Download or read book The New Soviet Theatre written by Joseph Macleod and published by Routledge. This book was released on 2021-11-29 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1943, The New Soviet Theatre presents Joseph Macleod’s take on the development and rapid changes in the Soviet Theatre since late 1930s. Through scattered articles and reports, books and bulletins, and his own visits to the USSR, Macleod showcases what we know as ‘Socialist Realism’. He brings themes like the shortcomings of the old theatre; the audience beyond the Caucasus; new socialist audiences; Alexey Popov of the Central Theatre of the Red Army; new writers and new plays; and popularity of Shakespeare both in the central theatres and in remoter and unexpected places. Written graphically but founded on scholarship this book will be an essential read for scholars and researchers of history of theatre, European theatre, theatre and performance studies.
Download or read book The New Soviet Theatre written by Joseph MacLeod and published by Routledge. This book was released on 2023-11-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1943, The New Soviet Theatre presents Joseph Macleod's take on the development and rapid changes in the Soviet Theatre since late 1930s. Through scattered articles and reports, books and bulletins, and his own visits to the USSR, Macleod showcases what we know as 'Socialist Realism'. He brings themes like the shortcomings of the old theatre; the audience beyond the Caucasus; new socialist audiences; Alexey Popov of the Central Theatre of the Red Army; new writers and new plays; and popularity of Shakespeare both in the central theatres and in remoter and unexpected places. Written graphically but founded on scholarship this book will be an essential read for scholars and researchers of history of theatre, European theatre, theatre and performance studies.
Download or read book The Soviet Theater written by Laurence Senelick and published by Yale University Press. This book was released on 2014-06-24 with total page 781 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this monumental work, Laurence Senelick and Sergei Ostrovsky offer a panoramic history of Soviet theater from the Bolshevik Revolution to the eventual collapse of the USSR. Making use of more than eighty years’ worth of archival documentation, the authors celebrate in words and pictures a vital, living art form that remained innovative and exciting, growing, adapting, and flourishing despite harsh, often illogical pressures inflicted upon its creators by a totalitarian government. It is the first comprehensive analysis of the subject ever to be published in the English language.
Download or read book New Russian Drama written by Maksim Hanukai and published by Columbia University Press. This book was released on 2019-08-06 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form. This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic “text” that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater.
Download or read book The New Theatre and Cinema of Soviet Russia written by Huntly Carter and published by . This book was released on 1925 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Revolutionary Acts written by Lynn Mally and published by Cornell University Press. This book was released on 2000 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.
Download or read book A History of Russian Theatre written by Robert Leach and published by Cambridge University Press. This book was released on 1999-11-29 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive history of Russian theatre, written by an international team of experts.
Download or read book Russian Symbolist Theater written by Michael Green and published by Abrams. This book was released on 2013-05-28 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although by writers better known for their verse and narrative prose, the plays of the Symbolists were not intended, like the dramatic poems of the Romantics, for the study rather than the stage. Instead, they are highly theatrical creations in a new style that demanded a new style of production. Meyerhold played a decisive role in the new Symbolist theatre and it was his production of Blok’s The Puppet Show in Komissarzhevskaya’s Theatre that launched the new direction in Russian drama. Among the works collected here are the plays The Puppet Show and The Rose and the Cross (Blok), The Triumph of Death (Sologub), The Comedy of Alexis and The Venetian Madcaps (Kuzmin), Thamyris Kitharodos (Annensky), and The Tragedy of Judas (Remizov) and essays by Briusov, Blok, Ivanov, Bely, Sologub, and Andreyev. Rounding out this essential anthology are Michael Green’s general introduction, as well as insightful prefaces for each writer, placing the plays and essays into their cultural and historical contexts.
Download or read book The Russian Theatre After Stalin written by Anatoly Smeliansky and published by Cambridge University Press. This book was released on 1999-07-08 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to explore the world of the theatre in Russia after Stalin. Through his work at the Moscow Art Theatre, Anatoly Smeliansky is in a key position to analyse contemporary events on the Russian stage and he combines this first-hand knowledge with valuable archival material, some published here for the first time, to tell a fascinating and important story. Smeliansky chronicles developments from 1953 and the rise of a new Soviet theatre, and moves through the next four decades, highlighting the social and political events which shaped Russian drama and performance. The book also focuses on major directors and practitioners, including Yury Lyubimov, Oleg Yefremov, and Lev Dodin, among others, and contains a chronology, glossary of names, and informative illustrations.
Download or read book Staging Postcommunism written by Vessela S. Warner and published by University of Iowa Press. This book was released on 2020-01-01 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, “alternative theatre” found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well. Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Ros ̧ca, Ban ̧uta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer
Download or read book Performing Violence written by Birgit Beumers and published by Intellect (UK). This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The so-called "New Russian Drama" emerged at the end of the twentieth century, following a long period of decline in dramatic writing in the late Soviet and post-Soviet era. In Performing Violence, Birgit Beumers and Mark Lipovetsky examine the representation of violence in these new dramatic works by young Russian playwrights. Reflecting the disappointment in Yeltsin's democratic reforms and Putin's neoconservative politics, the plays focus on political and social representations of violence, its performances, and its justifications. As the first English-language study of Russian drama and theatre in the twenty-first century, Performing Violence seeks a vantage point for the analysis of brutality in post-Soviet culture. While previous generations had preferred poetry and prose, this new breed of authors--the Presnyakov brothers, Evgeni Grishkovets, and Vasili Sigarev among them--have garnered international recognition for their fierce plays. This book investigates the violent portrayal of the identity crisis of a generation as represented in their theatrical works, and will be a key text for students and scholars of drama, Russian studies, and literature.
Download or read book The New Theatre and Cinema of Soviet Russia written by Huntly Carter and published by . This book was released on 1924 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New Soviet Gypsies written by Brigid O'Keeffe and published by University of Toronto Press. This book was released on 2013-12-06 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: As perceived icons of indifferent marginality, disorder, indolence, and parasitism, “Gypsies” threatened the Bolsheviks’ ideal of New Soviet Men and Women. The early Soviet state feared that its Romani population suffered from an extraordinary and potentially insurmountable cultural “backwardness,” and sought to sovietize Roma through a range of nation-building projects. Yet as Brigid O’Keeffe shows in this book, Roma actively engaged with Bolshevik nationality policies, thereby assimilating Soviet culture, social customs, and economic relations. Roma proved the primary agents in the refashioning of so-called “backwards Gypsies” into conscious Soviet citizens. New Soviet Gypsies provides a unique history of Roma, an overwhelmingly understudied and misunderstood diasporic people, by focusing on their social and political lives in the early Soviet Union. O’Keeffe illustrates how Roma mobilized and performed “Gypsiness” as a means of advancing themselves socially, culturally, and economically as Soviet citizens. Exploring the intersection between nationality, performance, and self-fashioning, O’Keeffe shows that Roma not only defy easy typecasting, but also deserve study as agents of history.
Download or read book Chagall and the Artists of the Russian Jewish Theater written by Zvi Y. Gitelman and published by Yale University Press. This book was released on 2008 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Soviet Jewish theater in a world of moral compromise / Susan Tumarkin Goodman -- The political context of Jewish theater and culture in the Soviet Union / Zvi Gitelman -- Habima and "Biblical theater" / Vladislav Ivanov -- Yiddish constructivism : the art of the Moscow State Yiddish Theater / Jeffrey Veidlinger -- Art and theater / Benjamin Harshav -- Habima and Goset : an illustrated chronicle
Download or read book Theatre in Revolution written by Nancy Van Norman Baer and published by . This book was released on 1991 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Stenberg Brothers written by Christopher Mount and published by ABRAMS. This book was released on 1997 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: The exhibition Stenberg Brothers: Constructing a Revolution in Soviet Design, organized by Christopher Mount, Assistant Curator in the Department of Architecture and Design, is the first critical survey of the work of these two seminal figures in the history of twentieth-century graphic design.
Download or read book Historical Dictionary of Russian Theatre written by Laurence Senelick and published by Rowman & Littlefield. This book was released on 2015-08-13 with total page 693 pages. Available in PDF, EPUB and Kindle. Book excerpt: A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
