghanistan, and examines how this rich poetic traditions exhibits both continuity and development in the use of a wide variety of compositional strategies. Discussing such topics as principles of structural organisation, the use of rhetorical figures, metaphor and images, and providing detailed analyses of a large number of poetic texts, it shows how structural and semantic features interacted to bring coherence and meaning to the individual poem. It also examines works by the indigenous critics of poetry in both Arabic and Persian, and demonstrates the critics' awareness of, and interest in, the techniques which poets employed to construct poems which were both eloquent and meaningful. Comparisons are also made with classical and medieval poetics in the west. The book will be of interest not merely to specialists in the relevant fields, but also to all those interested in pre-modern poetry and poetics.
Download or read book The I B Tauris Handbook of Iranian Cinema written by Michelle Langford and published by Bloomsbury Publishing. This book was released on 2024-10-31 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together scholarship from both established scholars and early career academics to provide fresh insights and new research on the cinema of Iran. The book is organised around eight broad themes including cinema before and after the revolution, stylistic innovation, documentary, gender, and genre. Encompassing a diverse range of methodological approaches and disciplinary frameworks including film studies, cultural studies, and political economy, each chapter is a self-contained study on a specific topic engaging with the national and transnational history of Iranian cinema which combined provide readers with original new insights into Iranian film and filmmakers, from fiction films to art house and popular cinema. The Handbook includes analysis of the works of established filmmakers such as Bahram Beyzaie, Rakhshan Banetemad, Abbas Kiarostami and Mohsen Makhmalbaf, as well as the output of emerging voices such as Ida Panahandeh and Shahram Mokri. Covering well-known topics as well as cutting edge ones such the sonic and visual manifestations of the urban environment in Iranian films, this book is a vital resource for understanding Iran and its unique cinematic culture.
Download or read book Iranian Cinema in a Global Context written by Peter Decherney and published by Routledge. This book was released on 2014-09-15 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has been focused on a small segment of Iranian film production: auteurist art cinema. Iranian Cinema in a Global Context, on the other hand, takes account of the wide range of Iranian cinema, from popular youth films to low budget underground films. The volume also reassesses the global circulation of Iranian art cinema, looking at its reception at international festivals, in university curricula, and at the Academy Awards. A final theme of the volume explores the intersection between politics and film, with essays on post-Khatami reform influences, representations of ineffective drug policies, and the representation of Jewish characters in Iranian film. Taken together, the essays in this volume present a new definition of the field of Iranian film studies, one that engages global media flows, transmedia interaction, and a heterogeneous Iranian national cinema.
Download or read book Masters and Masterpieces of Iranian Cinema written by Hamid Dabashi and published by Mage Publishers. This book was released on 2023-05-23 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: An academically acclaimed and globally celebrated cultural critic, Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is the author of a number of highly acclaimed books and articles on Iran, Islam, comparative literature, world cinema, and the philosophy of art, among them Close Up: Iranian Cinema, Past, Present, Future; Dreams of a Nation: On Palestinian Cinema (editor), Iran: A People Interrupted, and Iran without Borders: Towards a Critique of the Postcolonial Nation. He lives with his family in New York City.
Download or read book A Persian Mosaic written by Khorrami, Mohammad Mehdi (editor) and published by Ibex Publishers. This book was released on 2015-01-01 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: CONTENTS Editors’ Foreword M.R. Ghanoonparvar: A Selected Bibliography The Liminal World of The Blind Owl by Mardin Aminpour The Pre-Islamic Past in Modern Iranian Culture: A Cultural Materialist Reading by Mahyar Entezari Mapping Dystopia in Ebrahim Golestan’s Mud Brick and Mirror by Somy Kim “As Fellow Asians?” Irano-Japanese Relations in the Interwar Period by Mikiya Koyagi Shah Isma’il Comes to Herat: An Anecdote from Vasefi’s “Amazing Events” (Badayi’ al-Vaqayi’) by Azfar Moin Enlightenment and Shades of Gray: Magic Realism in Women without Men by Dylan Oehler-Stricklin Remembrance, Reflection, and Retention: Involuntary Memory in Ayenehha-ye Dardar by Farkhondeh Shayesteh The Documentary Moment: War and Viewer Subjectivity in Bahman Ghobadi’s Turtles Can Fly by Blake Atwood Teaching Culture in the Persian Language Classroom by Shahla Adel Indefinite/Restrictive Maker as Evidence for a Raising/Promotion Analysis of Persian Restrictive Relative Clauses by Behrad Aghaei
Download or read book A Social History of Iranian Cinema Volume 4 written by Hamid Naficy and published by Duke University Press. This book was released on 2011 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.
Download or read book Russians in Iran written by Rudi Matthee and published by Bloomsbury Publishing. This book was released on 2018-01-25 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russians in Iran seeks to challenge the traditional narrative regarding Russian involvement Iran and to show that whilst Russia's historical involvement in Iran is longstanding it is nonetheless much misunderstood. Russia's influence in Iran between 1800 and the middle of the twentieth century is not simply a story of inexorable intrusion and domination: rather, it is a complex and interactive process of mostly indirect control and constructive engagement. Drawing on fresh archival material, the contributors provide a window into the power and influence wielded in Iran not just by the Russian government through it traditional representatives but by Russian nationals operating in Iran in a variety of capacities, including individuals, bankers, and entrepreneurs. Russians in Iran reveals the multifaceted role that Russians have played in Iranian history and provides an original and important contribution to the history and international relations of Iran, Russia and the Middle East.
Download or read book A Social History of Iranian Cinema Volume 2 written by Hamid Naficy and published by Duke University Press. This book was released on 2011-09-16 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.
Download or read book The Politics of Iranian Cinema written by Saeed Zeydabadi-Nejad and published by Routledge. This book was released on 2009-12-04 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iran has undergone considerable social and political upheaval since the revolution and this has been reflected in its cinema. Focusing on the practices of regulation, production and reception of films in Iran, this book explores the politics of Iranian cinema in its post-revolutionary context.
